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达30—40种，锦面的经、纬方向都有逐花异色的效果，是中国织锦最高水平的代表。\n锦在历史上曾用多棕多蹑机和束棕花楼机织造，现代生产采用纹版提花机。\n国家非常重视非物质文化遗产的保护，南京云锦木机妆花手工织造技艺作为中国古老的织锦技艺最高水平的代表，于2006年列入首批国家级非物质文化遗产名录。2006年5月20日，土家族织锦技艺经国务院批准列入第一批国家级非物质文化遗产名录。2007年6月8日，湖南凤凰水云织锦坊获得国家文化部颁布的首届文化遗产日奖。2009年8月《地理标志产品云锦》国家标准在南京通过国家级专家评审，同年9月成功入选联合国《人类非物质文化遗产代表作名录》。",[61,219,220,7,221,222],"织锦","织金","福寿纹","浅绿色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb0033d89deb40af75b969e7474edb863.jpg",[],{"id":226,"slug":227,"title":228,"dynasty":18,"author":19,"museum":20,"description":229,"tags":230,"thumbUrl":231,"material":32,"size":33,"collection":34,"collections":232,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":38},267733,"e-huang-se-ba-ji-xiang-wen-hua-chou-yi-ming-267733","鹅黄色八吉祥纹花绸","鹅黄底色柔润温婉，暗花隐于纱色之间，雅致内敛。八吉祥纹饰循环铺陈，宝伞、金鱼、宝瓶等瑞纹错落排布，将祈福纳祥的意韵融于织物肌理。\n\n织作细密匀整，光泽柔和内敛，既保留了面料轻盈垂坠的质感，又以暗花烘托出静谧雅致的氛围。将礼制性的吉祥意涵藏于日常面料之中，尽显织艺的考究，是传统织绣美学里含蓄内敛的典范。",[61,7,29],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdaea3d78d77448662605d88447636709.jpg",[],{"id":234,"slug":235,"title":236,"dynasty":18,"author":19,"museum":20,"description":217,"tags":237,"thumbUrl":240,"material":32,"size":33,"collection":34,"collections":241,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":38},263922,"huang-se-di-ba-ji-xiang-fu-shou-wen-zhi-jin-jin-yi-ming-263922","黄色地八吉祥福寿纹织金锦",[238,61,7,221,239],"织金锦","织金工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F98899fe1611bdf187310414dc089fb38.jpg",[],{"id":243,"slug":244,"title":245,"dynasty":18,"author":19,"museum":20,"description":217,"tags":246,"thumbUrl":248,"material":32,"size":33,"collection":34,"collections":249,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":54},263916,"lv-se-di-ba-ji-xiang-fu-shou-wen-zhi-jin-jin-yi-ming-263916","绿色地八吉祥福寿纹织金锦",[219,61,7,221,220,247],"绿色地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc49254f52f8c58c3841a7749ded73ad6.jpg",[],{"id":251,"slug":252,"title":253,"dynasty":18,"author":19,"museum":20,"description":254,"tags":255,"thumbUrl":258,"material":32,"size":33,"collection":34,"collections":259,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":38},263814,"xing-huang-se-ba-ji-xiang-wen-zhou-chou-yi-ming-263814","杏黄色八吉祥纹绉绸","杏黄底色沉稳雍容，自带吉庆贵气。八吉祥纹随缠枝婉转萦回，隐于绉绸纱线之间，随光影流转若隐若现，虚实相映尽显含蓄雅致。\n\n面料肌理自带自然微皱，纱线捻度考究，触感软糯不失挺括，轻薄透气适配日常使用。纹样将佛家清净吉兆融于方寸织物，礼制寓意与织造巧思合二为一，尽显丝作技艺的精湛功底，静穆中暗涌华贵风骨，藏东方雅致于日常织物之中。",[61,256,7,257,29],"绉绸","黄色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa9f36d9355fb1fdb3d312ebafa4df036.jpg",[],{"id":261,"slug":262,"title":263,"dynasty":18,"author":19,"museum":20,"description":44,"tags":264,"thumbUrl":267,"material":32,"size":33,"collection":34,"collections":268,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":38},263523,"qian-long-kuan-huang-di-qing-hua-chan-zhi-lian-ba-ji-xiang-wen-xiang-er-ping-yi-ming-263523","乾隆款黄地青花缠枝莲八吉祥纹象耳瓶",[25,265,147,115,167,7,266],"瓶","象耳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8d63d67e7476d5910bf3099a68a83935.jpg",[],{"id":270,"slug":271,"title":263,"dynasty":18,"author":19,"museum":20,"description":44,"tags":272,"thumbUrl":274,"material":32,"size":33,"collection":34,"collections":275,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":38},263519,"qian-long-kuan-huang-di-qing-hua-chan-zhi-lian-ba-ji-xiang-wen-xiang-er-ping-yi-ming-263519",[25,147,115,167,7,273],"象耳瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcff3a11892ed0b3acb69b7bd3e0f679a.jpg",[],{"id":277,"slug":278,"title":279,"dynasty":18,"author":19,"museum":20,"description":280,"tags":281,"thumbUrl":284,"material":32,"size":33,"collection":34,"collections":285,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":38},262045,"qian-long-kuan-fen-cai-ba-ji-xiang-wen-shuang-er-ping-yi-ming-262045","乾隆款粉彩八吉祥纹双耳瓶","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[25,114,282,7,283],"双耳瓶","缠枝花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa74111402ef0268f6738e6f39dd043f0.jpg",[],{"id":287,"slug":288,"title":289,"dynasty":18,"author":19,"museum":20,"description":44,"tags":290,"thumbUrl":293,"material":32,"size":33,"collection":34,"collections":294,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":140},261522,"xuan-de-kuan-qing-hua-ba-ji-xiang-wen-he-wan-yi-ming-261522","宣德款青花八吉祥纹合碗",[25,147,7,291,49,292],"合碗","缠枝纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F00e8d9d77dd7bf4a668fbb8908f98abf.jpg",[],{"id":296,"slug":297,"title":298,"dynasty":18,"author":19,"museum":20,"description":299,"tags":300,"thumbUrl":306,"material":32,"size":33,"collection":307,"collections":308,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":54},261008,"de-hua-yao-bai-you-hua-hua-ba-ji-xiang-wen-shi-er-pi-pa-zun-yi-ming-261008","德化窑白釉划花八吉祥纹狮耳琵琶尊","德化窑位于今福建德化，故名。作为著名的瓷窑，是福建沿海地区古外销瓷重要产地之一。发现由宋到清历代窑址达一百八十处，重点发掘了屈斗宫、碗坪仑两处窑址。\n德化瓷器是中华陶瓷烧造中的艺术珍品，始于宋代，明代后得到巨大发展。以白瓷塑佛像闻名。其制作细腻，雕刻精美，造型生动，体现了古代劳动人民的卓越才能和艺术创造力。\n在今福建德化，故名。是福建沿海地区古外销瓷重要产地之一。发现由宋到清历代窑址达一百八十处，重点发掘了屈斗宫、碗坪仑两处窑址。\n碗坪仑烧瓷较屈斗宫古窑址早，烧青白瓷，有的接近白釉，刻花蓖划纹装饰较多，盒子遗留甚丰，盖面所印阳纹装饰达一百余种，题材之丰富在南方地区首屈一指，南宋时有专门制作盒子的作坊，盒盖上阳文印花装饰题材丰富，有动物、花卉等近百种图案。划花间篦划纹亦较多，饰在碗、盘、瓶等器物上。\n屈斗宫元代办烧青白瓷，从南宋至元代。明代盛烧白瓷观音、达摩等塑像，胎釉浑然一体，如同白玉，被赞为"象牙白"、"奶白"或 "天鹅绒白。清代除烧白瓷外，盛烧青花与彩绘瓷器。元代以来，德化窑瓷器输出海外，菲律宾、马来西亚出土有元代德化窑青白瓷，泰国及东非坦桑尼亚等国家也出土有清代德化窑青花瓷器。\n这种瓷器的制作工艺程序如下：他们从地下挖取一种泥土，将它垒成一个大堆，任凭风吹、雨打、日晒，从不翻动，历时三、四十年。泥土经过这种处理，质地变得更加纯化精炼，适合制造上述各种器皿，然后抹上认为颜色合宜的釉，再将瓷器放入窑内或炉里烧制而成。因此，人们挖泥堆土，目的是替自已的儿孙贮备制造瓷器的材料而已，大量的瓷器是在城中出售， 一个威尼斯银币能买到八个瓷杯“。马可波罗的介绍，引起了西方人的强烈兴趣。",[25,301,302,303,304,305,7],"德化窑","白釉","狮耳","琵琶尊","划花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc9433178dadb9f1e14303f1ba707a321.jpg","瓷器精选",[307],{"id":310,"slug":311,"title":312,"dynasty":18,"author":19,"museum":20,"description":44,"tags":313,"thumbUrl":315,"material":32,"size":33,"collection":34,"collections":316,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":54},260880,"qing-hua-chan-zhi-lian-ba-ji-xiang-wen-kai-guang-shan-gao-shui-chang-pan-yi-ming-260880","青花缠枝莲八吉祥纹开光“山高水长”盘",[25,147,167,7,314,49],"盘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc98891fdba1dc5dd8933c8a4d648635c.jpg",[],{"id":318,"slug":319,"title":320,"dynasty":18,"author":19,"museum":20,"description":98,"tags":321,"thumbUrl":324,"material":32,"size":33,"collection":34,"collections":325,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":38},259907,"yong-zheng-kuan-dan-jia-pi-zi-you-an-hua-ba-ji-xiang-wen-die-yi-ming-259907","雍正款淡茄皮紫釉暗划八吉祥纹碟",[25,90,322,7,323],"暗划纹","茄皮紫釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a0cdedf7a23d8f39b9c84fbcff080df.jpg",[],{"id":327,"slug":328,"title":329,"dynasty":18,"author":19,"museum":20,"description":330,"tags":331,"thumbUrl":333,"material":32,"size":33,"collection":34,"collections":334,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":140},259537,"guang-xu-kuan-huang-di-fen-cai-ba-ji-xiang-wen-pan-yi-ming-259537","光绪款黄地粉彩八吉祥纹盘","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[25,114,7,332,186,314],"牡丹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc4dfeff31831