[{"data":1,"prerenderedAt":53},["ShallowReactive",2],{"artwork-yan-shan-ba-jing-tu-5-ji-men-yan-shu-zhang-ruo-cheng-223258":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":23,"material":24,"size":25,"collection":26,"collections":27,"showCount":28,"zanCount":28,"manualWeight":28,"mainColor":29,"tagLinks":30},223258,"yan-shan-ba-jing-tu-5-ji-men-yan-shu-zhang-ruo-cheng-223258","燕山八景图-5-蓟门烟树","清","张若澄","藏地不详","此册以北京城著名的“燕京八景”为题而画。燕京八景一说始自金《明昌遗事》，当时金章宗完颜璟将燕京的八处风光名胜选定为燕京八景，即“居庸叠翠”、“玉泉垂虹”、“太液秋风”、“琼岛春荫”、“蓟门飞雨”、“西山积雪”、“卢沟晓月”和“金台夕照”。“燕京八景”历金、元、明、清四代，又有称“燕台八景”、“燕山八景”、“京师八景”、“京畿八景”者，虽景点相同，八景的名称在不同时期则有所变化。乾隆十六年（1751年），乾隆曾御制《燕山八景诗》，将八景定名为“琼岛春荫”、“太液秋风”、“玉泉趵突”、“西山晴雪”、“蓟门烟树”、“卢沟晓月”、“金台夕照”、“居庸叠翠”，沿用至今。该画册中建筑的刻画不用界尺，但是对建筑的特征却描绘得生动准确，表现手法活泼而不失稳重，是画家对景写实的佳作。",[12,13,14,15,16,17,18,19,20,21,22],"高清","清代","国画","书画","山水","设色","皴法","群山","树木","房屋","册","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ffe605ca6ce5e3cada2f36f19b6841e.jpg","绢本设色","34.7cm，横40.3cm","",[],0,"BDBDBD",[31,33,35,37,39,41,43,45,47,49,51],{"name":12,"slug":32},"gao-qing",{"name":13,"slug":34},"qing-dai",{"name":14,"slug":36},"guo-hua",{"name":15,"slug":38},"shu-hua",{"name":16,"slug":40},"shan-shui",{"name":17,"slug":42},"she-se",{"name":18,"slug":44},"cun-fa",{"name":19,"slug":46},"qun-shan",{"name":20,"slug":48},"shu-mu",{"name":21,"slug":50},"fang-wu",{"name":22,"slug":52},"ce",1777535617559]