[{"data":1,"prerenderedAt":48},["ShallowReactive",2],{"artwork-za-hua-ce-hua-yan-235061":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":21,"material":22,"size":23,"collection":24,"collections":25,"showCount":26,"zanCount":27,"manualWeight":27,"mainColor":28,"tagLinks":29},235061,"za-hua-ce-hua-yan-235061","杂画册","清","华嵒","藏地不详","华岩（1682～1756），一作华嵒，字德嵩，更字秋岳，号新罗山人、东园生、布衣生、离垢居士等，老年自喻“飘篷者”，福建上杭蛟洋华佳（家）人（原白砂里人），后寓杭州。工画人物、山水、花鸟、草虫，脱去时习，力追古法，写动物尤佳。善书，能诗，时称“三绝”，为清代杰出绘画大家，扬州画派的代表人物之一。\n自幼酷爱绘画，后因家贫失学，备受世俗冷落，康熙四十二年（1703）华氏家族重建祠堂，曾因替正厅画壁画，乡绅看不起他，群起反对，最后偷自进祠堂，画上“高山云鹤”、“水国浮牛”、“青松悬崖”和“倚马题诗”四幅画，愤而离乡飘泊，流寓于杭州，结交了很多文人学士，眼界大开。36岁时曾北上入都，“得交当路巨公，名闻于上”，但并不得意，据戴熙《习苦斋画絮》载：“华秋岳自奇其画，游京师无问者。一日有售赝画者，其裹华笔也，华见而太息出都。”他的中晚年一直频繁往来于杭州、扬州，以卖画为生。在扬州他结识了金农、高翔、李鱓、郑板桥及盐商巨子马曰琯、马曰璐兄弟，彼此交流切磋，诗画酬答，使其绘画修养得到多方面的拓展，成为扬州画派的代表人物之一。",[12,13,14,15,16,17,18,19,20],"国画","册","设色","花鸟","蜻蜓","蚱蜢","藤蔓","叶子","果实","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3fdca929610fefa93f7af387a43b8c18.jpg","未知","Xcm*Xcm","",[],6,0,"BDBDBD",[30,32,34,36,38,40,42,44,46],{"name":12,"slug":31},"guo-hua",{"name":13,"slug":33},"ce",{"name":14,"slug":35},"she-se",{"name":15,"slug":37},"hua-niao",{"name":16,"slug":39},"qing-ting",{"name":17,"slug":41},"zha-meng",{"name":18,"slug":43},"teng-wan",{"name":19,"slug":45},"ye-zi",{"name":20,"slug":47},"guo-shi",1777535440458]