[{"data":1,"prerenderedAt":65},["ShallowReactive",2],{"artwork-yan-tu-hui-chong-221251":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":26,"material":27,"size":28,"collection":29,"collections":30,"showCount":33,"zanCount":34,"manualWeight":34,"mainColor":35,"tagLinks":36},221251,"yan-tu-hui-chong-221251","雁图","宋","惠崇","日本京都国立博物馆","宋代绘画的许多作品，尤其是僧人的作品，很大一部分保存在日本，并对日本绘画史产生了深刻的影响。北宋惠崇的作品传世极少，而这幅《雁图》因为藏于国外的缘故，在相当长时间里并未引起国内美术界的重视。\n《雁图》见于东京国立博物馆《唐绘手鉴-笔耕园》。东京国立博物馆《笔耕园》，是将室町时代以后舶来的中国画汇集而成的手鉴。收录作品60幅，其主题、画法和样式各异，并据此在各图上加有不同画家的名字。经鉴识的画家人数达49名，宋元时代画家的名字较多，但其中也有明代画家的名字，还夹杂了一些明代作品，因此可以说，在作品的收集与鉴识之中，反映出中世、近世舶来中国画的时代动向。其中不仅有南宋名家夏珪的山水图之类的难得佳作，还有其他一些质量极高的作品。汉画作爲室町时代之后绘画史上的一大流派，一直将此类中国绘画作为模板，手鉴如实地反映了当时社会对中国绘画的接纳和认同状况，可谓是珍贵史料。\n《雁图》所描绘的是汀岸一隅，五只雁栖息于芦苇丛下的岸边，四只在前，一只隐于坡岸之后。构图极其简洁，大致属于边角结构，芦苇、坡石、芦雁自右下角延伸至有病，其余部分大片留白，形成清远空旷的意境。此画虽为僧侣画，但与宋代的其他僧侣绘画（如牧溪）的率意及强调禅意不同，并未远离宋代的主流艺术风格。比如写实工细的芦雁和写意的坡石形成粗细对比，右下与左上在构图上的虚实对比，都是宋代院体画的基本表现手法。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25],"高清","名画","国画","书画","水墨","设色","雁","飞鸟","水","芦苇","孤石","宋画","小景","禽鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc00d57a05337889e75786d96f615a42c.jpg","绢本着色","29.3×32.1","宋画精选",[29,31,32],"花鸟画精选","设色画精选",61,0,"795548",[37,39,41,43,45,47,49,51,53,55,57,59,61,63],{"name":12,"slug":38},"gao-qing",{"name":13,"slug":40},"ming-hua",{"name":14,"slug":42},"guo-hua",{"name":15,"slug":44},"shu-hua",{"name":16,"slug":46},"shui-mo",{"name":17,"slug":48},"she-se",{"name":18,"slug":50},"yan-893",{"name":19,"slug":52},"fei-niao",{"name":20,"slug":54},"shui",{"name":21,"slug":56},"lu-wei",{"name":22,"slug":58},"gu-shi",{"name":23,"slug":60},"song-hua",{"name":24,"slug":62},"xiao-jing-1624",{"name":25,"slug":64},"qin-niao",1777535402368]