[{"data":1,"prerenderedAt":51},["ShallowReactive",2],{"artwork-zhong-kui-tu-chen-lin-290083":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":23,"size":24,"collection":25,"collections":26,"showCount":27,"zanCount":28,"manualWeight":28,"mainColor":29,"tagLinks":30},290083,"zhong-kui-tu-chen-lin-290083","钟馗图","元","陈琳","藏地不详","绘严寒冬季，树木枝叶疏落，在萧旷之野，身材魁伟的钟馗伫立于林下的坡地上!胸怀中抱有笏板，头戴幞巾，穿宽身袍服，腰系玉带，脚穿皂靴，厂‘袖因风而飘，缩着颈脖，显出寒风凛凛冷意。但形象威严，目睛圆瞪，须髯如戟，炯炯有神，背景为枯树荆柯，宽阔坡陀为枯草所覆盖，斜坡上长有几棵大树，树干挺拔直上，顶天立地：树干上有不少疤结，枝叶疏落，大树下的丛丛荆柯枝干交错，树叶脱落，显示是严寒的冬天季节。作者所描绘一片寒林，枯梢老槎，显得苍劲高古，枝丫相互穿插，虚实、浓淡的处理，都是为了表现寒林的深度，画家利用虚实关系拉大了空间，作者不但在寒林的后面用淡墨画了类似的树木，还以云雾来加强树林的纵深，使人感到寒气逼人、全图笔法简括刚韧，以线描为主，辅以皴染，明显带有南宋画院体风貌。人物造型准确，刻画得生动传神，钟馗的衣纹十分简洁，和周围景物的描绘上又十分准确精到，因而能达到情景交融的境界。这是此画最为成功之处。它在于将钟馗缩脖无颈，一副缩着脖子畏寒的样子跃然纸上，瑟缩着的钟馗和寒林一样都突出一个寒字，相互衬托，加强了作品荒寒气氛。故此画在人物形态神情的刻画及其立意上颇有独到之处。",[12,13,14,15,16,17,18,19,20,21],"国画","名画","人物","水墨","立轴","钟馗","枯树","老树","印章","神话人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8970376efca2494a23a4ad5bef46147f.jpg","未知","Xcm*Xcm","",[],23,0,"795548",[31,33,35,37,39,41,43,45,47,49],{"name":12,"slug":32},"guo-hua",{"name":13,"slug":34},"ming-hua",{"name":14,"slug":36},"ren-wu",{"name":15,"slug":38},"shui-mo",{"name":16,"slug":40},"li-zhou",{"name":17,"slug":42},"zhong-kui",{"name":18,"slug":44},"ku-shu",{"name":19,"slug":46},"lao-shu",{"name":20,"slug":48},"yin-zhang",{"name":21,"slug":50},"shen-hua-ren-wu",1777535415326]