[{"data":1,"prerenderedAt":55},["ShallowReactive",2],{"artwork-zhao-ye-bai-han-gan-221074":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":23,"material":15,"size":24,"collection":25,"collections":26,"showCount":28,"zanCount":29,"manualWeight":30,"mainColor":31,"tagLinks":32},221074,"zhao-ye-bai-han-gan-221074","照夜白","唐","韩干","美国大都会艺术博物馆","这幅画是用水墨线描完成的，描绘的是唐玄宗 喜爱的坐骑“照夜白”的形象，它被系在一木桩上，鬃毛飞起，鼻孔张大，眼睛转视，昂首嘶鸣；四啼腾骧，似欲挣脱羁绊。\n此画不仅画出马的膘肥肌健的外形，更着力表现其桀骜不驯的雄骏神采。\n用笔简练，线条纤细而道劲，渲染不多而体积感、质感颇强。\n《照夜白图》描绘了一匹骏马“照夜白”的形象。\n为了在白绢上表现这匹白色的宝马，作者在描绘马时，通过工笔重彩手法，经过巧妙构思、对比手法，选取马鼻被拴的情形，不仅可以表现出“照夜白”的桀骜不驯，在色彩处理上还可以利用马桩的深色调衬托出马的矫健造型，在手法上做减法，达到美妙的画面平衡。\n”照夜白“是唐玄宗李隆基的坐骑，图中“照夜白”系一木桩上，昂首嘶鸣，四蹄腾骧，似欲挣脱缰索。\n全画只在画面略微偏右的位置描绘了一匹骏马的形象。\n这匹骏马被拴于一根马桩之上，明显可 以从画中感受到它不甘于束缚、怒目圆睁、昂首嘶鸣，飘逸的鬃毛、耸起的耳朵和抬起的前蹄，加强了画面所要透露的紧张感。\n据考证，马的头、颈、前身为真迹，而后半身为后人补笔，马尾巴已不存。",[12,13,14,15,16,17,18,19,20,21,22],"高清","水墨","工笔","纸本","长卷","书画","马","兽","印章","书法","行书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2433d816005c97573b406f03f58e59ba.jpg","","书法精选",[25,27],"碑帖精选",132,3,0,"BDBDBD",[33,35,37,39,41,43,45,47,49,51,53],{"name":12,"slug":34},"gao-qing",{"name":13,"slug":36},"shui-mo",{"name":14,"slug":38},"gong-bi",{"name":15,"slug":40},"zhi-ben",{"name":16,"slug":42},"chang-juan",{"name":17,"slug":44},"shu-hua",{"name":18,"slug":46},"ma",{"name":19,"slug":48},"shou",{"name":20,"slug":50},"yin-zhang",{"name":21,"slug":52},"shu-fa",{"name":22,"slug":54},"xing-shu",1777535396433]