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van Rijn，1606年7月15日～1669年10月4日）是欧洲17世纪最伟大的画家之一，也是荷兰历史上最伟大的画家。\n伦勃朗早年从师P.拉斯特曼，1625年在家乡开设画室。画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等领域。",[23,24,25,26,27,28,29,30,31,32,33,7],"油画","写实","明暗对比","肖像","人物","女性","头巾","蕾丝","深色衣物","光影","古典","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F53c897f13ffa6588955f3cd731241799.jpg","未知","Xcm*Xcm","油画精选",[37],23,"37474F",{"id":42,"slug":43,"title":44,"dynasty":18,"author":45,"museum":20,"description":46,"tags":47,"thumbUrl":65,"material":35,"size":36,"collection":37,"collections":66,"showCount":67,"zanCount":11,"manualWeight":11,"mainColor":68},225813,"self-portrait-1887-fan-gao-225813","Self-portrait 1887","梵高","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[23,48,49,50,51,52,7,53,54,55,56,57,58,59,60,61,62,63,64],"人物肖像","男性","厚涂","笔触奔放","设色明快","背景写意","人物半身构图","色彩对比","笔触明显","肖像画","西式服饰","领结","外套","面部刻画","毛发细节","背景模糊处理","色彩丰富","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2329ca0a0f96faa9d3d6e02121bd517b.jpg",[37],18,"795548",{"id":70,"slug":71,"title":72,"dynasty":18,"author":19,"museum":20,"description":21,"tags":73,"thumbUrl":77,"material":35,"size":36,"collection":37,"collections":78,"showCount":79,"zanCount":11,"manualWeight":11,"mainColor":40},225673,"rembrandt-harmensz-van-rijn-083-lun-bo-lang-225673","Rembrandt Harmensz.van Rijn - 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他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[135,98,24,174,99,27,49,74,75,7,26],"明暗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b228e4183d4378bc5b649252d1a485b.jpg",[],{"id":178,"slug":179,"title":180,"dynasty":112,"author":113,"museum":114,"description":115,"tags":181,"thumbUrl":183,"material":125,"size":126,"collection":104,"collections":184,"showCount":185,"zanCount":11,"manualWeight":11,"mainColor":107},214795,"zhi-sheng-xian-xian-ban-shen-xiang-13-yi-ming-214795","至圣先贤半身像-13",[117,118,119,182,120,121,27,7],"册","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff59e907569c545f3005a1fc0f493edd6.jpg",[],4,{"id":187,"slug":188,"title":189,"dynasty":18,"author":171,"museum":20,"description":172,"tags":190,"thumbUrl":197,"material":35,"size":36,"collection":104,"collections":198,"showCount":199,"zanCount":11,"manualWeight":11,"mainColor":107},232366,"he-er-bai-yin-25-he-er-bai-yin-232366","荷尔拜因25",[27,28,26,98,191,24,192,193,194,195,7,196],"淡彩","线条勾勒","服饰","头饰","项链","细节刻画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0c4cc0d77fd145ef80aeab8224bbf4a2.jpg",[],3,{"id":201,"slug":202,"title":203,"dynasty":18,"author":204,"museum":20,"description":205,"tags":206,"thumbUrl":207,"material":35,"size":36,"collection":104,"collections":208,"showCount":199,"zanCount":11,"manualWeight":11,"mainColor":209},231106,"su-miao-360-xi-fang-231106","素描360","西方","使用单一色彩表现明度变化的绘画。绘画工具而在画面载体上按照一定的绘制原则而有意塑造物体形态的美术活动。速写是素描的一种变式。素描水平是反映绘画者空间造型能力的重要指标之一。\n素描是绘画的基础，绘画的骨骼；也是最节制、最需要理智来协助的艺术。初学绘画的人一定要先学素描，素描画得好的人，油画自然画得好。素描的起源，普遍都是以文艺复兴开始，事实上希腊的瓶绘、雕塑都有良好的素描基础。初期的素描是视为绘画的底稿，例如作壁画先要有构想的草稿，然后有素描的底稿，同时也要有手、脸部分精密素描图。作壁画习惯上是不看模特儿写生的，完全要靠事先准备的习作素描和画家的记忆。