e77b8e241eccb5c1270c.jpg",[],{"id":336,"slug":337,"title":338,"dynasty":18,"author":19,"museum":20,"description":330,"tags":339,"thumbUrl":340,"material":32,"size":33,"collection":34,"collections":341,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":54},259498,"guang-xu-kuan-fen-cai-ba-ji-xiang-wen-pan-yi-ming-259498","光绪款粉彩八吉祥纹盘",[25,114,7,332,283,49],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4355b3372451a928ce94082a88d575bd.jpg",[],{"id":343,"slug":344,"title":183,"dynasty":18,"author":19,"museum":20,"description":21,"tags":345,"thumbUrl":346,"material":32,"size":33,"collection":34,"collections":347,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":38},259470,"guang-xu-kuan-fen-cai-ba-ji-xiang-wen-gai-wan-yi-ming-259470",[25,114,7,185,90,29],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb8a7f038ba17689b88b32feca4d021d8.jpg",[],{"id":349,"slug":350,"title":351,"dynasty":18,"author":19,"museum":20,"description":330,"tags":352,"thumbUrl":353,"material":32,"size":33,"collection":34,"collections":354,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":54},259416,"tong-zhi-kuan-fen-cai-ba-ji-xiang-wen-pan-yi-ming-259416","同治款粉彩八吉祥纹盘",[25,114,7,332,283,90],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0958bdb06de9c0363cf498ee36a3ff47.jpg",[],{"id":356,"slug":357,"title":358,"dynasty":18,"author":19,"museum":20,"description":44,"tags":359,"thumbUrl":362,"material":32,"size":33,"collection":34,"collections":363,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":140},259210,"qian-long-kuan-qing-hua-wan-shou-wu-jiang-ba-ji-xiang-chan-zhi-lian-wen-wan-yi-ming-259210","乾隆款青花万寿无疆八吉祥缠枝莲纹碗",[25,147,360,7,361,48,90],"缠枝莲纹","万寿无疆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F372bcc216053259eb217ec409403f3a3.jpg",[],{"id":365,"slug":366,"title":367,"dynasty":18,"author":19,"museum":20,"description":44,"tags":368,"thumbUrl":369,"material":32,"size":33,"collection":34,"collections":370,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":140},258927,"qing-hua-ba-ji-xiang-chan-zhi-lian-wen-pie-kou-ping-yi-ming-258927","青花八吉祥缠枝莲纹撇口瓶",[25,147,360,7,194],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd341f54f5dee4208def78b3d2b0b95e0.jpg",[],{"id":372,"slug":373,"title":374,"dynasty":18,"author":19,"museum":20,"description":21,"tags":375,"thumbUrl":376,"material":32,"size":33,"collection":34,"collections":377,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":38},258839,"xian-feng-kuan-fen-cai-ba-ji-xiang-wen-wan-yi-ming-258839","咸丰款粉彩八吉祥纹碗",[194,25,114,7,117,26,30],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc4c228292d221cc03b9b2e953a450e3.jpg",[],{"id":379,"slug":380,"title":374,"dynasty":18,"author":19,"museum":20,"description":21,"tags":381,"thumbUrl":382,"material":32,"size":33,"collection":34,"collections":383,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":38},258833,"xian-feng-kuan-fen-cai-ba-ji-xiang-wen-wan-yi-ming-258833",[194,25,114,7,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F630eb5267ce56b77e974aa0a05445bee.jpg",[],{"id":385,"slug":386,"title":387,"dynasty":18,"author":19,"museum":20,"description":44,"tags":388,"thumbUrl":389,"material":32,"size":33,"collection":34,"collections":390,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":54},258805,"qing-hua-chan-zhi-lian-ba-ji-xiang-wen-si-zu-hua-pen-yi-ming-258805","青花缠枝莲八吉祥纹四足花盆",[147,360,7,25,30],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F65ce1c8f7d222d02396bb2855c9f2ee1.jpg",[],{"id