[{"data":1,"prerenderedAt":344},["ShallowReactive",2],{"subject-bai-di":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},5976,"bai-di","白地","白地画高清赏析","精选中国历代白地题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc849988bfb4c3b90c661f2a1cb59ac6f.jpg",0,33,[14,38,51,62,74,85,96,108,117,127,140,151,163,172,181,191,200,207,214,221,229,238,245,252,259,266,274,287,298,307,317,324,335],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":31,"material":32,"size":33,"collection":34,"collections":35,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},260895,"dao-guang-kuan-bai-di-fan-hong-cai-an-hua-hai-shui-yu-wen-pan-yi-ming-260895","道光款白地矾红彩暗划海水鱼纹盘","清","佚名","藏地不详","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[23,24,25,26,27,28,29,30,7],"陶瓷","矾红彩","暗划纹","海水","鱼","蝙蝠","盘","日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fefcdfd29ea0de93305acce3e5832ba32.jpg","未知","Xcm*Xcm","",[],8,"795548",{"id":39,"slug":40,"title":41,"dynasty":18,"author":19,"museum":20,"description":42,"tags":43,"thumbUrl":47,"material":32,"size":33,"collection":34,"collections":48,"showCount":49,"zanCount":11,"manualWeight":11,"mainColor":50},229273,"kang-xi-bai-di-miao-hong-tuan-long-wen-zhong-1-yi-ming-229273","康熙 白地描红团龙纹盅-1","胎质莹白细腻，釉色匀净温润，宛如凝脂美玉。釉里红团龙为饰，龙躯盘绕成圆，龙鳞纤毫毕现，鬃须张扬矫健，尽显帝王威仪。红彩发色沉稳醇厚，浓淡相宜，素净白釉托衬出古雅红彩，二者相映成趣，既有釉里红的朴拙厚重，又不失白瓷的清隽雅致。\n\n器型玲珑秀巧，线条柔婉流畅，撇口弧腹下收，圈足利落规整，兼具观赏与实用之美。团龙错落排布，构图疏朗得当，静穆中暗藏磅礴气势，尽显制瓷工法的精妙与古典审美意趣。",[23,44,7,45,46],"描红","龙","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d706cdeb25605c3c49e01d89903a6c6.jpg",[],4,"BDBDBD",{"id":52,"slug":53,"title":54,"dynasty":55,"author":19,"museum":20,"description":56,"tags":57,"thumbUrl":10,"material":32,"size":33,"collection":34,"collections":60,"showCount":49,"zanCount":61,"manualWeight":11,"mainColor":37},228569,"bai-di-lv-long-wan-yi-ming-228569","白地绿龙盌","明","白地绿彩龙纹荷叶碗，外壁饰行游绿龙，间以火珠，壬”字云纹，龙身盘曲遒劲；足部饰暗刻江牙海水。碗底书“大清乾隆年制”三行六字篆书青花款。此制式暗刻龙纹细腻生动，施彩设色淡雅脱俗",[23,58,45,55,7,59],"设色","绿彩",[],1,{"id":63,"slug":64,"title":65,"dynasty":18,"author":19,"museum":20,"description":66,"tags":67,"thumbUrl":71,"material":32,"size":33,"collection":34,"collections":72,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":37},259339,"dao-guang-kuan-bai-di-lv-cai-ba-ji-xiang-yun-long-wen-gai-guan-yi-ming-259339","道光款白地绿彩八吉祥云龙纹盖罐","器形饱满圆润，盖身契合浑然一体。莹白釉面似凝脂温润，以翠绿主饰纹样，青花勾云区分层次。游龙身姿遒劲矫健，鳞爪张弛灵动，穿云踏雾间尽显威严气势。肩沿八吉祥纹饰宝相端凝，暗合祥瑞吉意。足部仰莲纹添古韵清雅。苍翠绿彩素净明丽，与素白底色相映成趣。