[{"data":1,"prerenderedAt":49},["ShallowReactive",2],{"artwork-zhu-shi-tu-ye-wu-zhen-220781":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":21,"material":22,"size":23,"collection":24,"collections":25,"showCount":27,"zanCount":28,"manualWeight":28,"mainColor":29,"tagLinks":30},220781,"zhu-shi-tu-ye-wu-zhen-220781","竹石图页","元","吴镇","台北故宫博物院","吴镇师承方面，于董源、巨然所得最多。其实董源、巨然并不是文人画家，但由于他们生活在江南，表现江南山川，创造了平淡天真、苍茫浑厚的山水画风，恰到好处地表现了山川之气韵，这种气韵正是宋代以后文人画家所梦寐以求的。从米芾开始，董巨画风开始受到青睐，延及赵孟頫、元四家，董巨画风大受推崇，整个元代山水画坛大多以董巨为依归，力求韵外之致。吴镇对董巨是下过很深的功夫的，他自己说：“董源画《寒林重汀图》，笔法苍劲，世所罕见，因观其真迹，摹其万一。”",[12,13,14,15,16,17,18,19,20],"高清","名画","国画","水墨","皴法","册","竹","石","孤石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fefe30f4d3ae723c1fb823e512d8473ef.jpg","白纸本","本幅 90.6x42.5公分、全幅 61.3公分","水墨画精选",[24,26],"竹石精选",102,0,"795548",[31,33,35,37,39,41,43,45,47],{"name":12,"slug":32},"gao-qing",{"name":13,"slug":34},"ming-hua",{"name":14,"slug":36},"guo-hua",{"name":15,"slug":38},"shui-mo",{"name":16,"slug":40},"cun-fa",{"name":17,"slug":42},"ce",{"name":18,"slug":44},"zhu",{"name":19,"slug":46},"shi",{"name":20,"slug":48},"gu-shi",1777535397901]