[{"data":1,"prerenderedAt":87},["ShallowReactive",2],{"artwork-yun-shan-mo-xi-tu-juan-mi-you-ren-233705":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":34,"material":35,"size":36,"collection":37,"collections":38,"showCount":39,"zanCount":40,"manualWeight":40,"mainColor":41,"tagLinks":42},233705,"yun-shan-mo-xi-tu-juan-mi-you-ren-233705","云山墨戏图卷","宋","米友仁","北京故宫博物院","此图描绘沿江景色，近处岸边一条细径曲曲弯弯，间有板桥相连，远方峰峦起伏，云烟密布，溪流缓缓，林木森郁，屋舍隐现。此图采用“米家山水”的典型画法，山峦坡渚先用淡墨染就，继以大小各异的横向墨点反复在山头、山脊等部位再次图写，从而达到表现江南风光润泽华滋、雾气迷蒙的独特效果。明代董其昌曾携此图往游洞庭湖，惊叹米友仁的写生本领，云：“舟次斜阳，篷底一望空阔，长天云物，怪怪奇奇，一幅米家墨戏也。”\n《云山墨戏图》原题为米友仁所绘，但徐邦达先生根据其画法、题款的用笔及书写部位等因素认为并非米友仁原作。不过，此图画法全从“米家山水”而来，董其昌称其“元气淋漓，布境特妙”毫不夸张，对研究此派山水的重要价值显而易见。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28,29,30,31,32,33],"国画","书画","长卷","水墨","山水","云","树木","印章","书法","皴法","写意","点染","远山","近树","云雾","山峦","题字","墨笔","文人画","水墨山水","米家山水","米点皴法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff8872f3f211ac9fd3d2589faf668ec1.jpg","纸本，墨笔","纵21.4厘米，横195.8厘米","",[],36,0,"BDBDBD",[43,45,47,49,51,53,55,57,59,61,63,65,67,69,71,73,75,77,79,81,83,85],{"name":12,"slug":44},"guo-hua",{"name":13,"slug":46},"shu-hua",{"name":14,"slug":48},"chang-juan",{"name":15,"slug":50},"shui-mo",{"name":16,"slug":52},"shan-shui",{"name":17,"slug":54},"yun",{"name":18,"slug":56},"shu-mu",{"name":19,"slug":58},"yin-zhang",{"name":20,"slug":60},"shu-fa",{"name":21,"slug":62},"cun-fa",{"name":22,"slug":64},"xie-yi",{"name":23,"slug":66},"dian-ran",{"name":24,"slug":68},"yuan-shan",{"name":25,"slug":70},"jin-shu",{"name":26,"slug":72},"yun-wu",{"name":27,"slug":74},"shan-luan",{"name":28,"slug":76},"ti-zi",{"name":29,"slug":78},"mo-bi",{"name":30,"slug":80},"wen-ren-hua",{"name":31,"slug":82},"shui-mo-shan-shui",{"name":32,"slug":84},"mi-jia-shan-shui",{"name":33,"slug":86},"mi-dian-cun-fa",1777535408835]