[{"data":1,"prerenderedAt":33},["ShallowReactive",2],{"artwork-yao-bian-you-mei-ping-yi-ming-259275":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":16,"material":17,"size":18,"collection":19,"collections":20,"showCount":21,"zanCount":22,"manualWeight":22,"mainColor":23,"tagLinks":24},259275,"yao-bian-you-mei-ping-yi-ming-259275","窑变釉梅瓶","清","佚名","藏地不详","烧造瓷器，凡在开窑后发现不是预期的形状或釉色，以至于传世瓷器有时发生特异的情况者，都可说是“窑变”。《稗史汇编》说：“瓷有同是一质，遂成异质，同是一色，遂成异色者，水土所合，非人力之巧所能加，是之谓窑变。”总而言之，窑变大致可分为变形、变色、变质等数种。\n窑变釉，顾名思义，是器物在烧成过程中出现了意想不到的釉色效果。由于窑中含有多种呈色元素，经氧化或还原作用，瓷器在出窑后可能呈现出意外的釉色效果。因由窑变釉出现出于偶然，形态特别，人们又不知其原理，只知于窑内焙烧过程变化而得，故称之为“窑变釉”，俗语有“窑变无双”，就是指窑变釉的变化莫测，独一无二。",[12,13,14,15],"陶瓷","梅瓶","窑变釉","器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59ba9983e4dbf0de369d4af140aef787.jpg","未知","Xcm*Xcm","瓷器精选",[19],1,0,"37474F",[25,27,29,31],{"name":12,"slug":26},"tao-ci",{"name":13,"slug":28},"mei-ping",{"name":14,"slug":30},"yao-bian-you",{"name":15,"slug":32},"qi-wu",1777535486451]