[{"data":1,"prerenderedAt":83},["ShallowReactive",2],{"subject-bai-xiang":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3898,"bai-xiang","白象","白象画高清赏析","精选中国历代白象题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4e5ef4a17653d0389b0c3b68557fd524.jpg",0,3,[14,49,70],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":41,"material":42,"size":43,"collection":44,"collections":45,"showCount":47,"zanCount":12,"manualWeight":11,"mainColor":48},222773,"hong-li-guan-hua-tu-lang-shi-ning-222773","弘历观画图","清","郎世宁","北京故宫博物院","此幅利用画中画的构图方式，表现乾隆皇帝弘历在清风中欣赏《洗象图》的情景。《洗象图》描绘的是扮作普贤菩萨的乾隆皇帝正在观看众人为普贤的坐骑白象洗刷的场景。\n乾隆皇帝在其统治期间建立了一套完整的佛教文化体系，同时他还自诩是佛教中 “文殊”、“普贤”的化身，给自己罩上了一层神秘的宗教光环，意味着他不仅是人间的帝王，也是佛界的要神。因此该画在创作意图上是幅宣扬乾隆皇帝宗教信仰的作品。\n此图无作者名款，从创作手法上分析应该是中西画家的合璧之作。图中乾隆皇帝的肖像是由擅长写实画的郎世宁绘制。作者运用解剖学，以西洋绘画技法表现人物面部，五官的刻画细腻、清晰，富有层次、立体感。乾隆皇帝的服饰则由中国画家以传统的人物画“战笔描”表现，衣纹线条抖动弯曲，极具动感。图中的小童、房舍、树木等亦是由中国画家联手完成的。东、西方绘画艺术风格呈现在同一幅作品中无疑丰富了宫廷绘画创作的表现形式，这也是乾隆朝宫廷绘画的一大特色。",[23,24,25,26,27,28,29,30,31,32,33,34,35,36,37,38,7,39,40],"高清","国画","设色","工笔","人物画","画中画","佛教","普贤菩萨","文殊菩萨","松树","竹子","小桥","流水","山石","帝王","侍从","西洋写实技法","战笔描","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc096af4b80506a97a712105edd6edc41.jpg","纸本，设色","纵136.4厘米，横62厘米","人物画精选",[44,46],"设色画精选",120,"BDBDBD",{"id":50,"slug":51,"title":52,"dynasty":18,"author":53,"museum":54,"description":55,"tags":56,"thumbUrl":64,"material":65,"size":66,"collection":67,"collections":68,"showCount":69,"zanCount":11,"manualWeight":11,"mainColor":48},288000,"sheng-ping-le-shi-tu-ce-bai-xiang-hua-deng-yi-ming-288000","升平乐事图册-白象花灯","佚名","藏地不详","松荫庭院里，仕女怀幼凭栏，笑看阶前稚童嬉游牵灯。白象花灯驮负宝幢璎珞，瑞气盈盈。画作设色明柔秀雅，线条婉丽细腻，将孩童的娇憨灵动、仕女的温婉沉静一一铺陈，处处透着工致细腻。寻常阖家赏灯的升平暖意，在绢素间晕染开来，把旧时上元佳节的融融喜乐定格，尽显雅致韵致，将岁时节庆的温情意趣娓娓道来。",[24,57,25,26,58,59,60,7,61,62,32,63],"册","人物","孩童","仕女","花灯","庭院","喜庆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b0a7ebacab67c70fb04c55841643bea.jpg","未知","Xcm*Xcm","",[],30,{"id":71,"slug":72,"title":73,"dynasty":18,"author":53,"museum":54,"description":74,"tags":75,"thumbUrl":10,"material":65,"size":66,"collection":67,"collections":81,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":82},274856,"yin-tai-qian-fa-lang-gong-yang-yi-ming-274856","银胎嵌珐琅供养","这件供具以银为胎，下承莲瓣缠枝纹底座，束腰处镂雕卷草，灵动舒展地托起仰莲台。莲台之上嵌珐琅牌心，浅蓝底色晕染出普贤坐骑白象，象背驮法轮与五色华盖，宝相庄严。珐琅釉色鲜亮明快，与银胎沉穆的金属质感相映成趣。\n\n纹饰刻画细腻入微，白象神态温驯，法轮宝焰熠熠，尽显清式造像的精致工巧。它融錾刻、珐琅工艺于一身，形制小巧雅洁，是藏传佛教供具中颇具匠心的小品，暗含祈福纳祥的美好意涵，尽显清时手工技艺的不俗水准。",[76,77,78,79,7,80],"银器","珐琅器","宗教","莲花","供器",[],"795548",1777535766934]