[{"data":1,"prerenderedAt":241},["ShallowReactive",2],{"subject-an-hua-wen":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},10263,"an-hua-wen","暗划纹","暗划纹画高清赏析","精选中国历代暗划纹题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fecc5f257bac8f9b564f7903c3753f321.jpg",0,24,[14,38,46,62,73,85,95,104,113,123,132,140,149,156,162,169,178,185,193,200,209,216,224,234],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":31,"material":32,"size":33,"collection":34,"collections":35,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},260895,"dao-guang-kuan-bai-di-fan-hong-cai-an-hua-hai-shui-yu-wen-pan-yi-ming-260895","道光款白地矾红彩暗划海水鱼纹盘","清","佚名","藏地不详","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[23,24,7,25,26,27,28,29,30],"陶瓷","矾红彩","海水","鱼","蝙蝠","盘","日用具","白地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fefcdfd29ea0de93305acce3e5832ba32.jpg","未知","Xcm*Xcm","",[],8,"795548",{"id":39,"slug":40,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":41,"thumbUrl":43,"material":32,"size":33,"collection":34,"collections":44,"showCount":45,"zanCount":11,"manualWeight":11,"mainColor":37},260894,"dao-guang-kuan-bai-di-fan-hong-cai-an-hua-hai-shui-yu-wen-pan-yi-ming-260894",[23,24,26,7,42],"日用器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F577e86f28368c901840a6f182bec3e67.jpg",[],5,{"id":47,"slug":48,"title":49,"dynasty":50,"author":19,"museum":20,"description":51,"tags":52,"thumbUrl":57,"material":32,"size":33,"collection":58,"collections":59,"showCount":60,"zanCount":11,"manualWeight":11,"mainColor":61},257581,"long-quan-yao-qing-you-an-hua-chan-zhi-lian-wen-feng-wei-zun-yi-ming-257581","龙泉窑青釉暗划缠枝莲纹凤尾尊","明","龙泉窑是中国历史上的一个名窑，宋代六大窑系。汉族传统制瓷工艺的珍品。因其主要产区在浙江省龙泉市而得名。它开创于三国两晋，结束于清代，生产瓷器的历史长达1600多年，是中国制瓷历史上最长的一个瓷窑系，它的产品畅销于亚洲、非洲、欧洲的许多国家和地区，影响十分深远。龙泉窑以烧制青瓷而闻名，在北宋早期以前的产品风格受越窑、瓯窑、婺州窑的影响，特征与三窑的产品相似。胎质较粗，胎体较厚，釉色淡青，釉层稍簿。\n1998年3月，宋代的龙泉窑青釉莲瓣纹瓶从英国追回。\n龙泉窑因在今浙江龙泉县，故名，属我国南方青瓷系统。创造于北宋早期，南宋中晚期进入鼎盛时期，至明代中叶以后渐趋衰落，传世的龙泉青瓷下限至清康熙年间，烧造历史达七、八百年之久。北宋时期的龙泉青瓷，胎骨较厚，胎土淡灰，底足露胎处见赭褐色窑红，胎微出烧，釉的玻化程度好，釉层透明，釉表光泽很强。装饰花纹较简练，常见纹样有鱼纹、蕉叶、金枝、荷花等。装饰风格趋于奔放。处于南宋鼎盛时期的龙泉青瓷，形成了自已独有的艺术风格，显示了独特的魅力。\n南宋龙泉青瓷的造型亦形成自已的风格，稳重大方，浑厚淳朴而又不失秀媚，器型丰富多样，装饰普遍采用刻花和堆塑法，颇具艺术匠心。\n元代龙泉青瓷烧造量大，风格与南宋迥异：器型高大、胎体厚重；胎色为白中带灰或淡黄；釉色为粉青带黄绿，光泽较强，釉层半透明；装饰手法多种多样，有刻、划、印、贴、塑等，以划花为主，花纹粗略，线条奔放，纹饰以云龙、飞凰、双鱼、八仙、八卦、牡丹、荷叶等为多见。此外，还大量出现汉文和八思巴文字款铭。\n明代龙泉青瓷走向衰弱，器物胎体厚重，制作粗糙，胎色为灰黄，釉层厚，透明度高，釉表光泽强，釉色有青灰、茶叶末、灰黄等几种，装饰以釉下刻花为主，亦有模印人物故事的装饰方法。\n宋代龙泉青瓷是青瓷工艺的历史高峰。其青瓷的釉色与质地之美，亦如巧夺天工的人造美玉，全世人为之倾倒。\n那么，在漫长的历史长河中，龙泉窑又经历了怎样的发展轨迹呢?朱伯谦先生在《龙泉窑青瓷》一书中曾将龙泉窑的发展归纳为开创、发展、鼎盛和衰落四个阶段：魏晋和五代十国是开创时期，瓷窑少，生产时断时续，处于就地销售断断续续的生产阶段；北宋至南宋前期是发展期，瓷窑发展快，逐渐形成一个较大的瓷窑体系；南宋后期至元代是鼎盛期，瓷窑迅速发展，青瓷质量大大提高，产品畅销国内外广大市场；明清是衰落期，尤其是明代中期以后龙泉窑处境艰难，瓷窑不断地倒闭减少，至清代晚期结束。