[{"data":1,"prerenderedAt":63},["ShallowReactive",2],{"artwork-xue-jiang-gui-zhao-tu-juan-ba-cai-jing-221359":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":26,"material":27,"size":28,"collection":29,"collections":30,"showCount":31,"zanCount":32,"manualWeight":32,"mainColor":33,"tagLinks":34},221359,"xue-jiang-gui-zhao-tu-juan-ba-cai-jing-221359","雪江归棹图卷跋","宋","蔡京","北京故宫博物院","《跋赵佶雪江归棹图卷》蔡京长跋释文：\n“臣伏观御制雪江归棹，水远无波，天长一色。群山皎洁，行客萧条。鼓棹中流，片帆天际。雪江归棹之意尽矣。天地四时之气不同，万物生于天地间。随气所运，炎凉晦明。生息荣枯，飞走蠢动。变化无方，莫之能穷。 皇帝陛下以丹青妙笔，备四时之景色，究万物之情态于四图之内，盖神智与造化等也。大观庚寅季春朔日，太师楚国公致仕臣京谨识。”蔡京的此段题跋非常重要，一是说明《雪江归棹图卷》为徽宗御制；二是说明《雪江归棹图卷》是原来的春、夏、秋、冬四时图之一。三是说明此图卷约完成于大观庚寅四年（1110）之前，时宋徽宗二十九岁。所以后来许多的著录书籍、画史研究家和鉴定家均依此认定《雪江归棹图卷》为宋徽宗真迹。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25],"高清","名画","国画","书画","长卷","行书","书法","水墨","山水","孤舟","雪景","江","岸","天","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faf14a18de8e09672e19ddb10db39f910.jpg","绢本,设色","纵30.3cm,横190.8cm","书法精选",[29],68,0,"BDBDBD",[35,37,39,41,43,45,47,49,51,53,55,57,59,61],{"name":12,"slug":36},"gao-qing",{"name":13,"slug":38},"ming-hua",{"name":14,"slug":40},"guo-hua",{"name":15,"slug":42},"shu-hua",{"name":16,"slug":44},"chang-juan",{"name":17,"slug":46},"xing-shu",{"name":18,"slug":48},"shu-fa",{"name":19,"slug":50},"shui-mo",{"name":20,"slug":52},"shan-shui",{"name":21,"slug":54},"gu-zhou",{"name":22,"slug":56},"xue-jing",{"name":23,"slug":58},"jiang",{"name":24,"slug":60},"an",{"name":25,"slug":62},"tian",1777535401367]