":392,"slug":393,"title":144,"dynasty":43,"author":19,"museum":20,"description":44,"tags":394,"thumbUrl":395,"material":32,"size":33,"collection":34,"collections":396,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":38},257662,"cheng-hua-kuan-qing-hua-ba-ji-xiang-wen-gao-zu-wan-yi-ming-257662",[146,147,7,148,49,210,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc180306b9037bd18538e02a2c2240777.jpg",[],{"id":398,"slug":399,"title":144,"dynasty":43,"author":19,"museum":20,"description":44,"tags":400,"thumbUrl":401,"material":32,"size":33,"collection":34,"collections":402,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":38},257660,"cheng-hua-kuan-qing-hua-ba-ji-xiang-wen-gao-zu-wan-yi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釉色因白润瓷胎的映衬而显出白色，现在习惯上将这种透明釉也称为白釉。\n瓷器釉料中的含铁量降低到0.75%以下，施于洁白的瓷胎上，入窑经高温烧制，就会出现白釉。严格地说，白釉是一种无色透明釉，而不是白色的釉 。白釉是瓷器传统釉色之一,真正的白釉应该是乳白色的乳浊釉,这种釉是近代才发明的。我国古代仅有元代枢府釉是失透的,其他白釉并不是白色的釉,\n白釉烧制工艺比青釉复杂，出现的时间也较青釉晚，一般瓷土和釉料，都或多或少含有一些氧化铁，器物烧出后必然呈现出深浅不同的青色来。如果釉料中的铁元素含量小于0.75%，烧出来的就会是白釉。\n白釉最早出现在汉代，比青釉瓷器晚了400多年，白釉瓷器开始是青白色的，因为瓷器中铁的含量高于1%就是青色的，少于1%就是白瓷了，所以中国白瓷经历青瓷、青白瓷、卵白釉、甜白釉、象牙白、白釉的发展过程。中国历史上白瓷产地有德化白瓷、定窑白瓷以及刑窑白瓷等。",[146,25,409,158,167,7],"甜白釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F61f88232f79daad59ac9a4c7cc119e26.jpg",[],{"id":413,"slug":414,"title":144,"dynasty":43,"author":19,"museum":20,"description":44,"tags":415,"thumbUrl":416,"material":32,"size":33,"collection":34,"collections":417,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":54},256427,"cheng-hua-kuan-qing-hua-ba-ji-xiang-wen-gao-zu-wan-yi-ming-256427",[25,147,7,148,210,43],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3be65df5c7c000ad43d1c25585229f30.jpg",[],{"id":419,"slug":420,"title":144,"dynasty":43,"author":19,"museum":20,"description":44,"tags":421,"thumbUrl":423,"material":32,"size":33,"collection":34,"collections":424,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":54},256426,"cheng-hua-kuan-qing-hua-ba-ji-xiang-wen-gao-zu-wan-yi-ming-256426",[43,25,147,47,7,422,210],"高足","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde676f3321069b23f3cf32b8c7afd9ba.jpg",[],{"id":426,"slug":427,"title":207,"dynasty":43,"author":19,"museum":20,"description":44,"tags":428,"thumbUrl":429,"material":32,"size":33,"collection":34,"collections":430,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":54},256425,"cheng-hua-kuan-qing-hua-ba-ji-xiang-wen-gao-zu-bei-yi-ming-256425",[147,25,7,209,210,30],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6fd7dc59e46ac20f7fadc176d3c397b1.jpg",[],{"id":432,"slug":433,"title":144,"dynasty":43,"author":19,"museum":20,"description":44,"tags":434,"thumbUrl":10,"material":32,"size":33,"collection":34,"collections":435,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":54},256423,"cheng-hua-kuan-qing-hua-ba-ji-xiang-wen-gao-zu-wan-yi-ming-256423",[146,25,147,7,148,210,49],[],{"id":437,"slug":438,"title":439,"dynasty":43,"author":19,"museum":20,"description":440,"tags":441,"thumbUrl":446,"material":32,"size":33,"collection":34,"collections":447,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":448},245989,"ti-hong-lian-tuo-ba-ji-xiang-wen-yuan-he-yi-ming-245989","剔红莲托八吉祥纹圆盒","雕漆,是漆工艺中的一个品种,是中国漆器特有的装饰技法,是在油光漆兑入入漆颜料,数十层乃至上百层地髹涂在用漆封闭处理过的胎骨上,每天只能髹涂二至三道,髹涂下道漆不可等上道漆干透,否则漆层容易缺脱,这样逐层累积到需要的厚度,用刀剔刻出浮雕花纹,表现层次与质地的美感.",[146,442,443,444,7,445],"漆器","剔红","莲托","圆盒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F183c0e3362eb2b16990323ebf8ff6f88.jpg",[],"FFFFFF",1777535710298]