[{"data":1,"prerenderedAt":33},["ShallowReactive",2],{"subject-bai-cai-10737":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},10737,"bai-cai-10737","白彩","白彩画高清赏析","精选中国历代白彩题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff835cd8819df3a4f5fcf58e3c95100e6.jpg",0,1,[14],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":28,"size":29,"collection":30,"collections":31,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":32},260582,"cheng-hua-kuan-huang-you-bai-yu-wen-shi-liu-zun-yi-ming-260582","成化款黄釉白鱼纹石榴尊","清","佚名","藏地不详","黄釉是汉族传统的陶瓷装饰艺术。最早出现于唐代，当时安徽淮南寿州窑、河南密县窑等都烧黄釉。但正色黄釉，还是宋代汝窑的高温黄釉——茶叶末釉。明代的黄釉有新的发展，洪武时的老僧衣即茶叶末的衍化；始于宣德的浇黄，更是明代杰出的黄釉；嘉靖以后，又有鱼子黄、鸡油黄等。入清后有康熙的淡黄，以及其后的菜尾、鼻烟、金酱等。",[23,24,25,26,7,27],"陶瓷","尊","鱼纹","黄釉","日用具","未知","Xcm*Xcm","",[],"37474F",1777535901673]