[{"data":1,"prerenderedAt":73},["ShallowReactive",2],{"subject-bao-fu-zao-xing":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},10434,"bao-fu-zao-xing","包袱造型","包袱造型画高清赏析","精选中国历代包袱造型题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4a1f3a483bcd56df149f2e44b4dbdfa8.jpg",0,4,[14,34,45,61],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":27,"material":28,"size":29,"collection":30,"collections":31,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":33},260071,"shi-de-tang-kuan-yi-xing-yao-zi-sha-bao-fu-shi-hu-yi-ming-260071","世德堂款宜兴窑紫砂包袱式壶","清","佚名","藏地不详","宜兴窑，在今江苏宜兴丁蜀镇，故名。烧瓷历史悠久，秦汉时宜兴地区陶窑密布；两晋时在均山烧青瓷，唐初在归径等地大量烧制，至晚唐、五代成为南方民间著名青瓷窑；宋、元时期，丁蜀与西渚一带大规模烧造日用陶和早期紫砂。明清时成为当时的烧陶中心。涧众村发现有唐代青瓷窑址。明代以紫砂器闻名于世，出现不少制紫砂壶名家，如供春；时大彬、李仲芳、陈仲美等，并仿烧宋代钧窑器物，因有"宜钧"之称。\n在今江苏宜兴市南部的丁蜀镇一带，故称为宜兴窑。宜兴窑从汉代始烧红陶、灰陶、和原始青瓷等等，其烧制陶瓷的历史一直延续到今天，有2000多年，故可称是最古老的窑口。宋代已开始烧造紫砂器，明代的紫砂器闻名于世，清代是其高峰。建国后，宜兴除传统的紫砂陶、均陶有很大发展外，还恢复了青瓷生产，新创了花釉陶和精陶等产品，是我国重点陶瓷产区之一。",[23,24,25,26,7],"陶瓷","紫砂器","日用具","壶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5ce95234b498ba85c00155197d29dddc.jpg","未知","Xcm*Xcm","瓷器精选",[30],1,"795548",{"id":35,"slug":36,"title":37,"dynasty":18,"author":19,"museum":20,"description":21,"tags":38,"thumbUrl":42,"material":28,"size":29,"collection":30,"collections":43,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":44},260002,"yi-chi-kuan-yi-xing-yao-zi-sha-bao-fu-shi-hu-yi-ming-260002","壹痴款宜兴窑紫砂包袱式壶",[23,25,39,40,7,41],"器","紫砂","茶壶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f2ed34789750763078c987eace72430.jpg",[30],"F48FB1",{"id":46,"slug":47,"title":48,"dynasty":18,"author":19,"museum":20,"description":49,"tags":50,"thumbUrl":57,"material":28,"size":29,"collection":58,"collections":59,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":60},258647,"song-shi-lv-di-chan-zhi-hua-wen-bao-fu-shi-ping-yi-ming-258647","松石绿地缠枝花纹包袱式瓶","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[51,23,52,53,54,55,56,7],"清代","琺瑯器","设色","工笔","缠枝纹","花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3e69d90676f69aa0580ceb588172b065.jpg","",[],"37474F",{"id":62,"slug":63,"title":64,"dynasty":18,"author":19,"museum":20,"description":65,"tags":66,"thumbUrl":10,"material":28,"size":29,"collection":58,"collections":71,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":72},258604,"fen-qing-you-bao-fu-shi-ping-yi-ming-258604","粉青釉包袱式瓶","中国瓷器著名传统颜色釉。亦称“青瓷釉”。古代南方青釉，是瓷器最早的颜色釉。\n所谓“青釉”，颜色并不是纯粹的青，有：月白、天青、粉青、梅子青、豆青、豆绿、翠青等，但多少总能泛出一点青绿色。同时，古人往往将青、绿、蓝三种颜色，一统称为“青色”，例如许之衡《饮流斋说瓷》称：“古瓷尚青，凡绿也、蓝也，皆以青括之。”刘子芬《竹园陶说》中也说：“青色一种，常与蓝色相混。雨过天晴，钧窑、元窑之青，皆近蓝色。”“惟千峰翠色、梅子青、豆青、乃为纯青耳。天色本蓝，有时为青。”\n青釉是我国使用最早，延用时间最久，分布最广的一个釉种，它的发明是与我国瓷土矿大都含有一定量的铁矿的现象相一致的。青色也符合我国人民的传统审美情趣。青色与碧玉相若，认为稳重而高雅。浙江、江西、河南等地已出土了不少早至商周时期的原始青釉瓷。六朝至唐宋以越窑为代表的南方青釉瓷；宋到元明的龙泉窑系青瓷；耀州窑、临汝窑、钧窑等宋代北方青瓷；以及明、清以来的景德镇青釉瓷，是青釉发展的几个重要阶段，所谓的宋代“汝、定、官、哥、钧”五大名窑，除定窑外均属青釉瓷。表釉的呈色主要决定于着色氧化物的含铁量与烧成气氛，青釉含铁量一般在1—3%左右，过高会变成黑釉，低了就能烧成白瓷。在还原气氛中烧成。釉色青绿；在氧化气氛中烧成，釉色泛黄。因而陶瓷界所谓的青釉是相对而言的，正如许之衡《饮流斋说瓷》中所说：“古瓷尚青，凡绿也，蓝也，皆以青括之。”",[23,51,67,7,68,69,70],"粉青釉","堆塑","颜色釉","器物",[],"BDBDBD",1777535764413]