[{"data":1,"prerenderedAt":82},["ShallowReactive",2],{"artwork-you-jian-han-song-tu-zhou-ni-zan-220795":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":32,"material":33,"size":34,"collection":35,"collections":36,"showCount":38,"zanCount":39,"manualWeight":39,"mainColor":40,"tagLinks":41},220795,"you-jian-han-song-tu-zhou-ni-zan-220795","幽涧寒松图轴","元","倪瓒","北京故宫博物院","《倪瓒幽涧寒松图轴》是元代画家倪瓒创作的一幅纸本水墨画。\n此幅是为友人周逊学所作，并题五言诗：“秋暑多病暍，征夫怨行路。瑟瑟幽涧松，清荫满庭户。寒泉溜崖石，白云集朝暮。怀哉如金玉，周子美无度。息景以桥对，笑言思与晤。”\n倪瓒清高持节，一生不仕，他“白眼视俗物，清言屈时英。富贵乌足道，所思垂今名。不仅自己抱守出世的生活态度，而且对朋友们的入世为官也坚决反对。此幅一为友人赠别，更是劝友人“罢”征路，“息”仕思，含有强烈的“招隐之意”。平远画溪涧幽谷，山石依次渐远，二株松树挺立于杳无人迹的涧底寒泉，意境荒寒，超然出尘，似乎暗寓着仕途的险恶和归隐的自得。构图不用常见的“一河两岸”两段式章法，但画幅上方和其大多数作品一样，留出大片空白，让观者分不清哪里是水，哪里是天。山石墨色清淡，笔法秀峭，渴笔侧锋作折带皴，干净利落而富于变化。松树取萧疏之态，笔力劲拔。倪瓒此幅，笔墨无多但意境深幽，“疏而不简”，“简而不少”。他的这种笔简形具，注重抒写性灵的画格被后人称之为“逸品”。到了明代，更是“江南人家以有无为清浊”，其清标高格，在历代文人士大夫心目中始终被尊为“高士中的高士”。\n此幅作品简淡超逸，虽未署年款，但从书法由竖长变为扁方以及名款和画风来看，当是晚年之作。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28,29,30,31],"高清","国画","水墨","山水","松树","溪涧","幽谷","寒泉","小桥","山石","皴法","折带皴","渴笔","逸品","荒寒","超然出尘","简淡超逸","意境深幽","招隐之意","书法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb8c44e7f6172187fb1022fb560336ac0.jpg","纸本，水墨","纵59.7cm，横50.4cm","山水画精选",[35,37],"水墨画精选",101,0,"BDBDBD",[42,44,46,48,50,52,54,56,58,60,62,64,66,68,70,72,74,76,78,80],{"name":12,"slug":43},"gao-qing",{"name":13,"slug":45},"guo-hua",{"name":14,"slug":47},"shui-mo",{"name":15,"slug":49},"shan-shui",{"name":16,"slug":51},"song-shu",{"name":17,"slug":53},"xi-jian",{"name":18,"slug":55},"you-gu",{"name":19,"slug":57},"han-quan",{"name":20,"slug":59},"xiao-qiao",{"name":21,"slug":61},"shan-shi",{"name":22,"slug":63},"cun-fa",{"name":23,"slug":65},"zhe-dai-cun",{"name":24,"slug":67},"ke-bi",{"name":25,"slug":69},"yi-pin",{"name":26,"slug":71},"huang-han",{"name":27,"slug":73},"chao-ran-chu-chen",{"name":28,"slug":75},"jian-dan-chao-yi",{"name":29,"slug":77},"yi-jing-shen-you",{"name":30,"slug":79},"zhao-yin-zhi-yi",{"name":31,"slug":81},"shu-fa",1777535397961]