如果说这四个阶段勾勒出了龙泉窑发展历史的整个脉络，那么，龙泉窑发展史上的三次辉煌期则是连贯发展脉络的重点和要点。",[23,53,54,7,55,56],"青瓷","龙泉窑","缠枝莲纹","凤尾尊","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe0ebaab48944d1178f01e0f978b7b759.jpg","瓷器精选",[58],1,"BDBDBD",{"id":63,"slug":64,"title":65,"dynasty":50,"author":19,"museum":20,"description":66,"tags":67,"thumbUrl":70,"material":32,"size":33,"collection":34,"collections":71,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":72},261920,"long-qing-kuan-huang-you-an-hua-long-wen-wan-yi-ming-261920","隆庆款黄釉暗划龙纹碗","黄釉是汉族传统的陶瓷装饰艺术。最早出现于唐代，当时安徽淮南寿州窑、河南密县窑等都烧黄釉。但正色黄釉，还是宋代汝窑的高温黄釉——茶叶末釉。明代的黄釉有新的发展，洪武时的老僧衣即茶叶末的衍化；始于宣德的浇黄，更是明代杰出的黄釉；嘉靖以后，又有鱼子黄、鸡油黄等。入清后有康熙的淡黄，以及其后的菜尾、鼻烟、金酱等。",[23,29,68,69,7],"龙","黄釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F624941975312de4df9c89a34df1de7fc.jpg",[],"37474F",{"id":74,"slug":75,"title":76,"dynasty":18,"author":19,"museum":20,"description":77,"tags":78,"thumbUrl":83,"material":32,"size":33,"collection":34,"collections":84,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":72},261854,"dong-qing-you-an-hua-chan-zhi-jiao-ye-wen-zhi-jing-ping-yi-ming-261854","冬青釉暗划缠枝蕉叶纹直颈瓶","中国瓷器著名传统颜色釉。亦称“青瓷釉”。古代南方青釉，是瓷器最早的颜色釉。\n所谓“青釉”，颜色并不是纯粹的青，有：月白、天青、粉青、梅子青、豆青、豆绿、翠青等，但多少总能泛出一点青绿色。同时，古人往往将青、绿、蓝三种颜色，一统称为“青色”，例如许之衡《饮流斋说瓷》称：“古瓷尚青，凡绿也、蓝也，皆以青括之。”刘子芬《竹园陶说》中也说：“青色一种，常与蓝色相混。雨过天晴，钧窑、元窑之青，皆近蓝色。”“惟千峰翠色、梅子青、豆青、乃为纯青耳。天色本蓝，有时为青。”\n青釉是我国使用最早，延用时间最久，分布最广的一个釉种，它的发明是与我国瓷土矿大都含有一定量的铁矿的现象相一致的。青色也符合我国人民的传统审美情趣。青色与碧玉相若，认为稳重而高雅。浙江、江西、河南等地已出土了不少早至商周时期的原始青釉瓷。六朝至唐宋以越窑为代表的南方青釉瓷；宋到元明的龙泉窑系青瓷；耀州窑、临汝窑、钧窑等宋代北方青瓷；以及明、清以来的景德镇青釉瓷，是青釉发展的几个重要阶段，所谓的宋代“汝、定、官、哥、钧”五大名窑，除定窑外均属青釉瓷。表釉的呈色主要决定于着色氧化物的含铁量与烧成气氛，青釉含铁量一般在1—3%左右，过高会变成黑釉，低了就能烧成白瓷。在还原气氛中烧成。釉色青绿；在氧化气氛中烧成，釉色泛黄。因而陶瓷界所谓的青釉是相对而言的，正如许之衡《饮流斋说瓷》中所说：“古瓷尚青，凡绿也，蓝也，皆以青括之。”",[23,79,80,7,81,82],"瓶","冬青釉","缠枝纹","蕉叶纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc66664a8f16284f6a5119942804cb560.jpg",[],{"id":86,"slug":87,"title":88,"dynasty":50,"author":19,"museum":20,"description":21,"tags":89,"thumbUrl":93,"material":32,"size":33,"collection":34,"collections":94,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":72},261509,"hong-zhi-kuan-bai-di-lv-cai-yun-long-an-hua-hai-shui-wen-pan-yi-ming-261509","弘治款白地绿彩云龙暗划海水纹盘",[23,68,90,91,92,7,28],"绿彩","云龙纹","海水纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F86ec4440fbfd09d5fc3d830fb69f433a.jpg",[],{"id":96,"slug":97,"title":98,"dynasty":50,"author":19,"museum":20,"description":51,"tags":99,"thumbUrl":102,"material":32,"size":33,"collection":58,"collections":103,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":61},261326,"long-quan-yao-qing-you-an-hua-chan-zhi-lian-wen-gai-guan-yi-ming-261326","龙泉窑青釉暗划缠枝莲纹盖罐",[23,100,7,55,101,42],"青釉","盖罐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51bda5b3f417789beecbe3d87459317b.jpg",[58],{"id":105,"slug":106,"title":107,"dynasty":50,"author":19,"museum":20,"description":108,"tags":109,"thumbUrl":111,"material":32,"size":33,"collection":58,"collections":112,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":61},260826,"de-hua-yao-bai-you-an-hua-long-wen-pan-yi-ming-260826","德化窑白釉暗划龙纹盘","德化窑位于今福建德化，故名。