近代素描，已脱离了原来的底稿和习作的地位，可以成为艺术品来欣赏。画素描的态度不只培养描写力，同时也培养造型的能力，最后仅仅是素描也可视为作品来欣赏。相反的单看油画作品就可知道作者在素描上的造诣如何。因此，素描是绘画的基础，也是绘画的骨骼，是初学画的人无论如何要先认真学素描。素描在严格的解释上，只有单色的黑与白，但如加上淡彩或颜色，仍可认作素描。素描的表现方法分成：一、以描画材料来看可分成木炭素描、铅笔素描、炭精素描、钢笔素描、银笔素描、毛笔素描等。二、以所画的题材可分成石膏像素描，风景素描，静物素描、人体素描、幻想素描。三、依素描的目的又可分成作为构想的素描、用作画稿的素描、速写、作品、习作。\n由木炭，铅笔，钢笔等，以线条来画出物象明暗的单色画，称作素描。单色水彩和单色油画也可以算作素描；中国传统的白描和水墨画也可以称之为素描。通常讲的素描多元化指铅笔画和炭笔画。素描是一切绘画的基础，这是研究绘画艺术所必须经过的一个阶段。　素描通常采用可于平面留下痕迹的方法：如，炭笔，钢笔，画笔，墨水，及纸张等。轮廓和线条是素描的一般称谓。素描具备了自然律动感。不同的笔触营造出不同的线条及横切关系和节奏、主动与被动的周围环境、平面、体积、色调、及质感。\n素描是一种正式的艺术创作，以单色线条来表现直观世界中的事物，亦可以表达思想、概念、态度、感情、幻想、象征甚至抽象形式。它不像带色彩的绘画那样重视总体和彩色，而是着重结构和形式。",[98,27,24,26,174,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2cd7f4e66e7c56cd545be3df213eb2b0.jpg",[],"F48FB1",{"id":211,"slug":212,"title":213,"dynasty":112,"author":113,"museum":114,"description":115,"tags":214,"thumbUrl":215,"material":125,"size":126,"collection":104,"collections":216,"showCount":199,"zanCount":11,"manualWeight":11,"mainColor":107},214799,"zhi-sheng-xian-xian-ban-shen-xiang-11-yi-ming-214799","至圣先贤半身像-11",[117,118,119,120,27,121,182,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8ca9c462da131f33ee1bfb6ab5279709.jpg",[],{"id":218,"slug":219,"title":220,"dynasty":112,"author":113,"museum":114,"description":115,"tags":221,"thumbUrl":10,"material":125,"size":126,"collection":104,"collections":224,"showCount":199,"zanCount":11,"manualWeight":11,"mainColor":107},214752,"zhi-sheng-xian-xian-ban-shen-xiang-56-yi-ming-214752","至圣先贤半身像-56",[117,118,119,27,121,120,7,222,193,223],"古装","墨线",[],{"id":226,"slug":227,"title":228,"dynasty":18,"author":171,"museum":20,"description":172,"tags":229,"thumbUrl":232,"material":35,"size":36,"collection":104,"collections":233,"showCount":234,"zanCount":11,"manualWeight":11,"mainColor":107},232507,"he-er-bai-yin-166-he-er-bai-yin-232507","荷尔拜因166",[27,26,24,98,120,191,75,74,193,230,7,231],"侧脸","精细刻画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1865b51e97a9cd3e0ac8efe015573f72.jpg",[],2,{"id":236,"slug":237,"title":238,"dynasty":18,"author":171,"museum":20,"description":172,"tags":239,"thumbUrl":241,"material":35,"size":36,"collection":104,"collections":242,"showCount":234,"zanCount":11,"manualWeight":11,"mainColor":107},232490,"he-er-bai-yin-149-he-er-bai-yin-232490","荷尔拜因149",[24,98,99,174,27,136,240,7],"衣帽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbeaba9ad6ec4768be56c08b7f580b42c.jpg",[],{"id":244,"slug":245,"title":246,"dynasty":18,"author":171,"museum":20,"description":172,"tags":247,"thumbUrl":249,"material":35,"size":36,"collection":104,"collections":250,"showCount":234,"zanCount":11,"manualWeight":11,"mainColor":209},232489,"he-er-bai-yin-148-he-er-bai-yin-232489","荷尔拜因148",[98,26,27,28,194,248,24,7,99],"饰品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff3173496a51c13720c5a26fa7defbf0b.jpg",[],{"id":252,"slug":253,"title":254,"dynasty":18,"author":171,"museum":20,"description":172,"tags":255,"thumbUrl":257,"material":35,"size":36,"collection":104,"collections":258,"showCount":234,"zanCount":11,"manualWeight":11,"mainColor":68},232405,"he-er-bai-yin-64-he-er-bai-yin-232405","荷尔拜因64",[26,27,49,240,98,120,24,7,256],"头部","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2498a8f07f233e17d6e1b1cb044dec2c.jpg",[],{"id"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to Piero di Cosimo--Bust of a Young Woman","这帧素描以银笔轻绘于灰底之上，笔触柔婉细腻，顺着少女的轮廓缓缓铺陈。