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明；装饰手法多种多样，有刻、划、印、贴、塑等，以划花为主，花纹粗略，线条奔放，纹饰以云龙、飞凰、双鱼、八仙、八卦、牡丹、荷叶等为多见。此外，还大量出现汉文和八思巴文字款铭。\n明代龙泉青瓷走向衰弱，器物胎体厚重，制作粗糙，胎色为灰黄，釉层厚，透明度高，釉表光泽强，釉色有青灰、茶叶末、灰黄等几种，装饰以釉下刻花为主，亦有模印人物故事的装饰方法。\n宋代龙泉青瓷是青瓷工艺的历史高峰。其青瓷的釉色与质地之美，亦如巧夺天工的人造美玉，全世人为之倾倒。\n那么，在漫长的历史长河中，龙泉窑又经历了怎样的发展轨迹呢?朱伯谦先生在《龙泉窑青瓷》一书中曾将龙泉窑的发展归纳为开创、发展、鼎盛和衰落四个阶段：魏晋和五代十国是开创时期，瓷窑少，生产时断时续，处于就地销售断断续续的生产阶段；北宋至南宋前期是发展期，瓷窑发展快，逐渐形成一个较大的瓷窑体系；南宋后期至元代是鼎盛期，瓷窑迅速发展，青瓷质量大大提高，产品畅销国内外广大市场；明清是衰落期，尤其是明代中期以后龙泉窑处境艰难，瓷窑不断地倒闭减少，至清代晚期结束。如果说这四个阶段勾勒出了龙泉窑发展历史的整个脉络，那么，龙泉窑发展史上的三次辉煌期则是连贯发展脉络的重点和要点。",[176,1237,1238,7,1239,1240,1241,1242],"龙泉窑","青釉","加彩","双系罐","器物","日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F02574e22b78d8939711a9c1f71c335e8.jpg","瓷器精选",[1244],{"id":1247,"slug":1248,"title":1249,"dynasty":18,"author":19,"museum":20,"description":1250,"tags":1251,"thumbUrl":1254,"material":27,"size":28,"collection":29,"collections":1255,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":60},261588,"bai-you-an-hua-chan-zhi-bao-xiang-hua-wen-bo-gang-yi-ming-261588","白釉暗花缠枝宝相花纹钵缸","将不含金属氧化物呈色元素的釉料施于胎骨洁白的器物上，入窑高温烧制而成的透明釉， 釉色因白润瓷胎的映衬而显出白色，现在习惯上将这种透明釉也称为白釉。\n瓷器釉料中的含铁量降低到0.75%以下，施于洁白的瓷胎上，入窑经高温烧制，就会出现白釉。严格地说，白釉是一种无色透明釉，而不是白色的釉 。白釉是瓷器传统釉色之一,真正的白釉应该是乳白色的乳浊釉,这种釉是近代才发明的。我国古代仅有元代枢府釉是失透的,其他白釉并不是白色的釉,\n白釉烧制工艺比青釉复杂，出现的时间也较青釉晚，一般瓷土和釉料，都或多或少含有一些氧化铁，器物烧出后必然呈现出深浅不同的青色来。如果釉料中的铁元素含量小于0.75%，烧出来的就会是白釉。\n白釉最早出现在汉代，比青釉瓷器晚了400多年，白釉瓷器开始是青白色的，因为瓷器中铁的含量高于1%就是青色的，少于1%就是白瓷了，所以中国白瓷经历青瓷、青白瓷、卵白釉、甜白釉、象牙白、白釉的发展过程。中国历史上白瓷产地有德化白瓷、定窑白瓷以及刑窑白瓷等。",[176,179,1242,407,7,1252,1253],"缠枝宝相花纹","钵缸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff4b38b4a2d83f9631571331823c7824e.jpg",[],{"id":1257,"slug":1258,"title":1259,"dynasty":18,"author":19,"museum":20,"description":174,"tags":1260,"thumbUrl":1265,"material":27,"size":28,"collection":29,"collections":1266,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":32},261405,"jiang-you-an-hua-chan-zhi-lian-wen-wan-yi-ming-261405","酱釉暗花缠枝莲纹碗",[176,179,1242,1261,1262,7,1263,1264],"饪食器","酱釉","缠枝莲纹","碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd1ca2b4b67ebe10e637fa6a650097528.jpg",[],{"id":1268,"slug":1269,"title":1270,"dynasty":18,"author":19,"museum":20,"description":1271,"tags":1272,"thumbUrl":1275,"material":27,"size":28,"collection":29,"collections":1276,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":32},261381,"yu-tang-jia-qi-kuan-fen-qing-you-an-hua-san-guo-wen-wan-yi-ming-261381","玉堂佳器款粉青釉暗花三果纹碗","中国瓷器著名传统颜色釉。亦称“青瓷釉”。古代南方青釉，是瓷器最早的颜色釉。