作为著名的瓷窑，是福建沿海地区古外销瓷重要产地之一。发现由宋到清历代窑址达一百八十处，重点发掘了屈斗宫、碗坪仑两处窑址。\n德化瓷器是中华陶瓷烧造中的艺术珍品，始于宋代，明代后得到巨大发展。以白瓷塑佛像闻名。其制作细腻，雕刻精美，造型生动，体现了古代劳动人民的卓越才能和艺术创造力。\n在今福建德化，故名。是福建沿海地区古外销瓷重要产地之一。发现由宋到清历代窑址达一百八十处，重点发掘了屈斗宫、碗坪仑两处窑址。\n碗坪仑烧瓷较屈斗宫古窑址早，烧青白瓷，有的接近白釉，刻花蓖划纹装饰较多，盒子遗留甚丰，盖面所印阳纹装饰达一百余种，题材之丰富在南方地区首屈一指，南宋时有专门制作盒子的作坊，盒盖上阳文印花装饰题材丰富，有动物、花卉等近百种图案。划花间篦划纹亦较多，饰在碗、盘、瓶等器物上。\n屈斗宫元代办烧青白瓷，从南宋至元代。明代盛烧白瓷观音、达摩等塑像，胎釉浑然一体，如同白玉，被赞为&quot;象牙白&quot;、&quot;奶白&quot;或 &quot;天鹅绒白。清代除烧白瓷外，盛烧青花与彩绘瓷器。元代以来，德化窑瓷器输出海外，菲律宾、马来西亚出土有元代德化窑青白瓷，泰国及东非坦桑尼亚等国家也出土有清代德化窑青花瓷器。\n这种瓷器的制作工艺程序如下：他们从地下挖取一种泥土，将它垒成一个大堆，任凭风吹、雨打、日晒，从不翻动，历时三、四十年。泥土经过这种处理，质地变得更加纯化精炼，适合制造上述各种器皿，然后抹上认为颜色合宜的釉，再将瓷器放入窑内或炉里烧制而成。因此，人们挖泥堆土，目的是替自已的儿孙贮备制造瓷器的材料而已，大量的瓷器是在城中出售， 一个威尼斯银币能买到八个瓷杯“。马可波罗的介绍，引起了西方人的强烈兴趣。",[23,29,68,7,110],"白釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe1b79878215ae2212e06d3983fc92a6c.jpg",[58],{"id":114,"slug":115,"title":116,"dynasty":18,"author":19,"museum":20,"description":117,"tags":118,"thumbUrl":121,"material":32,"size":33,"collection":34,"collections":122,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},259907,"yong-zheng-kuan-dan-jia-pi-zi-you-an-hua-ba-ji-xiang-wen-die-yi-ming-259907","雍正款淡茄皮紫釉暗划八吉祥纹碟","雍正一朝虽然只有13年，但他的制瓷业成就却达到了清代官窑的历史高峰，其品种之多，制作工艺之精良，都是其他朝代无法比拟的。",[23,29,7,119,120],"八吉祥纹","茄皮紫釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a0cdedf7a23d8f39b9c84fbcff080df.jpg",[],{"id":124,"slug":125,"title":126,"dynasty":50,"author":19,"museum":20,"description":127,"tags":128,"thumbUrl":130,"material":32,"size":33,"collection":34,"collections":131,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":72},259790,"jia-jing-kuan-bai-you-an-hua-hai-shui-wen-pan-yi-ming-259790","嘉靖款白釉暗划海水纹盘","将不含金属氧化物呈色元素的釉料施于胎骨洁白的器物上，入窑高温烧制而成的透明釉， 釉色因白润瓷胎的映衬而显出白色，现在习惯上将这种透明釉也称为白釉。\n瓷器釉料中的含铁量降低到0.75%以下，施于洁白的瓷胎上，入窑经高温烧制，就会出现白釉。严格地说，白釉是一种无色透明釉，而不是白色的釉 。白釉是瓷器传统釉色之一,真正的白釉应该是乳白色的乳浊釉,这种釉是近代才发明的。我国古代仅有元代枢府釉是失透的,其他白釉并不是白色的釉,\n白釉烧制工艺比青釉复杂，出现的时间也较青釉晚，一般瓷土和釉料，都或多或少含有一些氧化铁，器物烧出后必然呈现出深浅不同的青色来。如果釉料中的铁元素含量小于0.75%，烧出来的就会是白釉。\n白釉最早出现在汉代，比青釉瓷器晚了400多年，白釉瓷器开始是青白色的，因为瓷器中铁的含量高于1%就是青色的，少于1%就是白瓷了，所以中国白瓷经历青瓷、青白瓷、卵白釉、甜白釉、象牙白、白釉的发展过程。中国历史上白瓷产地有德化白瓷、定窑白瓷以及刑窑白瓷等。",[23,129,110,7,92,42,28],"器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6c12c98b4d6b8be19e32c572d937d301.jpg",[],{"id":133,"slug":134,"title":135,"dynasty":18,"author":19,"museum":20,"description":127,"tags":136,"thumbUrl":138,"material":32,"size":33,"collection":34,"collections":139,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":61},259282,"kang-xi-kuan-bai-you-an-hua-tuan-shou-zi-yun-long-wen-pan-yi-ming-259282","康熙款白釉暗划团寿字云龙纹盘",[23,28,110,7,91,137],"团寿字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6fffbe20c3587030b68561c5e061e8d0.jpg",[],{"id":141,"slug":142,"title