垂首敛目的姿态晕开静谧安然的氛围，低垂的眉眼间藏着似有若无的沉思，神情温婉柔和。\n\n头巾与发丝的线条流畅舒展，轻软地勾勒出柔和体积感，淡晕的笔触柔化了轮廓边界，让光影顺着衣料与肌肤自然过渡。没有繁复修饰，仅以简约的素描语言，便将少女沉静柔美的气质尽数晕染开来，将一瞬的温柔凝于纸面，满是含蓄悠长的古典诗意。",[98,331,332,7,333],"人物画","美人","温婉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F486afa75d4debb590f1f9f4f00c7d81a.jpg",[],{"id":337,"slug":338,"title":339,"dynasty":18,"author":113,"museum":20,"description":340,"tags":341,"thumbUrl":343,"material":35,"size":36,"collection":104,"collections":344,"showCount":129,"zanCount":11,"manualWeight":11,"mainColor":68},289475,"carle-charles-andre-vanloo-bust-of-a-young-girl-profile-to-left-yi-ming-289475","Carle (Charles André) Vanloo--Bust of a Young Girl, Profile to Left","炭笔晕开朦胧背景，将视线全然引向少女侧颜。她轮廓柔润舒展，鼻尖小巧挺翘，唇角噙着淡若轻烟的笑意，沉静里揉着少女独有的娇憨。发丝刻画尤为精妙，鬓边卷发蓬松柔软，束起的长发带着自然卷曲垂落，发丝的蓬松与发网的紧致形成细腻反差。画师以深浅笔触，晕出皮肤莹润质感，又用排线烘托衣物蕾丝的柔婉层次，将少女的温婉气质描摹得淋漓尽致，凭细腻笔触抓住少女鲜活情态，静穆雅致间藏着灵动生机，尽显古典肖像素描的动人魅力。",[98,48,332,7,342],"侧面像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5267fd12a73ad97450d61d1a78472205.jpg",[],{"id":346,"slug":347,"title":348,"dynasty":18,"author":113,"museum":20,"description":349,"tags":350,"thumbUrl":353,"material":35,"size":36,"collection":104,"collections":354,"showCount":129,"zanCount":11,"manualWeight":11,"mainColor":107},289258,"pietro-da-cortona-half-figure-of-a-bacchante-with-outstretched-yi-ming-289258","Pietro da Cortona--Half-Figure of a Bacchante with Outstretched","这幅红粉笔速写以松弛又精准的笔触，定格下舒展的瞬间。作者精准拿捏了人体动态，前伸的手臂肌肉线条饱满紧绷，张力十足，将女性躯体的力量感与柔美融于一体。蓬松的衣褶随性铺陈，发丝勾勒灵动飘逸，仿佛能看见她肆意舒展的模样。淡晕开的烟雾状线条虚化背景，烘托出迷醉松弛的氛围。没有繁琐的细节堆砌，仅用虚实交织的红调笔触，就将人物外放舒展的情绪传递得淋漓尽致，尽显巴洛克风格的动感生命力，扎实的造型功底让速写稿也拥有完整的情绪表达。",[98,27,351,352,7],"神话人物","酒神女祭司","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F06d3b2832afe5fdd8e486188ba843d05.jpg",[],{"id":356,"slug":357,"title":358,"dynasty":18,"author":113,"museum":20,"description":359,"tags":360,"thumbUrl":363,"material":35,"size":36,"collection":104,"collections":364,"showCount":129,"zanCount":11,"manualWeight":11,"mainColor":107},289166,"goya-self-portrait2-yi-ming-289166","Goya--Self-Portrait2","这幅红粉笔速写以柔和细腻的色调铺陈，侧颜构图将人物沉静内敛的气质缓缓晕开。高顶礼帽压低了轮廓，衬出松弛垂落的发丝与微敛的眉眼，把沉思的神态精准定格。\n松动且肯定的排线交代衣物质感与体积，带着速写独有的随性灵动，没有繁琐修饰，仅以寥寥几笔就勾勒出人物沉静的气场。纸面带着岁月晕染的痕迹，浅淡的边框衬得画面更具复古韵味，在看似松弛的笔触下，藏着精准的造型功力，将创作者沉凝的思绪封存在这一方画纸之上。",[48,98,361,362,7],"男子","高顶帽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F500c659979c934e5aab22e10bc2495c7.jpg",[],{"id":366,"slug":367,"title":368,"dynasty":18,"author":113,"museum":20,"description":369,"tags":370,"thumbUrl":373,"material":35,"size":36,"collection":104,"collections":374,"showCount":129,"zanCount":11,"manualWeight":11,"mainColor":107},289149,"guercino-bust-of-a-man-facing-right-yi-ming-289149","Guercino--Bust of a Man Facing Right","奔放灵动的笔墨勾勒出老者半身侧颜，浓淡干湿变化的墨色，将蓬松卷曲的发丝层次尽数铺展，粗简线条带过肩部轮廓，写意却精准贴合人体结构。画家以晕染暗部刻画出皮肤松弛纹路与紧绷的下颌线条，将老者凝神远眺时的沉郁沧桑尽数藏在寥寥几笔中。