[{"data":1,"prerenderedAt":50},["ShallowReactive",2],{"subject-bao-fu-wen":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},6355,"bao-fu-wen","包袱纹","包袱纹画高清赏析","精选中国历代包袱纹题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F91f1641bf0863a2fc7c90a7420ae27dc.jpg",0,2,[14,35],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":28,"material":29,"size":30,"collection":31,"collections":32,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":34},246402,"miao-jin-cai-qi-bao-fu-shi-wen-chang-fang-xing-he-yi-ming-246402","描金彩漆包袱式纹长方形盒","清","佚名","藏地不详","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[23,24,25,26,27,7],"清代","描金","彩漆","漆器","长方形盒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb78a15174a838fce8f9380ac6872241c.jpg","未知","Xcm*Xcm","",[],3,"795548",{"id":36,"slug":37,"title":38,"dynasty":18,"author":19,"museum":20,"description":39,"tags":40,"thumbUrl":10,"material":29,"size":30,"collection":31,"collections":48,"showCount":49,"zanCount":11,"manualWeight":11,"mainColor":34},229598,"tong-tai-hua-fa-lang-bao-fu-wen-gai-guan-yi-ming-229598","铜胎画珐瑯包袱纹盖罐","珐琅又称“佛郎”、“法蓝”，是由中国隋唐时古西域地名拂菻音译而来。珐琅器是以珐琅为材料装饰而制成的器物，其基本成分为石英、长石、硼砂和氟化物，与陶瓷釉、琉璃、玻璃同属硅酸盐类物质。依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。\n珐琅就是将经过粉碎研磨的珐琅釉料，涂施于经过金属加工工艺制作后的金属制品的表面，经干燥、烧成等制作步骤后，所得到的复合性工艺品。珐琅工艺的制作分类很多，一般根据制作方法和胎地种类将其分类。 [2] 珐琅依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。其中掐丝珐琅器就是俗称的“景泰蓝”，15世纪中期明代景泰年间的制品尤为著称，故有景泰蓝之称。\n清代，西洋珐琅从广州传入中国，广州生产的珐琅俗称“广珐琅”，是朝廷的贡品，其中最著名的是画珐琅 ，錾胎珐琅的制作中心也在广州，透明珐琅器也以广州出产的最为著名。",[41,42,43,44,7,45,46,47],"铜制","画珐琅","珐瑯器","设色","牡丹","花卉","器",[],1,1777535794683]