[{"data":1,"prerenderedAt":50},["ShallowReactive",2],{"artwork-zhu-shi-tu-zhou-gu-an-221699":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":21,"material":22,"size":23,"collection":24,"collections":25,"showCount":27,"zanCount":28,"manualWeight":29,"mainColor":30,"tagLinks":31},221699,"zhu-shi-tu-zhou-gu-an-221699","竹石图轴","元","顾安","北京故宫博物院","该图里画的是在顾安作品里较少见的晴竹。只见几竿瘦竹挺立于石边，前后分布，迎让相宜，并以淡墨绘出。前边两竿的枝叶呈生长旺势，以重墨写就的竹叶参差错落，且线条锋锐有力；劲健的笔法，表现出爽利的韵味。竹节是用一小扁圆圈表示的，这种画法习惯上称“圈节法”，与后世画家常用的“乙字勾节法”不同。画竹笋叶尖的笔墨非常精巧，顿挫扭转，生意盎然。后面的竹竿上，依稀可辨的嫩叶又显现出新竹的娇影，使读者可感画家对生活细腻的观察，和对竹韵的精微刻画。\n左上方有顾安自题年款，款下有三印：“顾安”与“顾定之”和“山月吟窗”，顾安的“山月吟窗”是一方富有诗意的闲章。\n顾安，字定之，号迂讷老人。平江（今江苏苏州）人。祖籍淮东（今江苏），故自称淮东人。曾任泉州同安县尉。擅画竹，常写风竹新篁。\n图中绘墨竹三竿，瘦劲挺拔，风梢云干，萧疏清逸。枝下窠石圆润互叠，缀以新篁，更添野趣。以干笔淡墨画竹竿，以书法捺笔写出竹叶，行笔遒劲自如。用浓、淡墨烘染，似烟云浮动，烘托出竹子的清幽秀骨。",[12,13,14,15,16,17,18,19,20],"高清","国画","名画","立轴","水墨","竹","孤石","书法","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ff805e3a06970a6ba0a00217aa34855.jpg","绢本","170.7x99.7","水墨画精选",[24,26],"竹石精选",107,1,0,"795548",[32,34,36,38,40,42,44,46,48],{"name":12,"slug":33},"gao-qing",{"name":13,"slug":35},"guo-hua",{"name":14,"slug":37},"ming-hua",{"name":15,"slug":39},"li-zhou",{"name":16,"slug":41},"shui-mo",{"name":17,"slug":43},"zhu",{"name":18,"slug":45},"gu-shi",{"name":19,"slug":47},"shu-fa",{"name":20,"slug":49},"yin-zhang",1777535397586]