\n整幅速写随性却不失严谨，以极具表现力的笔触定格人物瞬间神态，情绪张力浸透在每一处笔墨里，尽显速写捕捉鲜活气韵的独特魅力。",[48,49,7,371,372,24],"速写","水墨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe2dc43e34f29687a37ebaf52171b3e7d.jpg",[],{"id":376,"slug":377,"title":378,"dynasty":18,"author":113,"museum":20,"description":379,"tags":380,"thumbUrl":384,"material":35,"size":36,"collection":104,"collections":385,"showCount":129,"zanCount":11,"manualWeight":11,"mainColor":107},289146,"guercino-portrait-of-morose-man-in-half-length-yi-ming-289146","Guercino--Portrait of Morose Man in Half-Length","这幅半身素描以棕褐线条勾勒，笔触松弛却精准。蓬松卷发以流畅排线晕出层次，将毛发柔润蓬松的质感尽显。男子眉头微蹙、眼睑低垂，嘴角紧抿，沉郁寡欢的神态呼之欲出，内敛情绪藏在明暗起伏的轮廓里。\n\n衣纹线条洗练概括，只抓褶皱起伏的节奏，省略细枝末节却精准传递衣物垂坠感，纸面留白恰好烘托出肖像沉静沉抑的氛围。整作下笔克制果断，以极简笔墨刻画出人物郁郁的气质，将一瞬的缄默情绪凝在纸面，带着素描独有的随性生动的表现力。",[48,7,98,49,381,264,382,383],"忧郁","西洋画","愁容","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8a3473e476eb313c090abaa650dd722e.jpg",[],{"id":387,"slug":388,"title":389,"dynasty":18,"author":390,"museum":20,"description":391,"tags":392,"thumbUrl":395,"material":35,"size":36,"collection":104,"collections":396,"showCount":129,"zanCount":11,"manualWeight":11,"mainColor":40},232572,"mi-lai-si-116-yue-han-ai-fu-li-te-mi-lai-si-232572","米莱斯116","约翰·埃弗里特米莱斯","John Everett Millais十九世纪英国画家，是拉斐尔前派的三个创始人中年龄最小、才华最高的一位，其它两位是亨特和布朗。其油画《基督在自己父母家中》(1850)中体现了该派精神，以画风细腻著称。\n米莱斯是拉斐尔前派中最有才华的一个。他出生于南埃普顿，幼年就表现出非凡的绘画才能。10岁时，他的绘画就获得了艺术协会颁发的银质奖章。据说当时他的个子还没有讲台高，只能站在凳子上领奖。两年后，他的天赋为马丁·希伊勋爵发现，转入皇家美术学院的附属学校(希伊后来是皇家美术学院院长)，以后又转入皇家美术学院，以后又多次获奖，并在18岁那年获得金质奖章，是学院公认的高材生。",[23,26,27,49,24,393,59,394,137,7,193],"西装","白衬衫领","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F32df9a073e7bab17165a353bfd2368ff.jpg",[],{"id":398,"slug":399,"title":400,"dynasty":18,"author":390,"museum":20,"description":391,"tags":401,"thumbUrl":406,"material":35,"size":36,"collection":104,"collections":407,"showCount":129,"zanCount":11,"manualWeight":11,"mainColor":68},232567,"mi-lai-si-111-yue-han-ai-fu-li-te-mi-lai-si-232567","米莱斯111",[98,24,174,402,7,403,404,74,256,405],"人物雕塑","基座","卷发","古典人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe347557d8bc8a7e9d0aeb6ecfc970d4d.jpg",[],{"id":409,"slug":410,"title":411,"dynasty":18,"author":171,"museum":20,"description":172,"tags":412,"thumbUrl":413,"material":35,"size":36,"collection":104,"collections":414,"showCount":129,"zanCount":11,"manualWeight":11,"mainColor":107},232503,"he-er-bai-yin-162-he-er-bai-yin-232503","荷尔拜因162",[57,24,98,99,174,28,29,195,193,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe38b44786d93db9fb03caa1c630dc955.jpg",[],{"id":416,"slug":417,"title":418,"dynasty":18,"author":171,"museum":20,"description":172,"tags":419,"thumbUrl":423,"material":35,"size":36,"collection":104,"collections":424,"showCount":129,"zanCount":11,"manualWeight":11,"mainColor":107},232492,"he-er-bai-yin-151-he-er-bai-yin-232492","荷尔拜因151",[98,24,420,421,196,27,28,7,193,75,57,61,422],"线条细腻","单色","衣纹表现","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b2d705bbb8866738ab94094dc45630e.jpg",[],{"id":426,"slug":427,"title":428,"dynasty":18,"author":171,"museum":20,"description":172,"tags":429,"thumbUrl":431,"material":35,"size":36,"collection":104,"collections":432,"showCount":129,"zanCount":11,"manualWeight":11,"mainColor":107},232477,"he-er-bai-yin-136-he-er-bai-yin-232477","荷尔拜因136",[27,26,98,24,174,430,49,74,75,7],"细腻线条","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F547facf3790d8c8672f8fa38978d0296.jpg",[],{"id":434,"slug":435,"title":436,"dynasty":18,"author":171,"museum":20,"description":172,"tags":437,"thumbUrl":444,"material":35,"size":36,"collection":104,"collections":445,"showCount":129,"zanCount":11,"manualWeight":11,"mainColor":68},232457,"he-er-bai-yin-116-he-er-bai-yin-232457","荷尔拜因116",[23,120,27,26,24,7,61,438,439,440,48,441,442,443],"服饰细节","古典风格","写实技法","半身构图","服饰描绘","面部细节","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe5ac5d643963b1e9eb7d260f64707661.jpg",[],{"id":447,"slug":448,"title":449,"dynasty":18,"author":171,"museum":20,"description":172,"tags":450,"thumbUrl":453,"material":35,"size":36,"collection":104,"collections":454,"showCount":129,"zanCount":11,"manualWeight":11,"mainColor":107},232433,"he-er-bai-yin-92-he-er-bai-yin-232433","荷尔拜因92",[135,98,24,48,451,7,264,174,193,194,452,196],"女性肖像","衣领","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F113f3d3a1767dea9d2641aa4ada523ed.jpg",[],{"id":456,"slug":457,"title":458,"dynasty":18,"author":171,"museum":20,"description":172,"tags":459,"thumbUrl":473,"material":35,"size":36,"collection":104,"collections":474,"showCount":129,"zanCount":11,"manualWeight":11,"mainColor":107},232429,"he-er-bai-yin-88-he-er-bai-yin-232429","荷尔拜因88",[98,460,192,25,461,196,462,463,7,464,465,466,467,468,469,470,471,472],"写实风格","光影表现","拱门","柱子","石碑","植物","远景","浮雕装饰","人物头像","蛇形装饰","古典建筑元素","田园场景","古典雕塑元素","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb3f67a8ccdd5dbd060bc7d02499c16b.jpg",[],{"id":476,"slug":477,"title":478,"dynasty":18,"author":171,"museum":20,"description":172,"tags":479,"thumbUrl":482,"material":35,"size":36,"collection":104,"collections":483,"showCount":129,"zanCount":11,"manualWeight":11,"mainColor":107},232413,"he-er-bai-yin-72-he-er-bai-yin-232413","荷尔拜因72",[98,24,27,26,99,248,28,7,32,480,481],"颈部饰品","衣物纹理","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdb4e1b1ee5c5ba0530074c9df1aa0c25.jpg",[],{"id":485,"slug":486,"title":487,"dynasty":18,"author":488,"museum":20,"description":489,"tags":490,"thumbUrl":493,"material":35,"size":36,"collection":104,"collections":494,"showCount":129,"zanCount":11,"manualWeight":11,"mainColor":68},232106,"de-jia-51-de-jia-232106","德加51","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[23,491,48,49,74,492,59,7,460,51],"印象派","白衬衫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c25b429ffa541768e3909f980d76612.jpg",[],{"id":496,"slug":497,"title":498,"dynasty":18,"author":488,"museum":20,"description":489,"tags":499,"thumbUrl":501,"material":35,"size":36,"collection":104,"collections":502,"showCount":129,"zanCount":11,"manualWeight":11,"mainColor":107},232093,"mademoiselle-malo-circa-barber-institute-of-fine-arts-england-de-jia-232093","Mademoiselle Malo - circa - Barber Institute of Fine Arts 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