":143,"dynasty":18,"author":19,"museum":20,"description":117,"tags":144,"thumbUrl":147,"material":32,"size":33,"collection":34,"collections":148,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":72},259190,"yong-zheng-kuan-jiao-huang-you-an-hua-chan-zhi-lian-wen-wan-yi-ming-259190","雍正款浇黄釉暗划缠枝莲纹碗",[23,42,145,7,146,69],"碗","缠枝莲","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe1600037051eb7d9bf4edd9a13c537b7.jpg",[],{"id":150,"slug":151,"title":152,"dynasty":18,"author":19,"museum":20,"description":117,"tags":153,"thumbUrl":154,"material":32,"size":33,"collection":34,"collections":155,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":61},259180,"yong-zheng-kuan-huang-you-an-hua-yun-long-wen-pan-yi-ming-259180","雍正款黄釉暗划云龙纹盘",[23,29,68,7,69,129],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51d98c205c40b7a8606ad8865ba2cb37.jpg",[],{"id":157,"slug":158,"title":152,"dynasty":18,"author":19,"museum":20,"description":117,"tags":159,"thumbUrl":160,"material":32,"size":33,"collection":34,"collections":161,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":61},259179,"yong-zheng-kuan-huang-you-an-hua-yun-long-wen-pan-yi-ming-259179",[23,29,28,69,7,68],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fafd6f7127321a31685e6d6bcc637821a.jpg",[],{"id":163,"slug":164,"title":165,"dynasty":18,"author":19,"museum":20,"description":117,"tags":166,"thumbUrl":167,"material":32,"size":33,"collection":34,"collections":168,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":61},259177,"yong-zheng-kuan-huang-you-an-hua-yun-long-wen-wan-yi-ming-259177","雍正款黄釉暗划云龙纹碗",[23,129,29,68,7,69],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F95e7b5b87c27140ad1ea664aa9f4f149.jpg",[],{"id":170,"slug":171,"title":172,"dynasty":18,"author":19,"museum":20,"description":66,"tags":173,"thumbUrl":176,"material":32,"size":33,"collection":34,"collections":177,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":72},259125,"kang-xi-kuan-huang-you-an-hua-shuang-feng-wen-hua-kou-pan-yi-ming-259125","康熙款黄釉暗划双凤纹花口盘",[23,129,29,69,7,174,175],"凤纹","花口盘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd61ec5c9bc0370b05e95563a57a7939b.jpg",[],{"id":179,"slug":180,"title":181,"dynasty":18,"author":19,"museum":20,"description":127,"tags":182,"thumbUrl":183,"material":32,"size":33,"collection":34,"collections":184,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":72},259123,"kang-xi-kuan-li-bai-you-wai-huang-you-an-hua-yun-long-wen-pan-yi-ming-259123","康熙款里白釉外黄釉暗划云龙纹盘",[23,7,68,110,69,28,29],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b409a70858c71ebffad48d220acfb37.jpg",[],{"id":186,"slug":187,"title":188,"dynasty":18,"author":19,"museum":20,"description":66,"tags":189,"thumbUrl":191,"material":32,"size":33,"collection":34,"collections":192,