[{"data":1,"prerenderedAt":52},["ShallowReactive",2],{"artwork-yong-zheng-chao-fu-xiang-zhou-yi-ming-236165":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":23,"size":24,"collection":25,"collections":26,"showCount":28,"zanCount":29,"manualWeight":29,"mainColor":30,"tagLinks":31},236165,"yong-zheng-chao-fu-xiang-zhou-yi-ming-236165","雍正朝服像轴","清","佚名","北京故宫博物院","此幅画面上雍正皇帝身着明黄色彩云金龙夏朝服，头戴夏朝冠，顶贯珠三重，冠前饰金佛。胸前佩戴东珠朝珠，其上间系绿松石纪念三串，腰系朝带，足蹬石青色朝靴，这是雍正皇帝参加盛大典礼时的服饰。此图用笔工整精致，色彩华丽鲜艳，人物神态端庄威严，是宫廷画家精心创作的皇帝肖像画。从“冠上无梁”（“梁”为清帝朝冠顶座左右两侧的n形装饰，雍正晚期出现）的装饰风格看，当属雍正早期的绘画作品。\n一代冠服自有一代之制。清代满族统治者传承中国古代传统文化的精髓，把“衣作绣，锦为缘”、“续衽钩边”和“朝服祭服，襞积（朝袍腰部叠褶处称襞积）无数”这些中国古代服饰的传统形制与带有满民族风格的“披肩领”和“马蹄袖”巧妙地结合起来，不仅彰显了其“马上得天下”的辉煌历史，同时亦注重到实用性，并最终使其制度化，成为中国古代服饰制度改革中的典型范例。\n清代冠服制度规定：朝服分蓝、红、月白、明黄四种颜色，根据不同的礼仪功能和场合穿用不同颜色的朝服。祭天穿蓝色，祭日穿红色，祭月穿月白色，而明黄色朝服一般用于典礼（登基、元旦、万寿、金殿传胪、颁诏受贺等）和祭祀（祭太庙、先农坛、社稷坛、先师孔子、历代帝王等）活动。典礼和祭祀穿着的明黄色朝服又有区别，典礼朝服衣袖为石青色，而祭祀朝服衣袖为明黄色。",[12,13,14,15,16,17,18,19,20,21],"名画","国画","书画","立轴","设色","工笔","人物","朝服","龙","清代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3f80fdf14cbf8bf55ddfd77ed4a88d8b.jpg","绢本，设色","纵277厘米，横143厘米","人物画精选",[25,27],"设色画精选",31,0,"BDBDBD",[32,34,36,38,40,42,44,46,48,50],{"name":12,"slug":33},"ming-hua",{"name":13,"slug":35},"guo-hua",{"name":14,"slug":37},"shu-hua",{"name":15,"slug":39},"li-zhou",{"name":16,"slug":41},"she-se",{"name":17,"slug":43},"gong-bi",{"name":18,"slug":45},"ren-wu",{"name":19,"slug":47},"chao-fu",{"name":20,"slug":49},"long",{"name":21,"slug":51},"qing-dai",1777535410902]