\n所谓“青釉”，颜色并不是纯粹的青，有：月白、天青、粉青、梅子青、豆青、豆绿、翠青等，但多少总能泛出一点青绿色。同时，古人往往将青、绿、蓝三种颜色，一统称为“青色”，例如许之衡《饮流斋说瓷》称：“古瓷尚青，凡绿也、蓝也，皆以青括之。”刘子芬《竹园陶说》中也说：“青色一种，常与蓝色相混。雨过天晴，钧窑、元窑之青，皆近蓝色。”“惟千峰翠色、梅子青、豆青、乃为纯青耳。天色本蓝，有时为青。”\n青釉是我国使用最早，延用时间最久，分布最广的一个釉种，它的发明是与我国瓷土矿大都含有一定量的铁矿的现象相一致的。青色也符合我国人民的传统审美情趣。青色与碧玉相若，认为稳重而高雅。浙江、江西、河南等地已出土了不少早至商周时期的原始青釉瓷。六朝至唐宋以越窑为代表的南方青釉瓷；宋到元明的龙泉窑系青瓷；耀州窑、临汝窑、钧窑等宋代北方青瓷；以及明、清以来的景德镇青釉瓷，是青釉发展的几个重要阶段，所谓的宋代“汝、定、官、哥、钧”五大名窑，除定窑外均属青釉瓷。表釉的呈色主要决定于着色氧化物的含铁量与烧成气氛，青釉含铁量一般在1—3%左右，过高会变成黑釉，低了就能烧成白瓷。在还原气氛中烧成。釉色青绿；在氧化气氛中烧成，釉色泛黄。因而陶瓷界所谓的青釉是相对而言的，正如许之衡《饮流斋说瓷》中所说：“古瓷尚青，凡绿也，蓝也，皆以青括之。”",[176,1242,179,1273,7,1274],"粉青釉","三果纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6105827d3c8f3ec5713f7b748627ea82.jpg",[],{"id":1278,"slug":1279,"title":1280,"dynasty":18,"author":19,"museum":20,"description":1250,"tags":1281,"thumbUrl":1282,"material":27,"size":28,"collection":29,"collections":1283,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":60},261310,"hong-zhi-kuan-bai-you-an-hua-long-wen-wan-yi-ming-261310","弘治款白釉暗花龙纹碗",[176,1242,112,407,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F422777ca84a40c6bfb88c530409312cb.jpg",[],{"id":1285,"slug":1286,"title":1287,"dynasty":18,"author":19,"museum":20,"description":1271,"tags":1288,"thumbUrl":1291,"material":27,"size":28,"collection":29,"collections":1292,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":60},261164,"dou-qing-you-an-hua-chan-zhi-mu-dan-wen-bi-tong-yi-ming-261164","豆青釉暗花缠枝牡丹纹笔筒",[176,179,1289,7,80,1290],"笔筒","缠枝纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ffbcf45b254c2ea97ea80f7bde8f3cd.jpg",[],{"id":1294,"slug":1295,"title":1296,"dynasty":18,"author":19,"museum":20,"description":1297,"tags":1298,"thumbUrl":1300,"material":27,"size":28,"collection":1244,"collections":1301,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":60},260962,"de-hua-yao-bai-you-an-hua-dan-shi-ping-yi-ming-260962","德化窑白釉暗花胆式瓶","德化窑位于今福建德化，故名。作为著名的瓷窑，是福建沿海地区古外销瓷重要产地之一。发现由宋到清历代窑址达一百八十处，重点发掘了屈斗宫、碗坪仑两处窑址。\n德化瓷器是中华陶瓷烧造中的艺术珍品，始于宋代，明代后得到巨大发展。以白瓷塑佛像闻名。其制作细腻，雕刻精美，造型生动，体现了古代劳动人民的卓越才能和艺术创造力。\n在今福建德化，故名。是福建沿海地区古外销瓷重要产地之一。发现由宋到清历代窑址达一百八十处，重点发掘了屈斗宫、碗坪仑两处窑址。\n碗坪仑烧瓷较屈斗宫古窑址早，烧青白瓷，有的接近白釉，刻花蓖划纹装饰较多，盒子遗留甚丰，盖面所印阳纹装饰达一百余种，题材之丰富在南方地区首屈一指，南宋时有专门制作盒子的作坊，盒盖上阳文印花装饰题材丰富，有动物、花卉等近百种图案。划花间篦划纹亦较多，饰在碗、盘、瓶等器物上。\n屈斗宫元代办烧青白瓷，从南宋至元代。明代盛烧白瓷观音、达摩等塑像，胎釉浑然一体，如同白玉，被赞为"象牙白"、"奶白"或 "天鹅绒白。清代除烧白瓷外，盛烧青花与彩绘瓷器。元代以来，德化窑瓷器输出海外，菲律宾、马来西亚出土有元代德化窑青白瓷，泰国及东非坦桑尼亚等国家也出土有清代德化窑青花瓷器。\n这种瓷器的制作工艺程序如下：他们从地下挖取一种泥土，将它垒成一个大堆，任凭风吹、雨打、日晒，从不翻动，历时三、四十年。泥土经过这种处理，质地变得更加纯化精炼，适合制造上述各种器皿，然后抹上认为颜色合宜的釉，再将瓷器放入窑内或炉里烧制而成。