[{"data":1,"prerenderedAt":34},["ShallowReactive",2],{"subject-bao-ying":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},9830,"bao-ying","抱婴","抱婴画高清赏析","精选中国历代抱婴题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1252ba7797187240977ff9a4f6fed66a.jpg",0,1,[14],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":29,"size":30,"collection":31,"collections":32,"showCount":12,"zanCount":11,"manualWeight":11,"mainColor":33},254469,"tao-huang-you-fu-ren-bao-ying-yong-yi-ming-254469","陶黄釉妇人抱婴俑","汉","佚名","藏地不详","黄釉是汉族传统的陶瓷装饰艺术。最早出现于唐代，当时安徽淮南寿州窑、河南密县窑等都烧黄釉。但正色黄釉，还是宋代汝窑的高温黄釉——茶叶末釉。明代的黄釉有新的发展，洪武时的老僧衣即茶叶末的衍化；始于宣德的浇黄，更是明代杰出的黄釉；嘉靖以后，又有鱼子黄、鸡油黄等。入清后有康熙的淡黄，以及其后的菜尾、鼻烟、金酱等。",[23,24,25,26,27,28,7],"汉代","陶","黄釉","俑","人物","妇人","未知","Xcm*Xcm","",[],"37474F",1777535876850]