[{"data":1,"prerenderedAt":52},["ShallowReactive",2],{"artwork-zhu-xia-bao-qin-shan-mian-jiang-song-222419":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":23,"size":24,"collection":23,"collections":25,"showCount":26,"zanCount":27,"manualWeight":27,"mainColor":28,"tagLinks":29},222419,"zhu-xia-bao-qin-shan-mian-jiang-song-222419","竹下抱琴扇面","明","蒋嵩","台北故宫博物院","蒋嵩 ，字三松，号徂来山人、三松居士，江宁（今江苏南京）人。生卒年不详，从艺活动约在成化、嘉靖间。\n传世作品有《芦洲泛艇图》轴，现藏天津市艺术博物馆；《秋溪曳杖图》轴、《无尽溪山图》轴藏上海博物馆；《携琴看山图》轴、《渔舟读书图》轴藏故宫博物院；《秋林读书图》轴藏山东省博物馆；《松下著履图》轴藏南京博物院。\n善画山水人物，画法宗吴伟，为浙派名家之一。喜用焦墨枯笔，亦善用淡墨，浓淡相间，浑然一体，如《渔舟读书图》，山石多用大片湿墨，颇见功力，虽尺幅山水，小巧流水却云蒸雾变，烟霞触目。亦工人物，与郑文林、钟礼、张路等都是浙派晚期名手。又因他们纵笔豪放，多越矩度，曾被吴派讥为“狂态邪学”。",[12,13,14,15,16,17,18,19,20,21,7],"高清","国画","书画","扇面","水墨","皴法","人物","竹","琴","山水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6e0f6a5a8ea215f87b0f758dfe800581.jpg","","纵18.5厘米横53厘米",[],12,0,"BDBDBD",[30,32,34,36,38,40,42,44,46,48,50],{"name":12,"slug":31},"gao-qing",{"name":13,"slug":33},"guo-hua",{"name":14,"slug":35},"shu-hua",{"name":15,"slug":37},"shan-mian",{"name":16,"slug":39},"shui-mo",{"name":17,"slug":41},"cun-fa",{"name":18,"slug":43},"ren-wu",{"name":19,"slug":45},"zhu",{"name":20,"slug":47},"qin",{"name":21,"slug":49},"shan-shui",{"name":7,"slug":51},"ming",1777535427667]