[{"data":1,"prerenderedAt":38},["ShallowReactive",2],{"artwork-yu-zhi-yue-ling-qi-shi-er-hou-shi-se-mo-xiang-shi-hua-huang-mo-yi-ming-272649":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":18,"material":19,"size":20,"collection":21,"collections":22,"showCount":23,"zanCount":23,"manualWeight":23,"mainColor":24,"tagLinks":25},272649,"yu-zhi-yue-ling-qi-shi-er-hou-shi-se-mo-xiang-shi-hua-huang-mo-yi-ming-272649","御制月令七十二候诗色墨-相始华黄墨","清","佚名","藏地不详","墨，中国传统文房用具之一，文房四宝之一，是书写、绘画的黑色颜料，后亦包括朱墨和各种彩色墨。\n墨的主要原料是煤烟、松烟、胶等，是碳元素以非晶质型态的存在。通过砚用水研磨可以产生用于毛笔书写的墨汁，在水中以胶体的溶液存在。古墨主要派别分徽墨、川墨。\n墨的水分及胶的成分不同，会影响到墨的黏度。在不同场合使用的墨，其黏度有所不同。另外，初制成的墨的水分亦较多。另有存放时间较长的墨，其致密度较高，并经过长年累月的干燥，使墨色的立体感更高。这种墨在日本被称为“古墨”。",[12,13,14,15,16,17],"墨","文房用具","楷书","书法","色墨","御制诗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F796a6ea180894f66431752cb3b27737f.jpg","未知","Xcm*Xcm","",[],0,"795548",[26,28,30,32,34,36],{"name":12,"slug":27},"mo",{"name":13,"slug":29},"wen-fang-yong-ju",{"name":14,"slug":31},"kai-shu",{"name":15,"slug":33},"shu-fa",{"name":16,"slug":35},"se-mo",{"name":17,"slug":37},"yu-zhi-shi",1777535531421]