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[2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[23,65,26,24,74,7,75,43],"蝙蝠","矾红","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F82134d6e21c50322f3ae6485887d8c46.jpg",[],{"id":79,"slug":80,"title":81,"dynasty":18,"author":19,"museum":20,"description":21,"tags":82,"thumbUrl":84,"material":29,"size":30,"collection":31,"collections":85,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},259371,"dao-guang-kuan-fan-hong-di-ba-bai-zhu-wen-wan-yi-ming-259371","道光款矾红地拔白竹纹碗",[23,25,83,7,26],"竹纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F33f662034471228d57471674da189c1b.jpg",[],{"id":87,"slug":88,"title":89,"dynasty":18,"author":19,"museum":20,"description":39,"tags":90,"thumbUrl":93,"material":29,"size":30,"collection":31,"collections":94,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},259283,"da-qing-nian-zhi-kuan-qing-hua-di-ba-bai-yun-long-wen-wan-yi-ming-259283","大清年制款青花地抜白云龙纹碗",[23,41,7,91,26,65,92],"龙纹","龙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcc81d4c3aeb66c3d7a78a4513b573267.jpg",[],{"id":96,"slug":97,"title":62,"dynasty":18,"author":19,"museum":20,"description":21,"tags":98,"thumbUrl":99,"material":29,"size":30,"collection":31,"collections":100,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},258799,"jia-qing-kuan-fan-hong-di-ba-bai-zhu-wen-wan-yi-ming-258799",[23,75,7,24,65],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba898df1ba04b7c02f954e41199ef23d.jpg",[],{"id":102,"slug":103,"title":104,"dynasty":18,"author":19,"museum":20,"description":105,"tags":106,"thumbUrl":110,"material":29,"size":30,"collection":31,"collections":111,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},258168,"yong-zheng-kuan-ji-hong-you-ba-bai-si-yu-wen-pan-yi-ming-258168","雍正款祭红釉拔白四鱼纹盘","雍正一朝虽然只有13年，但他的制瓷业成就却达到了清代官窑的历史高峰，其品种之多，制作工艺之精良，都是其他朝代无法比拟的。",[107,23,108,7,109,65],"清代","祭红釉","鱼纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F755460155c98e8a2c81cb32b6a580c39.jpg",[],{"id":113,"slug":114,"title":115,"dynasty":18,"author":19,"museum":20,"description":39,"tags":116,"thumbUrl":117,"material":29,"size":30,"collection":31,"collections":118,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},257387,"qing-hua-di-ba-bai-hu-lu-ping-yi-ming-257387","青花地拔白葫芦瓶",[23,7,41,65,44],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F420efaa432f81c88747e86cd37148ac9.jpg",[],{"id":120,"slug":121,"title":122,"dynasty":38,"author":19,"museum":20,"description":39,"tags":123,"thumbUrl":10,"material":29,"size":30,"collection":31,"collections":128,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},256354,"qing-hua-di-ba-bai-yun-long-wen-gao-zu-wan-yi-ming-256354","青花地拔白云龙纹高足碗",[124,23,125,41,7,92,126,127],"明代","瓷器","云","高足",[],1777535733245]