绘工细腻遒劲，线条舒展利落，将制瓷匠心融于方寸，是集审美意趣与工艺价值的瓷中佳品。",[23,45,59,7,68,69,70],"云龙纹","八吉祥","盖罐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F82f296427ca7b38e9b98c29c0774cc8b.jpg",[],3,{"id":75,"slug":76,"title":77,"dynasty":18,"author":19,"museum":20,"description":21,"tags":78,"thumbUrl":83,"material":32,"size":33,"collection":34,"collections":84,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":50},258707,"bai-di-fen-cai-diao-su-xie-guo-pan-yi-ming-258707","白地粉彩雕塑蟹果盘",[18,23,79,80,7,58,81,82,29],"粉彩","雕塑","蟹","果","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F71e05553c0808b717a7baa22cc9b769f.jpg",[],{"id":86,"slug":87,"title":88,"dynasty":18,"author":19,"museum":20,"description":89,"tags":90,"thumbUrl":94,"material":32,"size":33,"collection":34,"collections":95,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":37},229490,"fa-lang-cai-huang-ju-hua-bai-di-cha-zhong-yi-ming-229490","珐瑯彩黄菊花白地茶钟","珐琅又称“佛郎”、“法蓝”，是由中国隋唐时古西域地名拂菻音译而来。珐琅器是以珐琅为材料装饰而制成的器物，其基本成分为石英、长石、硼砂和氟化物，与陶瓷釉、琉璃、玻璃同属硅酸盐类物质。依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。\n珐琅就是将经过粉碎研磨的珐琅釉料，涂施于经过金属加工工艺制作后的金属制品的表面，经干燥、烧成等制作步骤后，所得到的复合性工艺品。珐琅工艺的制作分类很多，一般根据制作方法和胎地种类将其分类。 [2] 珐琅依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。其中掐丝珐琅器就是俗称的“景泰蓝”，15世纪中期明代景泰年间的制品尤为著称，故有景泰蓝之称。\n清代，西洋珐琅从广州传入中国，广州生产的珐琅俗称“广珐琅”，是朝廷的贡品，其中最著名的是画珐琅 ，錾胎珐琅的制作中心也在广州，透明珐琅器也以广州出产的最为著名。",[23,91,58,92,93,7,46],"珐琅彩","菊","孤石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d74eec026a0a0796645e238a71742e4.jpg",[],{"id":97,"slug":98,"title":99,"dynasty":18,"author":19,"museum":20,"description":100,"tags":101,"thumbUrl":106,"material":32,"size":33,"collection":34,"collections":107,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":37},229477,"yong-zheng-bai-di-qing-hua-shuang-guan-liu-leng-ping-yi-ming-229477","雍正 白地青花双管六楞瓶","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[23,102,7,46,103,104,105],"青花","瓶","六楞","双管","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2d9fad60695f111e13ead1082231f372.jpg",[],{"id":109,"slug":110,"title":111,"dynasty":18,"author":19,"museum":20,"description":112,"tags":113,"thumbUrl":115,"material":32,"size":33,"collection":34,"collections":116,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":37},229341,"bai-di-fen-cai-feng-huang-long-shou-ci-dai-gou-2-yi-ming-229341","白地粉彩凤凰龙首瓷带钩-2","瓷器是由瓷石、高岭土、石英石、莫来石等烧制而成，外表施有玻璃质釉或彩绘的物器。瓷器的成形要通过在窑内经过高温（约1280℃～1400℃）烧制，瓷器表面的釉色会因为温度的不同从而发生各种化学变化，是中华文明展示的瑰宝。\n中国是瓷器的故乡，瓷器是古代劳动人民的一个重要的创造。谢肇淛在《五杂俎》记载：“今俗语窑器谓之磁器者，盖磁州窑最多，故相延名之，如银称米提，墨称腴糜之类也。”当时出现的以“磁器”代窑器是由磁州窑产量最多所致。这是迄今发现最早使用瓷器称谓的史料。",[23,79,7,58,45,114,46,18],"凤凰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa880bd96c604b004647075e61e8c9b81.jpg",[],{"id":118,"slug":119,"title":120,"dynasty":18,"author":19,"museum":20,"description":121,"tags":122,"thumbUrl":125,"material":32,"size":33,"collection":34,"collections":126,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":37},229271,"kang-xi-bai-di-miao-hong-tuan-feng-wen-zhong-5-yi-ming-229271","康熙 白地描红团凤纹盅-5","莹白釉色匀净莹润，如凝脂美玉般温润雅致，釉里红团凤纹饰点缀其间，妍丽沉稳，艳而不俗。