[{"data":1,"prerenderedAt":41},["ShallowReactive",2],{"artwork-zheng-jian-yi-ming-gong-chi-du-cai-xiang-221367":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":18,"material":19,"size":20,"collection":21,"collections":22,"showCount":23,"zanCount":24,"manualWeight":24,"mainColor":25,"tagLinks":26},221367,"zheng-jian-yi-ming-gong-chi-du-cai-xiang-221367","政谏议明公尺牍","宋","蔡襄","台北故宫博物院","这幅楷书尺牍，可以说有很多颜真卿的根基和面貌，五代以后，但凡学书者，多少都会受到颜真卿影响。首先，结构上有顾盼和内在联系，像“拜”、“亲”、“赐”、“谏”等有些字，两部分相互倾斜，整体感觉却是平衡，体现出了体态的娇娆轻盈。其次，转折处多用顿笔，提按也分明不显露。不过颜真卿楷书是横细竖粗，力度较大，蔡襄楷书是行云流水，曲雅端庄。这点他们还是明显有区别的。然后，各种戈钩很有虞世南书风，特点就是刚劲挺拔，有很强的骨力感，而且很多钩都形态各异，变化丰富。",[12,13,7,14,15,16,17],"书法","行书","墨书","纸本","尺牍","手札","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F02d057a70693ac660746933244f80aab.jpg","楷书","28.8x158.6cm","",[],31,0,"BDBDBD",[27,29,31,33,35,37,39],{"name":12,"slug":28},"shu-fa",{"name":13,"slug":30},"xing-shu",{"name":7,"slug":32},"song-670",{"name":14,"slug":34},"mo-shu",{"name":15,"slug":36},"zhi-ben",{"name":16,"slug":38},"chi-du",{"name":17,"slug":40},"shou-zha",1777535411113]