[{"data":1,"prerenderedAt":41},["ShallowReactive",2],{"artwork-yu-zhi-yue-ling-qi-shi-er-hou-shi-se-mo-ban-xia-sheng-zhu-mo-yi-ming-272659":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":19,"material":20,"size":21,"collection":22,"collections":23,"showCount":24,"zanCount":24,"manualWeight":24,"mainColor":25,"tagLinks":26},272659,"yu-zhi-yue-ling-qi-shi-er-hou-shi-se-mo-ban-xia-sheng-zhu-mo-yi-ming-272659","御制月令七十二候诗色墨-半夏生朱墨","清","佚名","藏地不详","墨，中国传统文房用具之一，文房四宝之一，是书写、绘画的黑色颜料，后亦包括朱墨和各种彩色墨。\n墨的主要原料是煤烟、松烟、胶等，是碳元素以非晶质型态的存在。通过砚用水研磨可以产生用于毛笔书写的墨汁，在水中以胶体的溶液存在。古墨主要派别分徽墨、川墨。\n墨的水分及胶的成分不同，会影响到墨的黏度。在不同场合使用的墨，其黏度有所不同。另外，初制成的墨的水分亦较多。另有存放时间较长的墨，其致密度较高，并经过长年累月的干燥，使墨色的立体感更高。这种墨在日本被称为“古墨”。",[12,13,14,15,16,17,18],"墨","朱墨","雕刻","山水","树木","竹","文房用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07d55145e39a8b5d63ddb8d398bd6841.jpg","未知","Xcm*Xcm","",[],0,"795548",[27,29,31,33,35,37,39],{"name":12,"slug":28},"mo",{"name":13,"slug":30},"zhu-mo",{"name":14,"slug":32},"diao-ke",{"name":15,"slug":34},"shan-shui",{"name":16,"slug":36},"shu-mu",{"name":17,"slug":38},"zhu",{"name":18,"slug":40},"wen-fang-yong-ju",1777535531390]