团凤轮廓圆融饱满，凤首昂扬有神，羽翼纤毫毕现，翎羽卷转灵动，将瑞鸟的雍容华贵藏于团纹之中，带着内敛的文人气韵。\n\n纹饰布局疏朗匀停，留白恰到好处，素净釉色与明艳红彩相映成趣，尽显古雅端庄的审美意趣。器型小巧秀挺，线条柔和流畅，胎质轻薄细腻，触感温润，尽显清隽雅致的东方美学意涵。",[123,23,7,44,124,46],"清代","凤","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fea3ad3c000f82a20ef0ccc32bc522ffd.jpg",[],{"id":128,"slug":129,"title":130,"dynasty":18,"author":19,"museum":20,"description":131,"tags":132,"thumbUrl":136,"material":32,"size":33,"collection":34,"collections":137,"showCount":138,"zanCount":11,"manualWeight":11,"mainColor":139},260031,"dao-guang-kuan-bai-di-fan-hong-cai-shou-zi-chan-zhi-lian-wen-zha-dou-yi-ming-260031","道光款白地矾红彩“寿”字缠枝莲纹渣斗","白地莹洁似雪，矾红浓妍鲜亮，冷暖映衬愈显明丽醒目。器身上下皆饰缠枝宝相莲，枝蔓卷曲连绵，花卉饱满富丽，间缀吉祥结饰环绕中心寿字，笔致工细端庄，暗合福寿绵长的美好祈愿。口沿描金点缀，更添华贵雅致。整体器型撇颈鼓腹，线条柔婉舒展，将吉祥寓意融于日用瓷之中，尽显雅致的审美意趣与寄情祈福的民俗风情，是兼具实用价值与装饰意趣的彩瓷佳器。",[23,30,133,24,134,135,7,58],"渣斗","缠枝莲纹","寿字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faa0882ab6412c6a2ba3c28b7bd15fe82.jpg",[],2,"37474F",{"id":141,"slug":142,"title":143,"dynasty":18,"author":19,"museum":20,"description":144,"tags":145,"thumbUrl":149,"material":32,"size":33,"collection":34,"collections":150,"showCount":61,"zanCount":11,"manualWeight":11,"mainColor":50},258952,"hua-zi-tang-kuan-li-bai-di-lv-cai-jin-wen-tuan-shou-zi-wai-fen-cai-hua-hui-wen-pen-yi-ming-258952","华滋堂款里白地绿彩锦纹团寿字外粉彩花卉纹盆","内壁口沿以绿彩织锦纹衬团寿，工致端雅，暗藏福寿吉意。外壁铺展粉彩荷塘盛景，粉荷含露绽放，翠叶亭亭舒展，间伴水草轻曳，设色柔润雅致，水红、粉紫晕染花瓣，青碧晕绘莲叶，层次过渡自然柔和。笔触细腻写实，将盛夏荷塘的清灵生机尽纳瓷上，把水生花卉的娇柔舒展描摹尽致，兼具装饰意趣与写实风情，是融日常实用与雅致审美于一体的精巧之作。",[23,79,59,146,147,148,7,46],"锦纹","团寿字","花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe8a9415f2f456a8cded25707ebfbe708.jpg",[],{"id":152,"slug":153,"title":154,"dynasty":155,"author":19,"museum":20,"description":156,"tags":157,"thumbUrl":161,"material":32,"size":33,"collection":34,"collections":162,"showCount":61,"zanCount":11,"manualWeight":11,"mainColor":50},231523,"zhang-jing-ping-yi-ming-231523","长颈瓶","宋","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[23,158,159,7,160],"彩绘","黑彩","花卉纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6d22c2b0749de906188f737c9a30a8b7.jpg",[],{"id":164,"slug":165,"title":166,"dynasty":18,"author":19,"museum":20,"description":112,"tags":167,"thumbUrl":169,"material":32,"size":33,"collection":34,"collections":170,"showCount":61,"zanCount":11,"manualWeight":11,"mainColor":171},229339,"bai-di-fen-cai-wan-shou-hua-hui-ci-dai-gou-yi-ming-229339","白地粉彩万寿花卉瓷带钩",[23,79,7,148,45,46,168],"饰品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F32909691fe6f94a59da170bcd8e06fda.jpg",[],"F48FB1",{"id":173,"slug":174,"title":175,"dynasty":18,"author":19,"museum":20,"description":176,"tags":177,"thumbUrl":179,"material":32,"size":33,"collection":34,"collections":180,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},261625,"bai-di-fan-hong-cai-si-yu-wen-bei-yi-ming-261625","白地矾红彩四鱼纹杯","唐孙位《高逸图》中，酒樽旁托盘内放置杯，侍者手中亦持有杯。