[{"data":1,"prerenderedAt":69},["ShallowReactive",2],{"artwork-yuan-ji-tao-yuan-ming-shi-yi-ce-shi-tao-233774":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":28,"material":29,"size":30,"collection":31,"collections":32,"showCount":33,"zanCount":34,"manualWeight":34,"mainColor":35,"tagLinks":36},233774,"yuan-ji-tao-yuan-ming-shi-yi-ce-shi-tao-233774","原济陶渊明诗意册","清","石涛","北京故宫博物院","本图册是作者根据东晋著名诗人陶渊明诗句而创作。陶渊明是中国田园诗的创始者，他的诗不仅反映出田园生活的美好与自然，更流露出他徘徊于出仕与归隐之间的矛盾。绘画者显然非常赞赏这种避身独处、与世无争、乐天安命的人生哲学，通过描绘回归自然、淡于荣禄、不与统治者合作的隐士陶渊明来表现自己美好的理想。\n这里择两开赏析。\n第二开《悠然见南山》：陶渊明的许多诗篇中都有关于菊花的诗句：“采菊东篱下，悠然见南山”、“秋菊有佳色，裛露掇其英”均写出了他远离世俗的心境和陶醉于自然的乐趣。他常以菊自喻，借菊花凌秋傲霜的品质表达自己清高的节操和情怀。石涛仰慕陶渊明的高尚情操，故此图借陶渊明爱菊寄寓了画家自己的思想感情。画中篱笆院中菊花盛开，一高士手持菊花观赏，悠然之态可见。此图结构精巧，人物用笔细密。远山以墨笔烘染，山腰云雾密布，不见山脚，以此表现烟云飘渺的动态和气势。这种中锋、细勾、渍染相结合的画法使画面有动有静，虚实结合，意趣无穷。\n第六开《遥遥望白云 怀古一何深》：描绘一位着布衣宽袍的老者临溪而立。老者远望青山，脚下溪水流淌。面对满目凄凉、空无一人的山水，主人公似思绪万千，发思古之幽情。画家借此图深刻而恰当地表达了自己零丁孤苦、怀才不遇之情。构图采用一水两岸的自然分疆法。画面上只见弥漫的云山、层山断处的房舍和半露的松林而不见山脚，山顶则似露非露地隐现。树木用水墨渍出，以衬托山腰白云的动感。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27],"国画","书画","册","水墨","设色","山水","柳树","亭子","菊花","人物","夕阳","云","花草","行书","写意","皴法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8ca4420878f973ed6cbf1457c2815973.jpg","纸本，设色","纵27厘米，横21.3厘米","",[],12,0,"BDBDBD",[37,39,41,43,45,47,49,51,53,55,57,59,61,63,65,67],{"name":12,"slug":38},"guo-hua",{"name":13,"slug":40},"shu-hua",{"name":14,"slug":42},"ce",{"name":15,"slug":44},"shui-mo",{"name":16,"slug":46},"she-se",{"name":17,"slug":48},"shan-shui",{"name":18,"slug":50},"liu-shu",{"name":19,"slug":52},"ting-zi",{"name":20,"slug":54},"ju-hua",{"name":21,"slug":56},"ren-wu",{"name":22,"slug":58},"xi-yang",{"name":23,"slug":60},"yun",{"name":24,"slug":62},"hua-cao",{"name":25,"slug":64},"xing-shu",{"name":26,"slug":66},"xie-yi",{"name":27,"slug":68},"cun-fa",1777535427187]