[{"data":1,"prerenderedAt":85},["ShallowReactive",2],{"artwork-yuan-shui-yang-fan-tu-yi-ming-223654":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":34,"material":35,"size":35,"collection":35,"collections":36,"showCount":37,"zanCount":38,"manualWeight":38,"mainColor":39,"tagLinks":40},223654,"yuan-shui-yang-fan-tu-yi-ming-223654","远水扬帆图","宋","佚名","藏地不详","《宋人画远水扬帆》是南宋佚名画家创作的一幅表现江南水乡之美的中国古画。\n青山数抹，远浮天际。\n烟波浩渺的江面上，一阵劲风，将江边突岩上树叶茂密的大树吹弯了身子，也将江上三艘客船直往江心推去。\n江畔一位白衣隐士，带着琴童，正打算漫步到岩边林荫下的茅亭里。\n明朗的景境，流露着几分闲适、畅快的朝气。\n南宋偏安江南，江南水乡的杏花春雨，便逐渐取代华北的千岩万壑，成为画家描绘的主要对象。\n反映在作品里，除了云烟弥漫外，最大的特色，便是「水」的增加。\n在这幅「远水扬帆」里，我们可以看出吸引隐士策杖前来的，除了远山帆影外，也正是这一片映照山、天之影的江水。\n「远水扬帆」图上没留下名款，画中紧密的画叶画水的方法，和画石头的小斧劈皴法，都与南北宋之交 的名作「江山小景」相似。\n而左实右虚的半边构图，也是南宋常见的布局方式。\n隐士主仆俩身上寥寥廓廓的几根线条，也属南宋点景人物惯见的作风。\n这幅作品是一幅南宋表现江南水乡之美的典型佳作。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28,29,30,31,32,33],"高清","名画","国画","书画","山水画","绢本","设色","兼工带写","皴法","树木","柳树","茅屋","山石","水面","帆船","人物","远山","芦苇","江河","舟楫","岸坡","草木","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F72cbaf521890fbde5497afffb62995ae.jpg","",[],7,0,"795548",[41,43,45,47,49,51,53,55,57,59,61,63,65,67,69,71,73,75,77,79,81,83],{"name":12,"slug":42},"gao-qing",{"name":13,"slug":44},"ming-hua",{"name":14,"slug":46},"guo-hua",{"name":15,"slug":48},"shu-hua",{"name":16,"slug":50},"shan-shui-hua",{"name":17,"slug":52},"juan-ben",{"name":18,"slug":54},"she-se",{"name":19,"slug":56},"jian-gong-dai-xie",{"name":20,"slug":58},"cun-fa",{"name":21,"slug":60},"shu-mu",{"name":22,"slug":62},"liu-shu",{"name":23,"slug":64},"mao-wu",{"name":24,"slug":66},"shan-shi",{"name":25,"slug":68},"shui-mian",{"name":26,"slug":70},"fan-chuan",{"name":27,"slug":72},"ren-wu",{"name":28,"slug":74},"yuan-shan",{"name":29,"slug":76},"lu-wei",{"name":30,"slug":78},"jiang-he",{"name":31,"slug":80},"zhou-ji",{"name":32,"slug":82},"an-po",{"name":33,"slug":84},"cao-mu",1777535438246]