[{"data":1,"prerenderedAt":50},["ShallowReactive",2],{"artwork-zhu-shi-tu-zhou-zhao-meng-fu-220869":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":21,"material":22,"size":23,"collection":24,"collections":25,"showCount":27,"zanCount":28,"manualWeight":29,"mainColor":30,"tagLinks":31},220869,"zhu-shi-tu-zhou-zhao-meng-fu-220869","竹石图轴","元","赵孟頫","北京故宫博物院","枯木竹石图是历代文人善画的题材,约始于唐代，至北宋文同、苏轼有较大的发展，南宋、金元间继有作者，至赵孟頫加以强调，形成一时风尚，终元一代盛行不衰。\n赵孟頫画枯木竹石，在继承文、苏的基础上，将书法的用笔融于绘画之中，他主张“书画同源”，即以书入画，其驰名古今画坛的名诗句“石如飞白木如籀，写竹还于八法通。”对后世画坛影响巨大，此图即体现了这一理论，用书法的“飞白”写出石及枯树干，章法简洁，笔法苍健洒脱，透出力度。竹以流畅的笔调，以“个”字或“介”字，一笔一笔撇捺，既有力又含蓄，富笔墨情趣，体现了文人画家的风雅韵致。\n从此图署款和绘画风格推断，当是赵孟頫晚年之作。",[12,13,14,15,16,17,18,19,20],"高清","国画","书画","立轴","水墨","皴法","竹","孤石","草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F46e366d2b4e02d71e45a12788491653e.jpg","绢本，墨笔","纵108.2厘米，横48.8厘米","水墨画精选",[24,26],"竹石精选",205,2,0,"795548",[32,34,36,38,40,42,44,46,48],{"name":12,"slug":33},"gao-qing",{"name":13,"slug":35},"guo-hua",{"name":14,"slug":37},"shu-hua",{"name":15,"slug":39},"li-zhou",{"name":16,"slug":41},"shui-mo",{"name":17,"slug":43},"cun-fa",{"name":18,"slug":45},"zhu",{"name":19,"slug":47},"gu-shi",{"name":20,"slug":49},"cao",1777535394670]