可见，唐代杯亦为常见的饮酒器具。因其用于饮酒较之碗更加含蓄、优雅，故文人雅士较为推崇。杜甫诗云“潦倒新停浊酒杯”，杜甫饮用“浊酒”亦用酒杯。\n除普通筒形杯外，唐代较为流行的一种杯式为高足杯，其执拿姿势为用拇指与食指捏住高足杯的杯把。瓷质高足杯唐代以前较少使用，唐代应用明显广泛。唐代的许多中小型墓葬中亦出土瓷质高足杯。说明此杯类已逐渐演变为一种较为常见的日用器具。此种杯式的使用，可能与此时葡萄酒的饮用有关。\n宋代酒质较低时饮酒器具较大，酒质提高，其形制自然缩小。宋代饮酒器具以杯为主。主要的酒杯类型有：圆口杯、花口杯、带把杯、高足杯。\n高足杯为元代典型饮酒器具。其与游牧民族马上饮酒生活习俗相适应。元代高足杯形制多样，有喇叭形、竹节形等。很多资料记载高足杯为蒙古人饮用马奶酒的器具。\n高足杯为直口、深腹。其杯形制与唐宋时候盏类的承载量基本一致，故其用于饮马奶酒是合理的。但元代尚酒，饮酒需求量大，除用于饮用马奶酒之外，高足杯亦可用于蒸馏酒的饮用。\n明朝由于喝茶方式的改变，出现了小茶壶，导致喝茶的盏变得精致小巧，如今天我们所使用的杯子。饮茶的杯子与饮酒的杯子就变得傻傻分不清楚。\n虽然出现了饮茶的杯子，但杯子还是饮酒器的主流。明代杯类形制多样，造型装饰精巧，功能明确。如制作专门用于皇室贵族使用的鸡缸杯、压手杯。\n亦有符合士人情趣的高士杯、菊花杯等。此外，明代高足杯形制多样，此时高足杯形制较小，适合蒸馏酒的饮用。较于元代高足杯，明代高足杯足部外撇，足成长喇叭形，器具稳定性加强。\n明朝以前杯壁较浅，到了清朝，杯壁开始加深，容量增加，有的被已经茶酒共用。18世纪受国外文化影响，杯子已经发展成为今天我们所见到的样子。\n虽然我国饮酒时有温酒的习惯，但酒温不高，而且宋以后开始饮用蒸馏酒，常温就可饮用。杯作为主要的饮酒器，自然不用考虑温度的问题，均是手握酒杯饮用，所以大多没有把。",[23,30,178,27,24,7],"饮酒器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8e1595a091a76aa103ab4d8ff0792c0d.jpg",[],{"id":182,"slug":183,"title":184,"dynasty":18,"author":19,"museum":20,"description":100,"tags":185,"thumbUrl":189,"material":32,"size":33,"collection":34,"collections":190,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},261100,"bai-di-an-ke-hai-shui-lv-cai-yun-long-wen-qing-hua-bian-wan-yi-ming-261100","白地暗刻海水绿彩云龙纹青花边碗",[23,45,102,59,186,187,68,7,188],"暗刻","海水纹","日用器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2734215a2cad0efef0409c5eed8963a0.jpg",[],{"id":192,"slug":193,"title":194,"dynasty":18,"author":19,"museum":20,"description":195,"tags":196,"thumbUrl":198,"material":32,"size":33,"collection":34,"collections":199,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},260012,"shen-de-tang-kuan-bai-di-lv-cai-jin-wen-niao-shi-pen-yi-ming-260012","慎德堂款白地绿彩锦纹鸟食盆","此器造型小巧椭圆，适配禽鸟进食尺度，侧边小耳简约实用，又添装饰意趣。胎质细腻洁白，釉面匀净莹润，素白地色衬出绿彩清新柔和。外壁满饰变体锦地回纹，线条细密连贯，如织锦般铺陈出规整雅致的肌理，纹样循环往复，带着内敛的韵律感。整体风格温婉秀雅，将日用功能与装饰美学相融，浅淡釉色晕开宁静雅致的意蕴，尽显旧时闲情养鸟的文房清趣，是清代细巧文玩瓷的佳例。",[23,30,59,7,146,197,46],"鸟食盆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4dc4fdbc73e7988a7a365df9e049b415.jpg",[],{"id":201,"slug":202,"title":203,"dynasty":18,"author":19,"museum":20,"description":21,"tags":204,"thumbUrl":205,"material":32,"size":33,"collection":34,"collections":206,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":139},259569,"xuan-tong-kuan-bai-di-lv-cai-yun-long-wen-an-ke-hai-shui-wen-pan-yi-ming-259569","宣统款白地绿彩云龙纹暗刻海水纹盘",[23,45,68,187,59,7,186,30,46],