[{"data":1,"prerenderedAt":96},["ShallowReactive",2],{"subject-bian-dou":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2944,"bian-dou","扁豆","扁豆画高清赏析","精选中国历代扁豆题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e24cbd413857474856d33165f232536.jpg",0,4,[14,47,68,89],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":39,"material":40,"size":41,"collection":42,"collections":43,"showCount":45,"zanCount":11,"manualWeight":11,"mainColor":46},222233,"za-hua-tu-xu-wei-222233","杂花图","明","徐渭","南京博物院","《杂花图》是明代画家徐渭所创作的一幅泼墨画，纸本作品，是南京博物院18件镇馆之宝中唯一一件书画作品。画中分别将牡丹、石榴、荷花，梧桐、菊花、北瓜、扁豆、紫薇、紫藤、芭蕉、梅、兰、竹共计十三种花卉绘于一卷。\n《杂花图卷》是徐渭传世的佳作，在这卷十余米的长卷中，徐渭以酣畅淋漓的“胶墨”分别绘制了牡丹、石榴、梧桐、菊花、南瓜、扁豆、紫薇、紫藤、芭蕉、梅兰竹等13种花卉蔬果。徐渭以其疾飞狂扫的豪放气势，纵横挥洒，信笔涂抹：画中牡丹含羞沾露，占尽风流；硕荷、梅兰、修竹、榴枝，笔触歪斜正侧，跌来倒去，随意点染，自如流畅。作紫藤逸笔草草、洋洋洒洒。忽而，又如狂风乍起，点线飞舞，纵横密集，线条速急癫狂。顷刻，笔住墨涸，嘎然而止，墨彩纷呈，留下满纸斑斓。体现了他用笔峭拔劲挺多变与用墨洒脱自如的艺术风格。画中尽显着交响乐一般波澜起伏的宏大乐章。时隔4个世纪，画中依然显出墨迹淫淫的湿润感。\n《杂花图》卷，全图以牡丹起首，按牡丹象征富贵，这与徐青藤的身世相左，故而他一变旧法而改以泼墨写牡丹“虽有生意，终不是此花真面目”，在这枝墨牡丹上我们确实很难寻找富贵的痕迹了。紧接着石榴一枝，充分体现了他用笔的灵动，而墨荷：则重在展示墨彩的缤纷 。梧桐以其肥硕的枝干稳住了这二小段的重心，这是全图的第一个高潮。以下菊花、扁豆、紫薇等只是逸笔草草，随意点染。就章法而言，疏密是相对而存在的，这一小段貌似不经意之笔，在全图的节奏处理上却起着关键的作用。紫藤如蛇的老干泼辣粗放，“一扫槎枒三丈绢”的气势，形成了全图的最高潮。紫藤的花叶更是水墨淋漓，走笔如飞而不乱，意犹跃出纸外。芭蕉是滋润而含蓄的，它与紫藤形成了动与静的强烈对比，貌与质的相依共存。接下来梅枝横斜傲骨铮铮，幽兰、纤竹寥寥数笔，是为尾声。艺术是相通的，我们从这卷《杂花图》中可以领略到诗的起、承、转、合，也像欣赏一部交响曲，从引子到尾声，节奏和韵味正是它们共同的内涵。我们更能通过此图触摸到青藤老人胸中激情的横流。",[23,24,25,26,27,28,29,30,31,32,33,34,35,7,36,37,38],"高清","国画","书画","长卷","水墨","大写意","书法","牡丹","石榴","荷花","梧桐","菊花","南瓜","紫薇","葡萄","竹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2ccaec0a74bfab54d306d36724d1bcb.jpg","纸本","1053.5X30厘米","山水画精选",[42,44],"水墨画精选",448,"795548",{"id":48,"slug":49,"title":50,"dynasty":18,"author":51,"museum":52,"description":53,"tags":54,"thumbUrl":10,"material":62,"size":63,"collection":42,"collections":64,"showCount":66,"zanCount":11,"manualWeight":11,"mainColor":67},216324,"han-xi-meng-xiu-song-yuan-ming-ji-ce-bian-dou-qing-ting-tu-han-xi-meng-216324","韩希孟绣宋元名迹册·扁豆蜻蜓图","韩希孟","私人收藏","针丝摹宋元清韵，绣线藏自然生机。藤蔓婉转牵绕，叶片青绿层次晕染，脉络清晰可触；淡蓝小花缀枝，豆荚饱满似含晨露，嫩黄浅绿间漾着鲜活。两只蜻蜓停落藤蔓，翅脉细如游丝，羽翼薄透若纱，身纹斑斓细腻，姿态轻盈灵动，仿佛振翅欲飞。绣艺疏密得宜，色彩雅淡天成，将夏日庭院的清寂与鲜活凝于方寸，经纬间藏纳草木情致，尽显闺阁绣工的精工巧思与诗意才情。",[55,56,57,58,7,59,60,61,29],"刺绣","册","设色","花鸟","蜻蜓","枝叶","花朵","纸本,设色","",[42,65],"花鸟画精选",150,"BDBDBD",{"id":69,"slug":70,"title":71,"dynasty":72,"author":73,"museum":74,"description":75,"tags":76,"thumbUrl":84,"material":85,"size":86,"collection":63,"collections":87,"showCount":88,"zanCount":11,"manualWeight":11,"mainColor":67},241996,"yin-du-jin-qian-zhu-bao-bian-dou-hu-die-wen-zan-yi-ming-241996","银镀金嵌珠宝扁豆蝴蝶纹簪","清","佚名","藏地不详","发簪，中国古代汉族人民用来固定和装饰头发的一种首饰。对于现代人来说已经是一个很古老的名词了，但是当在看古装剧时，却总是能被它们点缀出的精致效果所折服。\n将长发松松挽起，插上一枚别致的发簪，再配上典雅的长裙，即便性格再外放的女性，也可以成为让人眼前一亮的古典美人。发簪金属的光泽闪耀在发间，加上小而巧的坠饰，长发的风情便又是一种不一样的感受了。",[77,78,79,80,81,7,82,83],"清代","银镀金","嵌珠宝","珐琅","饰品","蝴蝶","珠宝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F62bbd329420876fc25419d9fb4563988.jpg","未知","Xcm*Xcm",[],6,{"id":90,"slug":91,"title":71,"dynasty":72,"author":73,"museum":74,"description":75,"tags":92,"thumbUrl":94,"material":85,"size":86,"collection":63,"collections":95,"showCount":12,"zanCount":11,"manualWeight":11,"mainColor":67},241995,"yin-du-jin-qian-zhu-bao-bian-dou-hu-die-wen-zan-yi-ming-241995",[77,78,79,80,7,82,81,93],"镶嵌","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb734acdea6ec0599923cab4daefbbe62.jpg",[],1777535757283]