[{"data":1,"prerenderedAt":52},["ShallowReactive",2],{"artwork-xue-shan-tu-yuan-jiang-219907":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":23,"size":24,"collection":25,"collections":26,"showCount":27,"zanCount":28,"manualWeight":29,"mainColor":30,"tagLinks":31},219907,"xue-shan-tu-yuan-jiang-219907","雪山图","清","袁江","费城艺术博物馆","袁江（1662年—1735年），字文涛，号岫泉，江都（今江苏扬州）人，清代画家。\n袁江，是中国绘画史上有影响画家，宫廷画家，专攻山水楼阁界画。雍正时，召入宫廷为祗侯。在清康熙、雍正、乾隆时期，楼阁工整山水当以袁江最有名。当时还有他的侄子袁耀同齐名。他们两人曾受扬州的山西盐商的聘请，到山西作画，作品在北方流传较多。他擅画山水、楼台、师法宋人。山水画主要学宋代闫次平，画石多鬼皴，楼阁主要学郭忠恕，工整严密。他的绘画素材多为古代宫苑，尤长于界画。界画是我国民族绘画中很有特色的一门画科，它在东晋时代已同人物、山水画并存了，发展到宋、元时期就已达到高峰，但一直受到文人画的排挤。画艺从师仇英，山探郭忠恕笔法及赵伯驹、刘松年等青绿山水一脉，同时传工界画，成为有清一代推为第一的界画家。",[12,13,14,15,16,17,18,19,20,21],"国画","山水画","设色","皴法","雪山","树木","房屋","路径","人物","马","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4541743a212af25140e45045a3164c74.jpg","绢本,设色","78.3x46.7","山水画精选",[25],44,1,0,"795548",[32,34,36,38,40,42,44,46,48,50],{"name":12,"slug":33},"guo-hua",{"name":13,"slug":35},"shan-shui-hua",{"name":14,"slug":37},"she-se",{"name":15,"slug":39},"cun-fa",{"name":16,"slug":41},"xue-shan",{"name":17,"slug":43},"shu-mu",{"name":18,"slug":45},"fang-wu",{"name":19,"slug":47},"lu-jing",{"name":20,"slug":49},"ren-wu",{"name":21,"slug":51},"ma",1777535406522]