[{"data":1,"prerenderedAt":51},["ShallowReactive",2],{"artwork-xue-zhong-song-tan-tu-zhou-ren-yi-233739":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":23,"size":24,"collection":25,"collections":26,"showCount":27,"zanCount":28,"manualWeight":28,"mainColor":29,"tagLinks":30},233739,"xue-zhong-song-tan-tu-zhou-ren-yi-233739","雪中送炭图轴","清","任颐","北京故宫博物院","任颐（1840—1895，或1896），原名润，字小楼；更名颐，字伯年，生于山阴（今浙江绍兴），卒于上海。其父鹤声（字淞云），是民间肖像画工。任颐天资聪颖，幼时随父学画肖像，在人物的传神写照和默写方面打下了扎实的基础；后又受任熊的影响，学宋人的双勾花鸟画和陈洪绶一路的人物画。他还到宁波随任薰学过画，后来，又离开宁波到苏州、上海，并寓居上海近30年，成为“海上画派”的代表。\n任颐的绘画题材全面，人物、花鸟、走兽、山水无所不精。他的人物画题材广泛，既有历史故事、神话故事、民间传说，也有直接反映现实生活的作品。他善于写实，能够捕捉人物瞬间的神情动态进行描绘，被誉为“曾波臣后第一手”。",[12,13,14,15,16,17,18,19,20,21],"国画","立轴","设色","水墨","写意","人物","雪","炭","篮子","衣帽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F37a8064378a94b762d15e9c365d0daf9.jpg","纸本 设色","80.8cm×36.8cm","",[],33,0,"BDBDBD",[31,33,35,37,39,41,43,45,47,49],{"name":12,"slug":32},"guo-hua",{"name":13,"slug":34},"li-zhou",{"name":14,"slug":36},"she-se",{"name":15,"slug":38},"shui-mo",{"name":16,"slug":40},"xie-yi",{"name":17,"slug":42},"ren-wu",{"name":18,"slug":44},"xue",{"name":19,"slug":46},"tan-7661",{"name":20,"slug":48},"lan-zi",{"name":21,"slug":50},"yi-mao",1777535410027]