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F71ad1d489cc832b55698ed992f0b4310.jpg",[],{"id":208,"slug":209,"title":210,"dynasty":18,"author":19,"museum":20,"description":21,"tags":211,"thumbUrl":212,"material":32,"size":33,"collection":34,"collections":213,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":139},259494,"guang-xu-kuan-bai-di-lv-cai-yun-long-an-ke-hai-shui-wen-pan-yi-ming-259494","光绪款白地绿彩云龙暗刻海水纹盘",[23,45,187,59,186,7,29],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6960ffea103193f86fe13fd16d997e46.jpg",[],{"id":215,"slug":216,"title":217,"dynasty":18,"author":19,"museum":20,"description":21,"tags":218,"thumbUrl":219,"material":32,"size":33,"collection":34,"collections":220,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":139},259493,"guang-xu-kuan-bai-di-fan-hong-cai-yun-long-wen-pan-yi-ming-259493","光绪款白地矾红彩云龙纹盘",[23,46,45,24,68,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F46bec77732d1c824cc3e3c0fa1f3dd6a.jpg",[],{"id":222,"slug":223,"title":224,"dynasty":18,"author":19,"museum":20,"description":21,"tags":225,"thumbUrl":227,"material":32,"size":33,"collection":34,"collections":228,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":139},259490,"guang-xu-kuan-bai-di-fan-hong-cai-bian-fu-wen-pan-yi-ming-259490","光绪款白地矾红彩蝙蝠纹盘",[23,7,24,226,29,30],"蝙蝠纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F558634bdb337044f8a78d55d002feeb1.jpg",[],{"id":230,"slug":231,"title":232,"dynasty":18,"author":19,"museum":20,"description":21,"tags":233,"thumbUrl":236,"material":32,"size":33,"collection":34,"collections":237,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},259375,"dao-guang-kuan-bai-di-fan-hong-cai-fu-wen-pan-yi-ming-259375","道光款白地矾红彩蝠纹盘",[23,24,234,7,235,30],"蝠纹","瓷盘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F387487473bcb25ac330156383b1d9e66.jpg",[],{"id":239,"slug":240,"title":241,"dynasty":18,"author":19,"museum":20,"description":21,"tags":242,"thumbUrl":243,"material":32,"size":33,"collection":34,"collections":244,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":139},259373,"dao-guang-kuan-bai-di-lv-cai-an-hai-shui-yun-long-wen-pan-yi-ming-259373","道光款白地绿彩暗海水云龙纹盘",[23,45,59,7,68,187,29,188],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17f278e1d4dd4307b07e6659ed7e2f4b.jpg",[],{"id":246,"slug":247,"title":248,"dynasty":18,"author":19,"museum":20,"description":21,"tags":249,"thumbUrl":250,"material":32,"size":33,"collection":34,"collections":251,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":139},259333,"jia-qing-kuan-bai-di-fan-hong-cai-fu-wen-pan-yi-ming-259333","嘉庆款白地矾红彩蝠纹盘",[23,7,24,234,30,29],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffda93a5fae9e6d35dc5952fe915cde1b.jpg",[],{"id":253,"slug":254,"title":255,"dynasty":18,"author":19,"museum":20,"description":21,"tags":256,"thumbUrl":257,"material":32,"size":33,"collection":34,"collections":258,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":139},259324,"jia-qing-kuan-bai-di-lv-cai-yun-long-wen-pan-yi-ming-259324","嘉庆款白地绿彩云龙纹盘",[23,45,68,59,7,29,30],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdd170cb89de71870c7402fa1be9927eb.jpg",[],{"id":260,"slug":261,"title":262,"dynasty":18,"author":19,"museum":20,"description":21,"tags":263,"thumbUrl":264,"material":32,"size":33,"collection":34,"collections":265,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":139},259323,"jia-qing-kuan-bai-di-lv-cai-yun-long-wen-an-ke-hai-shui-wen-pan-yi-ming-259323","嘉庆款白地绿彩云龙纹暗刻海水纹盘",[23,30,45,68,187,59,7,186],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F68170a4a9f8f867a9234873ea7191906.jpg",[],{"id":267,"slug":268,"title":269,"dynasty":18,"author":19,"museum":20,"description":21,"tags":270,"thumbUrl":272,"material":32,"size":33,"collection":34,"collections":273,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":139},259230,"qian-long-kuan-bai-di-lv-cai-zhui-gong-hai-shui-yun-long-wen-pan-yi-ming-259230","乾隆款白地绿彩锥拱海水云龙纹盘",[23,46,45,59,7,271,68,187],"锥拱","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff55d23e357156e54d2478c17b67cc9f3.jpg",[],{"id":275,"slug":276,"title":277,"dynasty":18,"author":19,"museum":20,"description":278,"tags":279,"thumbUrl":285,"material":32,"size":33,"collection":34,"collections":286,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":139},258889,"bai-di-mo-cai-hua-die-wen-yuan-pen-lian-yi-ming-258889","白地墨彩花蝶纹圆盆、奁","敞口圆盆配同式瓷奁，造型端庄秀雅。素白釉色为底，墨彩晕染枝叶繁花，白花莹洁若初绽，墨叶浓淡有别，舒展灵动，将折枝花卉的柔婉生机尽现。口沿与奁沿点缀回纹与锦地边饰，于清雅中添规整古意。\n\n整器以瓷为纸，以彩为墨，将文人水墨意趣融于瓷绘之中，墨色层次分明如国画小品，花叶姿态舒展自然，尽显清隽雅致的文人气韵，雅而不淡，静中藏生机。",[23,280,7,281,282,283,284],"墨彩","花","蝶","盆","奁","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe9be6c707913398eebfd08c9570f9991.jpg",[],{"id":288,"slug":289,"title":290,"dynasty":18,"author":19,"museum":20,"description":291,"tags":292,"thumbUrl":296,"material":32,"size":33,"collection":34,"collections":297,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":139},258764,"jia-qing-kuan-bai-di-fan-hong-cai-shi-wen-shui-cheng-yi-ming-258764","嘉庆款白地矾红彩诗文水丞","水丞又称水中丞，一般多称就是水盂。是一种古老的中国传统工艺品。它是置于书案上的贮水器，用于贮砚水，多属扁圆形，有嘴的叫“水注”，无嘴的叫“水丞”。制作古朴雅致，为文房一重要器具。水丞有玉制的，如清代青玉雕葫芦水丞，两水盂相连构成葫芦形状，周边随形雕刻枝叶缠绕，显得清朗自然。玉水丞中以明代玉工陆子冈所制作品最为著名。