因此，人们挖泥堆土，目的是替自已的儿孙贮备制造瓷器的材料而已，大量的瓷器是在城中出售， 一个威尼斯银币能买到八个瓷杯“。马可波罗的介绍，引起了西方人的强烈兴趣。",[176,407,7,1299,179],"胆式瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9c668ba306a30e8f35c4d68a4e5b0e58.jpg",[1244],{"id":1303,"slug":1304,"title":1305,"dynasty":18,"author":19,"museum":20,"description":385,"tags":1306,"thumbUrl":1308,"material":27,"size":28,"collection":29,"collections":1309,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":60},260172,"cheng-hua-kuan-huang-you-an-hua-yun-he-wen-pan-yi-ming-260172","成化款黄釉暗花云鹤纹盘",[176,1307,388,7,210,611],"盘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d3b1560056c7280fd08d33670476760.jpg",[],{"id":1311,"slug":1312,"title":1313,"dynasty":18,"author":19,"museum":20,"description":1250,"tags":1314,"thumbUrl":1316,"material":27,"size":28,"collection":29,"collections":1317,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},260042,"bai-you-an-hua-wen-zhi-kou-ping-yi-ming-260042","白釉暗花纹直口瓶",[176,407,7,1315],"瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1558395c214852c349d0a94edf24289a.jpg",[],{"id":1319,"slug":1320,"title":1321,"dynasty":18,"author":19,"museum":20,"description":174,"tags":1322,"thumbUrl":1325,"material":27,"size":28,"collection":29,"collections":1326,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":32},260026,"jiang-you-an-hua-shuang-xian-wen-qian-wan-yi-ming-260026","酱釉暗花双弦纹浅碗",[176,1242,1262,7,1323,1324,179],"双弦纹","浅碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F38d90a23cc910a63e384a4936466195a.jpg",[],{"id":1328,"slug":1329,"title":1330,"dynasty":18,"author":19,"museum":20,"description":385,"tags":1331,"thumbUrl":1332,"material":27,"size":28,"collection":29,"collections":1333,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":60},259087,"kang-xi-kuan-huang-you-an-hua-yun-long-wen-pan-yi-ming-259087","康熙款黄釉暗花云龙纹盘",[176,179,1307,388,7,112,1242],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2c37cdcc0d1740cbf3beaab2609b4db3.jpg",[],{"id":1335,"slug":1336,"title":1337,"dynasty":18,"author":19,"museum":20,"description":385,"tags":1338,"thumbUrl":1340,"material":27,"size":28,"collection":29,"collections":1341,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":60},259085,"kang-xi-kuan-huang-you-an-hua-yun-feng-wen-wan-yi-ming-259085","康熙款黄釉暗花云凤纹碗",[176,388,7,1339,210,1264,1242],"凤纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F36c8a5699804d0a78eb90c08fd7ab7f6.jpg",[],{"id":1343,"slug":1344,"title":1345,"dynasty":18,"author":19,"museum":20,"description