[{"data":1,"prerenderedAt":47},["ShallowReactive",2],{"artwork-yong-zheng-chao-fu-xiang-zhou-lang-shi-ning-222796":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":20,"material":21,"size":22,"collection":23,"collections":24,"showCount":26,"zanCount":27,"manualWeight":28,"mainColor":29,"tagLinks":30},222796,"yong-zheng-chao-fu-xiang-zhou-lang-shi-ning-222796","雍正朝服像轴","清","郎世宁","北京故宫博物院","此幅画面上雍正皇帝身着明黄色彩云金龙夏朝服，头戴夏朝冠，顶贯珠三重，冠前饰金佛。胸前佩戴东珠朝珠，其上间系绿松石纪念三串，腰系朝带，足蹬石青色朝靴，这是雍正皇帝参加盛大典礼时的服饰。此图用笔工整精致，色彩华丽鲜艳，人物神态端庄威严，是宫廷画家精心创作的皇帝肖像画。从“冠上无梁”（“梁”为清帝朝冠顶座左右两侧的n形装饰，雍正晚期出现）的装饰风格看，当属雍正早期的绘画作品。\n一代冠服自有一代之制。清代满族统治者传承中国古代传统文化的精髓，把“衣作绣，锦为缘”、“续衽钩边”和“朝服祭服，襞积（朝袍腰部叠褶处称襞积）无数”这些中国古代服饰的传统形制与带有满民族风格的“披肩领”和“马蹄袖”巧妙地结合起来，不仅彰显了其“马上得天下”的辉煌历史，同时亦注重到实用性，并最终使其制度化，成为中国古代服饰制度改革中的典型范例。\n清代冠服制度规定：朝服分蓝、红、月白、明黄四种颜色，根据不同的礼仪功能和场合穿用不同颜色的朝服。祭天穿蓝色，祭日穿红色，祭月穿月白色，而明黄色朝服一般用于典礼（登基、元旦、万寿、金殿传胪、颁诏受贺等）和祭祀（祭太庙、先农坛、社稷坛、先师孔子、历代帝王等）活动。典礼和祭祀穿着的明黄色朝服又有区别，典礼朝服衣袖为石青色，而祭祀朝服衣袖为明黄色。",[12,13,14,15,16,17,18,19],"高清","设色","工笔","人物","龙","衣帽","布料","立轴","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f084389b4a5403ca87fac736d099533.jpg","绢本，设色","纵277厘米，横143厘米","人物画精选",[23,25],"设色画精选",207,1,0,"FDD835",[31,33,35,37,39,41,43,45],{"name":12,"slug":32},"gao-qing",{"name":13,"slug":34},"she-se",{"name":14,"slug":36},"gong-bi",{"name":15,"slug":38},"ren-wu",{"name":16,"slug":40},"long",{"name":17,"slug":42},"yi-mao",{"name":18,"slug":44},"bu-liao",{"name":19,"slug":46},"li-zhou",1777535394649]