[{"data":1,"prerenderedAt":65},["ShallowReactive",2],{"artwork-xue-zhu-wen-qin-tu-huang-quan-216777":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":26,"material":27,"size":28,"collection":29,"collections":30,"showCount":32,"zanCount":33,"manualWeight":34,"mainColor":35,"tagLinks":36},216777,"xue-zhu-wen-qin-tu-huang-quan-216777","雪竹文禽图","宋","黄筌","台北故宫博物院","在这幅「雪竹文禽」图中，画家将树石等主要实景置于幅左，而将江河与水鸭置于幅右。这种虚实对映的布局，不仅显示出南宋独特的审美趣味，也展现了自然生态活泼灵动的特质。画家绘以梅、竹，以及成对成双的游禽与飞鸟，不但点出了早春时序，更具有吉祥的祝幅之意。\n黄筌是五代后蜀的宫廷名画家，北宋时随着蜀主归宋后，便与其子黄居寀同入画院供职，对北宋初期花鸟画影响深远。黄筌喜用勾勒填彩，设色上也较为浓艳。本幅「雪竹文禽」的画风野逸简淡，以画风来看，可能不是黄筌真迹，而是南宋画院画家的作品。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25],"高清","名画","国画","书画","工笔","水墨","设色","竹","禽鸟","石头","枯树","雪","孤石","枝干","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc5f9706b1a724681c40f304326ac14e5.jpg","绢本,设色","26.3 x 45.7厘米","花鸟画精选",[29,31],"宋画精选",641,6,0,"795548",[37,39,41,43,45,47,49,51,53,55,57,59,61,63],{"name":12,"slug":38},"gao-qing",{"name":13,"slug":40},"ming-hua",{"name":14,"slug":42},"guo-hua",{"name":15,"slug":44},"shu-hua",{"name":16,"slug":46},"gong-bi",{"name":17,"slug":48},"shui-mo",{"name":18,"slug":50},"she-se",{"name":19,"slug":52},"zhu",{"name":20,"slug":54},"qin-niao",{"name":21,"slug":56},"shi-tou",{"name":22,"slug":58},"ku-shu",{"name":23,"slug":60},"xue",{"name":24,"slug":62},"gu-shi",{"name":25,"slug":64},"zhi-gan",1777535393074]