":1271,"tags":1346,"thumbUrl":1348,"material":27,"size":28,"collection":29,"collections":1349,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":32},258933,"dong-qing-you-an-hua-chan-zhi-lian-wen-pie-kou-ping-yi-ming-258933","冬青釉暗花缠枝莲纹撇口瓶",[397,176,1347,7,1263,1315,179],"冬青釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0fcf30a763d4ef82945a76e53424bf28.jpg",[],{"id":1351,"slug":1352,"title":1353,"dynasty":18,"author":19,"museum":20,"description":174,"tags":1354,"thumbUrl":1358,"material":27,"size":28,"collection":29,"collections":1359,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":380},258649,"qian-long-kuan-lv-you-an-hua-seng-mao-hu-shi-bi-ping-yi-ming-258649","乾隆款绿釉暗花僧帽壶式壁瓶",[397,176,1355,7,1356,1357,179],"绿釉","壁瓶","僧帽壶式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F19585c2069383bd9fd43ee244641f417.jpg",[],{"id":1361,"slug":1362,"title":1363,"dynasty":18,"author":19,"museum":20,"description":1250,"tags":1364,"thumbUrl":1366,"material":27,"size":28,"collection":29,"collections":1367,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":32},258000,"kang-xi-kuan-bai-you-an-hua-die-wen-pan-yi-ming-258000","康熙款白釉暗花蝶纹盘",[397,176,407,7,1365,1241],"蝶纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd84b48d02ac40f0941c0f31ea0aa6d0b.jpg",[],{"id":1369,"slug":1370,"title":1371,"dynasty":18,"author":19,"museum":20,"description":385,"tags":1372,"thumbUrl":1374,"material":27,"size":28,"collection":29,"collections":1375,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":60},257994,"kang-xi-kuan-huang-you-an-hua-chan-zhi-hua-wen-pan-yi-ming-257994","康熙款黄釉暗花缠枝花纹盘",[176,388,7,1373,179],"缠枝花纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7f171d5160ec0b6499dce8440b4c6f9c.jpg",[],{"id":1377,"slug":1378,"title":1379,"dynasty":18,"author":19,"museum":20,"description":174,"tags":1380,"thumbUrl":1382,"material":27,"size":28,"collection":29,"collections":1383,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":32},257885,"jia-pi-zi-you-an-hua-yun-long-wen-pan-yi-ming-257885","茄皮紫釉暗花云龙纹盘",[397,176,1381,7,99],"茄皮紫釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F97fefd111e76c2282fd49cf926fe103c.jpg",[],{"id":1385,"slug":1386,"title":1387,"dynasty":18,"author":19,"museum":20,"description":385,"tags":1388,"thumbUrl":1390,"material":27,"size":28,"collection":29,"collections":1391,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":32},257872,"huang-you-xian-wen-an-hua-long-wen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