[{"data":1,"prerenderedAt":70},["ShallowReactive",2],{"artwork-yuan-ji-shan-shui-tu-ce-shi-tao-237771":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":29,"material":30,"size":30,"collection":30,"collections":31,"showCount":32,"zanCount":33,"manualWeight":33,"mainColor":34,"tagLinks":35},237771,"yuan-ji-shan-shui-tu-ce-shi-tao-237771","原济山水图册","清","石涛","藏地不详","石涛（1642年－1708年）明末清初著名画家，原姓朱，名若极，广西桂林人，小字阿长，别号很多，如大涤子、清湘老人、苦瓜和尚、瞎尊者，法号有元济、原济等，明靖江王朱亨嘉之子，与弘仁、髡残、朱耷合称“明末四僧”。\n石涛是中国绘画史上一位十分重要的人物，他既是绘画实践的探索者、革新者，又是艺术理论家。\n他幼年遭变后出家为僧，驻锡于安徽宣城敬亭山广教寺，后半世云游，以卖画为业。早年山水师法宋元诸家，画风疏秀明洁，晚年用笔纵肆，墨法淋漓，格法多变，尤精册页小品；花卉潇洒隽朗，天真烂漫，清气袭人；人物生拙古朴，别具一格。工书法，能诗文。存世作品有《石涛罗汉百开册页》《搜尽奇峰打草稿图》《山水清音图》《竹石图》等。著有《苦瓜和尚画语录》。名言有“一画论”、“搜尽奇峰打草稿”、“笔墨当随时代”等。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28],"国画","水墨","设色","册","皴法","山水","孤舟","枯树","流水","孤石","印章","老树","河岸","小船","枯枝","淡彩","写意","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcbdf2030026657b64f84e1fb3e57e390.jpg","",[],16,0,"BDBDBD",[36,38,40,42,44,46,48,50,52,54,56,58,60,62,64,66,68],{"name":12,"slug":37},"guo-hua",{"name":13,"slug":39},"shui-mo",{"name":14,"slug":41},"she-se",{"name":15,"slug":43},"ce",{"name":16,"slug":45},"cun-fa",{"name":17,"slug":47},"shan-shui",{"name":18,"slug":49},"gu-zhou",{"name":19,"slug":51},"ku-shu",{"name":20,"slug":53},"liu-shui",{"name":21,"slug":55},"gu-shi",{"name":22,"slug":57},"yin-zhang",{"name":23,"slug":59},"lao-shu",{"name":24,"slug":61},"he-an",{"name":25,"slug":63},"xiao-chuan",{"name":26,"slug":65},"ku-zhi",{"name":27,"slug":67},"dan-cai",{"name":28,"slug":69},"xie-yi",1777535421674]