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},259122,"kang-xi-kuan-huang-you-an-hua-long-feng-wen-die-yi-ming-259122","康熙款黄釉暗划龙凤纹碟",[23,129,68,190,7,69],"凤","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd9239e6e5b34b252c5525ee7df35ffb5.jpg",[],{"id":194,"slug":195,"title":196,"dynasty":18,"author":19,"museum":20,"description":66,"tags":197,"thumbUrl":198,"material":32,"size":33,"collection":34,"collections":199,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},259120,"kang-xi-kuan-huang-you-an-hua-long-feng-wen-pan-yi-ming-259120","康熙款黄釉暗划龙凤纹盘",[23,29,68,190,69,7,129],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa7078bb44bc66a19977c9035901ead82.jpg",[],{"id":201,"slug":202,"title":203,"dynasty":18,"author":19,"museum":20,"description":66,"tags":204,"thumbUrl":207,"material":32,"size":33,"collection":34,"collections":208,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":61},259116,"kang-xi-kuan-huang-you-an-hua-tuan-hua-wen-wan-yi-ming-259116","康熙款黄釉暗划团花纹碗",[23,145,69,7,205,29,206],"团花纹","饪食器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d1eda61209dfb7bb295124745344377.jpg",[],{"id":210,"slug":211,"title":212,"dynasty":18,"author":19,"museum":20,"description":66,"tags":213,"thumbUrl":214,"material":32,"size":33,"collection":34,"collections":215,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":72},259114,"kang-xi-kuan-huang-you-an-hua-yun-long-wen-wan-yi-ming-259114","康熙款黄釉暗划云龙纹碗",[23,42,145,69,7,68],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff10e1932837dede41d272723505ee30b.jpg",[],{"id":217,"slug":218,"title":219,"dynasty":18,"author":19,"museum":20,"description":66,"tags":220,"thumbUrl":222,"material":32,"size":33,"collection":34,"collections":223,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":72},259080,"kang-xi-kuan-huang-you-an-hua-yun-long-wen-zhan-tuo-yi-ming-259080","康熙款黄釉暗划云龙纹盏托",[23,129,29,68,7,69,221],"盏托","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f0a41b1715e5ab15ea5231638dd6911.jpg",[],{"id":225,"slug":226,"title":227,"dynasty":18,"author":19,"museum":20,"description":66,"tags":228,"thumbUrl":232,"material":32,"size":33,"collection":34,"collections":233,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":72},258071,"kang-xi-kuan-huang-you-shou-zi-an-hua-yun-long-wen-lian-ban-pan-yi-ming-258071","康熙款黄釉寿字暗划云龙纹莲瓣盘",[229,23,69,7,91,230,231,28],"清代","寿字纹","莲瓣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff1aed0cf8dc9f197c4af790997548878.jpg",[],{"id":235,"slug":236,"title":237,"dynasty":50,"author":19,"museum":20,"description":66,"tags":238,"thumbUrl":10,"material":32,"size":33,"collection":34,"collections":240,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},257399,"wan-li-kuan-huang-you-an-hua-yun-long-wen-wan-yi-ming-257399","万历款黄釉暗划云龙纹碗",[50,23,69,7,68,239,129],"设色",[],1777535718239]