[{"data":1,"prerenderedAt":33},["ShallowReactive",2],{"artwork-zhuan-shu-di-zi-zhi-ba-tiao-ping-wu-xi-zai-239939":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":16,"material":17,"size":18,"collection":19,"collections":20,"showCount":21,"zanCount":22,"manualWeight":22,"mainColor":23,"tagLinks":24},239939,"zhuan-shu-di-zi-zhi-ba-tiao-ping-wu-xi-zai-239939","篆书弟子职八条屏","清","吴熙载","藏地不详","吴熙载（1799-1870），原名廷扬，字熙载，后以字行，改字让之，亦作攘之，号让翁、晚学居士、方竹丈人等。江苏仪征人。清代篆刻家、书法家。包世臣的入室弟子。善书画，尤精篆刻。少时即追摹秦汉印作，后直接取法邓石如，得其神髓，又综合自己的学识，发展完善了“邓派”篆刻艺术，在明清流派篆刻史上具有举足轻重的地位。\n吴昌硕评曰：“让翁平生固服膺完白，而于秦汉印玺探讨极深，故刀法圆转，无纤曼之气，气象骏迈，质而不滞。余尝语人：学完白不若取径于让翁。”",[12,13,14,15],"清代","篆书","书法","屏条","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1ae630aa3af825477af4f1f99c4f81e1.jpg","未知","Xcm*Xcm","",[],19,0,"795548",[25,27,29,31],{"name":12,"slug":26},"qing-dai",{"name":13,"slug":28},"zhuan-shu",{"name":14,"slug":30},"shu-fa",{"name":15,"slug":32},"ping-tiao",1777535418454]