[{"data":1,"prerenderedAt":38},["ShallowReactive",2],{"artwork-yu-zhi-yue-ling-qi-shi-er-hou-shi-se-mo-tang-lang-sheng-zhu-mo-yi-ming-272657":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":18,"material":19,"size":20,"collection":21,"collections":22,"showCount":23,"zanCount":23,"manualWeight":23,"mainColor":24,"tagLinks":25},272657,"yu-zhi-yue-ling-qi-shi-er-hou-shi-se-mo-tang-lang-sheng-zhu-mo-yi-ming-272657","御制月令七十二候诗色墨-螳螂生朱墨","清","佚名","藏地不详","墨，中国传统文房用具之一，文房四宝之一，是书写、绘画的黑色颜料，后亦包括朱墨和各种彩色墨。\n墨的主要原料是煤烟、松烟、胶等，是碳元素以非晶质型态的存在。通过砚用水研磨可以产生用于毛笔书写的墨汁，在水中以胶体的溶液存在。古墨主要派别分徽墨、川墨。\n墨的水分及胶的成分不同，会影响到墨的黏度。在不同场合使用的墨，其黏度有所不同。另外，初制成的墨的水分亦较多。另有存放时间较长的墨，其致密度较高，并经过长年累月的干燥，使墨色的立体感更高。这种墨在日本被称为“古墨”。",[12,13,14,15,16,17],"墨","朱墨","文房用具","雕刻","螳螂","花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7fbe3a7fd6da2dfce7786c5b5fad36fa.jpg","未知","Xcm*Xcm","",[],0,"BDBDBD",[26,28,30,32,34,36],{"name":12,"slug":27},"mo",{"name":13,"slug":29},"zhu-mo",{"name":14,"slug":31},"wen-fang-yong-ju",{"name":15,"slug":33},"diao-ke",{"name":16,"slug":35},"tang-lang",{"name":17,"slug":37},"hua-hui",1777535531399]