[{"data":1,"prerenderedAt":59},["ShallowReactive",2],{"artwork-yang-zheng-tu-ce-quan-shi-ye-leng-mei-230145":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":25,"material":26,"size":26,"collection":26,"collections":27,"showCount":28,"zanCount":29,"manualWeight":30,"mainColor":31,"tagLinks":32},230145,"yang-zheng-tu-ce-quan-shi-ye-leng-mei-230145","养正图册全十页","清","冷枚","藏地不详","《冷枚养正图册》是清代画家冷枚创作的一幅绢本设色画。\n《冷枚养正图册又称《圣功图》，是带有启蒙教育性质的作品，明清两代均有绘制。\n此套册页共1开，画面内容皆为历代贤明君主的故事。\n每开对题均有张若蔼书写对应故事情节的文字。\n两者配合，图文并茂，能够起到以史为鉴、以图育人的教育目的。\n署款：“臣冷枚敬画。\n”钤“臣冷枚”印。\n此册虽为人物画，但作为背景的楼阁宫阙占有相当的比重，不难看出西方技法对画家的影响。\n建筑物的画法适当借用了 ，并力图在设色上用晕染的深浅表现构件的明暗关系，突出建筑的立体感。\n从作品整体看，构图、线条、色彩并没有摆脱明代画家仇英的设色界画系统，画面带有较多的装饰色彩和平面感觉，在表现建筑的体积感和建筑材料的质感上尚显不足。\n冷枚，生卒年不洋，约生活十公元17世纪后期至18世纪前期，字吉臣，号令门画史，胶州（今属山东）人。\n曾经跟随康熙时宫廷画家焦秉贞学俩，约丁康熙中期进入宫廷供职，直至乾隆七年尚在。\n擅长画人物、什女及山水，面风工整、细致，色彩较浓丽，具有装饰性。\n画法得力曲面写生，上中带写，白康熙到乾隆末，糅合中两技法之画风在画院内颇为盛行，而且影响到民间艺术，冷枚为此技弦之积极推行者。\n传世作品有《避馨山庄图》等。",[12,13,14,15,16,17,18,19,20,21,22,23,24],"册页","国画","绢本设色","人物画","界画","工笔","晕染","历史故事画","贤君故事","茅屋","树木","书法","启蒙教育","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd99c5bbc18613ed7885de8cc288a9d11.jpg","",[],56,1,0,"BDBDBD",[33,35,37,39,41,43,45,47,49,51,53,55,57],{"name":12,"slug":34},"ce-ye",{"name":13,"slug":36},"guo-hua",{"name":14,"slug":38},"juan-ben-she-se",{"name":15,"slug":40},"ren-wu-hua",{"name":16,"slug":42},"jie-hua",{"name":17,"slug":44},"gong-bi",{"name":18,"slug":46},"yun-ran",{"name":19,"slug":48},"li-shi-gu-shi-hua",{"name":20,"slug":50},"xian-jun-gu-shi",{"name":21,"slug":52},"mao-wu",{"name":22,"slug":54},"shu-mu",{"name":23,"slug":56},"shu-fa",{"name":24,"slug":58},"qi-meng-jiao-yu",1777535403493]