[{"data":1,"prerenderedAt":54},["ShallowReactive",2],{"artwork-zhen-tong-kui-lei-tu-su-han-chen-221353":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":23,"size":24,"collection":25,"collections":26,"showCount":29,"zanCount":30,"manualWeight":31,"mainColor":32,"tagLinks":33},221353,"zhen-tong-kui-lei-tu-su-han-chen-221353","侲童傀儡图","宋","苏汉臣","日本京都国立博物馆","本画署款苏汉臣所作，苏汉臣（1094―1172），汴梁（今河南开封）人，宋代宫廷画家，历徽宗、高宗、孝宗三朝。苏汉臣画师刘宗古，善画仙佛人物，尤以婴戏图题材最为著名。苏汉臣在宋代画家中以画儿童婴戏著称，因此后世凡见宋人无款婴戏图常题苏汉臣作用来提高画的价值。宋朝社会流行木偶戏，宋人称之为“傀儡戏”，同时傀儡也被制成了儿童的玩具。本幅苏汉臣所画的《侲童傀儡图》描绘的正是三个小童在玩“杖头傀儡”的场景。作者笔下的小童神情专注，笔法简洁细劲，设色典雅。石色的使用最忌板滞轻浮，而本画中的石色明丽沉稳，堪称典范。图中假山的画法与宋徽宗《祥龙石图》如出一辙，阴阳凹凸皆以龙麟状的墨块点画而成，这与南宋院体画喜用小斧劈皴不同。这也在一定程度上反映了作者传承的是北宋宣和院体画风。",[12,13,14,15,16,17,18,19,20,21],"高清","名画","国画","工笔","设色","人物","儿童","傀儡","树木","宋代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F128d6f14c797843ff768db6c9441c208.jpg","绢本设色","23.6×23.2cm","宋画精选",[25,27,28],"人物画精选","设色画精选",104,4,0,"795548",[34,36,38,40,42,44,46,48,50,52],{"name":12,"slug":35},"gao-qing",{"name":13,"slug":37},"ming-hua",{"name":14,"slug":39},"guo-hua",{"name":15,"slug":41},"gong-bi",{"name":16,"slug":43},"she-se",{"name":17,"slug":45},"ren-wu",{"name":18,"slug":47},"er-tong",{"name":19,"slug":49},"kui-lei",{"name":20,"slug":51},"shu-mu",{"name":21,"slug":53},"song-dai",1777535397785]