[{"data":1,"prerenderedAt":38},["ShallowReactive",2],{"artwork-zhan-gong-san-jian-zhi-tian-ya-he-chu-mi-zhi-yin-qin-shi-mo-yi-ming-271426":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":18,"material":19,"size":20,"collection":21,"collections":22,"showCount":23,"zanCount":23,"manualWeight":23,"mainColor":24,"tagLinks":25},271426,"zhan-gong-san-jian-zhi-tian-ya-he-chu-mi-zhi-yin-qin-shi-mo-yi-ming-271426","詹公三监制天涯何处觅知音琴式墨","清","佚名","藏地不详","墨，中国传统文房用具之一，文房四宝之一，是书写、绘画的黑色颜料，后亦包括朱墨和各种彩色墨。\n墨的主要原料是煤烟、松烟、胶等，是碳元素以非晶质型态的存在。通过砚用水研磨可以产生用于毛笔书写的墨汁，在水中以胶体的溶液存在。古墨主要派别分徽墨、川墨。\n墨的水分及胶的成分不同，会影响到墨的黏度。在不同场合使用的墨，其黏度有所不同。另外，初制成的墨的水分亦较多。另有存放时间较长的墨，其致密度较高，并经过长年累月的干燥，使墨色的立体感更高。这种墨在日本被称为“古墨”。",[12,13,14,15,16,17],"墨","琴式","乐器","书法","文房用具","知音难觅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb49736943ab2b2d96aa7e88254e22e6.jpg","未知","Xcm*Xcm","",[],0,"795548",[26,28,30,32,34,36],{"name":12,"slug":27},"mo",{"name":13,"slug":29},"qin-shi",{"name":14,"slug":31},"yue-qi",{"name":15,"slug":33},"shu-fa",{"name":16,"slug":35},"wen-fang-yong-ju",{"name":17,"slug":37},"zhi-yin-nan-mi",1777535535051]