也有铜制的、陶瓷制的，如官哥窑肚圆式、钵盂小口式等。",[123,23,24,7,293,294,295,58,46],"诗文","书法","文房","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F947755fa6812cd8800c8c66e367687c5.jpg",[],{"id":299,"slug":300,"title":301,"dynasty":18,"author":19,"museum":20,"description":302,"tags":303,"thumbUrl":305,"material":32,"size":33,"collection":34,"collections":306,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},258763,"jia-qing-kuan-bai-di-fan-hong-cai-chan-zhi-lian-wen-cha-hu-yi-ming-258763","嘉庆款白地矾红彩缠枝莲纹茶壶","此壶以莹白釉色为底，矾红浓艳鲜亮，似以釉色为纸、彩料为笔，将缠枝莲纹婉转铺陈。柔蔓回旋勾连，宝相花饱满舒展，间缀吉祥暗纹，灵动纹饰布满器身，却繁而不乱。口沿、盖边与足底以回纹、莲瓣纹作饰，规整纹样平衡了缠枝的柔媚，让整体刚柔并济。\n\n壶身圆融饱满，弯流与执耳线条舒展雅致，盖钮精巧莹润，红彩描金提亮细节，让釉色层次愈发分明，将清代彩瓷雍容秀逸的气质尽数彰显，是釉彩搭配与纹饰构图俱佳的瓷中佳品。",[23,7,24,134,304,123],"茶壶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9b0e61bf4a0faa38cb5ada9ad465bea6.jpg",[],{"id":308,"slug":309,"title":310,"dynasty":18,"author":19,"museum":20,"description":311,"tags":312,"thumbUrl":315,"material":32,"size":33,"collection":34,"collections":316,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},258687,"qian-long-kuan-bai-di-fen-cai-ru-yi-er-ping-yi-ming-258687","乾隆款白地粉彩如意耳瓶","如意为木胎，其上采用八成金质累丝工艺。如意头的正面为累丝古钱纹，中心嵌绿松石“乙酉”二字，背面为镂空的古钱纹并露出木胎。柄的正面亦为累丝古钱纹，镶嵌绿松石“万年如意”四字，背面为累丝六角锦纹。如意的侧边以卷草纹为饰。",[23,79,58,7,294,313,314],"花卉纹饰","如意耳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1cf4c2d110e114f42014287c50935918.jpg",[],{"id":318,"slug":319,"title":310,"dynasty":18,"author":19,"museum":20,"description":311,"tags":320,"thumbUrl":322,"material":32,"size":33,"collection":34,"collections":323,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},258686,"qian-long-kuan-bai-di-fen-cai-ru-yi-er-ping-yi-ming-258686",[23,123,79,58,103,314,148,294,321,7],"缠枝纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d61c254ee904ed54f613e3ffaf3b1e6.jpg",[],{"id":325,"slug":326,"title":327,"dynasty":18,"author":19,"museum":20,"description":328,"tags":329,"thumbUrl":333,"material":32,"size":33,"collection":34,"collections":334,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":139},258493,"bai-di-fan-hong-cai-yu-zhi-shi-wen-bi-tong-yi-ming-258493","白地矾红彩御制诗文笔筒","笔筒： 用陶瓷、竹木、等制成的筒形插笔器具。笔筒是搁放毛笔的专用器物，据文献记载，它的材质有镏金、翡翠、紫檀和乌木，现在我们能够见到的传世器物，大多是用瓷或者是竹木制作的。具有收藏价值。",[18,123,23,7,24,294,330,293,331,332],"楷书","文房用具","笔筒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2558ef40b4272880106c7337f90a5b4b.jpg",[],{"id":336,"slug":337,"title":338,"dynasty":55,"author":19,"museum":20,"description":156,"tags":339,"thumbUrl":342,"material":32,"size":33,"collection":34,"collections":343,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":139},257197,"hong-zhi-kuan-bai-di-an-ke-hai-shui-lv-cai-long-wen-wan-yi-ming-257197","弘治款白地暗刻海水绿彩龙纹碗",[340,23,186,59,341,187,7],"明代","龙纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b5721e901811a22454be08bd1833f51.jpg",[],1777535714197]