[{"data":1,"prerenderedAt":70},["ShallowReactive",2],{"subject-bei-ying":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},6705,"bei-ying","背影","背影画高清赏析","精选中国历代背影题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F56bcd465d0757595e514a4e3e43bdc7a.jpg",0,3,[14,34,52],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":27,"material":28,"size":29,"collection":30,"collections":31,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":33},289143,"guercino-standing-youth-seen-from-behind-holding-a-bowl-yi-ming-289143","Guercino--Standing Youth Seen from Behind Holding a Bowl","不详","佚名","藏地不详","以红粉笔铺就的素描，将青年沉静的瞬间温柔定格。画家以松弛却精准的排线，顺着肩胛、腰背的肌肉起伏铺陈光影，把背部的体量感与肌肉纹理悄然晕开，写实又带着随性的速写韵味。\n\n青年垂首捧碗，下半身裹覆的织物以灵动长线勾勒褶皱，和背部扎实的笔触形成动静对比，慵懒松弛的姿态呼之欲出，褪去拘谨，尽显生活化的悠然氛围。虚实交织的线条里，没有冗余修饰，却把少年柔和的背部轮廓与沉静神态，都藏在每一笔晕染之中。",[23,24,25,7,26],"素描","人物画","男性人体","持碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbac432e1658013c0919360a010a3140c.jpg","未知","Xcm*Xcm","",[],1,"FFFFFF",{"id":35,"slug":36,"title":37,"dynasty":18,"author":38,"museum":20,"description":39,"tags":40,"thumbUrl":49,"material":28,"size":29,"collection":30,"collections":50,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":51},232079,"nude-woman-pulling-on-her-clothes-national-gallery-of-art-washington-usa-de-jia-232079","Nude Woman Pulling on Her Clothes - - National Gallery of Art - Washington (USA)","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[41,42,43,44,7,45,46,47,48],"印象派","色粉画","人体","女性","草地","树木","衣物","户外场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2b4836b60b87f73b3c9cc24b2d36165.jpg",[],"795548",{"id":53,"slug":54,"title":55,"dynasty":18,"author":56,"museum":20,"description":57,"tags":58,"thumbUrl":10,"material":28,"size":29,"collection":30,"collections":68,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":69},231167,"su-miao-421-xi-fang-231167","素描421","西方","使用单一色彩表现明度变化的绘画。绘画工具而在画面载体上按照一定的绘制原则而有意塑造物体形态的美术活动。速写是素描的一种变式。素描水平是反映绘画者空间造型能力的重要指标之一。\n素描是绘画的基础，绘画的骨骼；也是最节制、最需要理智来协助的艺术。初学绘画的人一定要先学素描，素描画得好的人，油画自然画得好。素描的起源，普遍都是以文艺复兴开始，事实上希腊的瓶绘、雕塑都有良好的素描基础。初期的素描是视为绘画的底稿，例如作壁画先要有构想的草稿，然后有素描的底稿，同时也要有手、脸部分精密素描图。作壁画习惯上是不看模特儿写生的，完全要靠事先准备的习作素描和画家的记忆。近代素描，已脱离了原来的底稿和习作的地位，可以成为艺术品来欣赏。画素描的态度不只培养描写力，同时也培养造型的能力，最后仅仅是素描也可视为作品来欣赏。相反的单看油画作品就可知道作者在素描上的造诣如何。因此，素描是绘画的基础，也是绘画的骨骼，是初学画的人无论如何要先认真学素描。素描在严格的解释上，只有单色的黑与白，但如加上淡彩或颜色，仍可认作素描。素描的表现方法分成：一、以描画材料来看可分成木炭素描、铅笔素描、炭精素描、钢笔素描、银笔素描、毛笔素描等。二、以所画的题材可分成石膏像素描，风景素描，静物素描、人体素描、幻想素描。三、依素描的目的又可分成作为构想的素描、用作画稿的素描、速写、作品、习作。\n由木炭，铅笔，钢笔等，以线条来画出物象明暗的单色画，称作素描。单色水彩和单色油画也可以算作素描；中国传统的白描和水墨画也可以称之为素描。通常讲的素描多元化指铅笔画和炭笔画。素描是一切绘画的基础，这是研究绘画艺术所必须经过的一个阶段。　素描通常采用可于平面留下痕迹的方法：如，炭笔，钢笔，画笔，墨水，及纸张等。轮廓和线条是素描的一般称谓。素描具备了自然律动感。不同的笔触营造出不同的线条及横切关系和节奏、主动与被动的周围环境、平面、体积、色调、及质感。\n素描是一种正式的艺术创作，以单色线条来表现直观世界中的事物，亦可以表达思想、概念、态度、感情、幻想、象征甚至抽象形式。它不像带色彩的绘画那样重视总体和彩色，而是着重结构和形式。",[23,59,60,44,61,62,63,7,64,65,66,67],"西方绘画","人物","写实风格","光影表现","黑白","长发","人体轮廓","线条勾勒","明暗对比",[],"BDBDBD",1777535776408]