[{"data":1,"prerenderedAt":51},["ShallowReactive",2],{"artwork-za-hua-ce-guo-xu-221930":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":23,"size":24,"collection":25,"collections":26,"showCount":27,"zanCount":28,"manualWeight":28,"mainColor":29,"tagLinks":30},221930,"za-hua-ce-guo-xu-221930","杂画册","明","郭诩","上海博物馆","郭诩（1456—1532），字仁弘，号清狂道人，江西泰和人。工书画，善山水，尝遍历名山，曰“岂必谱也，画在是矣。”同时江夏吴伟、北海杜堇、姑苏沈周俱以画名，莫不延颈原交，天下竟传清狂画，风之百金。有贵人欲多得诩画，诩瞠目数屋梁不对。固索，辄跮跖狂趋，叫奡跳号去。弘治（一四八八至一五零五）中徵天中善画者，应诏京师。宸濠召与语，辄辞谢之。往依王守仁献画题诗所见志。又善杂画，信手作人物，辄有奇趣。七十三岁尚作磨镜图。他的作品传世不多，八开《杂画册》现藏上海博物馆，《琵琶行》图轴藏北京故宫博物院。\n山水、人物，风格豪放，笔法师略，清细柔和，墨气轠然，尤是绘古人清士。题署简逸，缙绅无不重之。与吴伟齐名，为吴伟、沈周、杜堇所推重。 花鸟杂画，信手拈来，颇有奇趣。草虫书法工写兼备，其画风在明中期 别成一格。",[12,13,14,15,16,17,18,19,20,21],"高清","国画","书画","册","白描","水墨","人物","兵器","器皿","衣帽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6b83ed8dc0c4e0e40df2ac76f5ce7a48.jpg","纸本","纵28.5 厘米横46.5 厘米","",[],8,0,"BDBDBD",[31,33,35,37,39,41,43,45,47,49],{"name":12,"slug":32},"gao-qing",{"name":13,"slug":34},"guo-hua",{"name":14,"slug":36},"shu-hua",{"name":15,"slug":38},"ce",{"name":16,"slug":40},"bai-miao",{"name":17,"slug":42},"shui-mo",{"name":18,"slug":44},"ren-wu",{"name":19,"slug":46},"bing-qi",{"name":20,"slug":48},"qi-min",{"name":21,"slug":50},"yi-mao",1777535435582]