[{"data":1,"prerenderedAt":81},["ShallowReactive",2],{"subject-bian-jiao-shan-shui":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},1647,"bian-jiao-shan-shui","边角山水","边角山水画高清赏析","精选中国历代边角山水题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52b5bfafd33a9917196e5b439aa9607c.jpg",0,3,[14,45,64],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":38,"material":39,"size":40,"collection":41,"collections":42,"showCount":43,"zanCount":12,"manualWeight":11,"mainColor":44},218579,"ye-chuan-dai-du-tu-ma-yuan-218579","野川待渡图","宋","马远","私人收藏","烟波浩渺的水面上，淡墨晕染的远山若隐若现，与空濛的天际相融，漾开无尽悠远。近岸林木苍劲，枝干盘曲如虬，浓墨点染的叶丛间透着生机。岸边人影错落，或伫立待渡，或舟中轻楫，动静相宜间，藏着几分江南水乡的日常意趣。画面以边角构图见阔远，留白处藏万千思绪，将清寂与悠远凝于绢素，尽显宋人山水的空灵之境，仿佛能闻得水面风吟，见得旅人归心。",[23,24,25,26,27,28,7,29,30,31,32,33,34,35,36,37],"名画","国画","书画","水墨","设色","皴法","山水","河流","人物","孤舟","树木","远山","岩石","渡口","岸边","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa886c296b26cb11f3bfc2ae180ea3d33.jpg","绢本,设色","27x94.5cm","山水画精选",[41],110,"795548",{"id":46,"slug":47,"title":48,"dynasty":18,"author":19,"museum":20,"description":49,"tags":50,"thumbUrl":58,"material":39,"size":59,"collection":60,"collections":61,"showCount":62,"zanCount":11,"manualWeight":11,"mainColor":63},218039,"song-di-ming-ti-ce-shi-ma-yuan-218039","宋帝命题册(十)","这画册共含十页，每页左侧为一幅绘画，右侧配一书法。画心尺寸长28厘米、高27厘米，设色绢本，水墨与青绿设色间有。\n在“开禧北伐”之后，宋败给了金国，还有了“嘉定议和”。议和之后的宋宁宗便失去了大权。之后，宋宁宗开始钟情于山水。本十开册页描绘的是当时临安凤凰山皇宫的十个不同景点。\n根据考证，图中的白衣高士均是宁宗的化身，他将自己融入到自然山水中，写下了这10幅诗，再命当时的御前画师马远配图。\n10幅画作皆是根据杨万里、王安石等前贤及宋徽宗的诗句而创作，册页里的10幅配诗书法作品皆为宋宁宗所书。",[51,24,25,52,26,27,28,7,29,53,54,55,56,57],"高清","册","松树","山峰","云雾","书法","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5c290a29cb2476ddf0147882bbc77cf5.jpg","纵28厘米、横27厘米","",[],66,"BDBDBD",{"id":65,"slug":66,"title":67,"dynasty":18,"author":19,"museum":68,"description":69,"tags":70,"thumbUrl":74,"material":75,"size":76,"collection":77,"collections":78,"showCount":80,"zanCount":11,"manualWeight":11,"mainColor":44},221540,"gao-shi-guan-tiao-tu-ma-yuan-221540","高士観眺图","藏地不详","本作是马远“边角山水”之代表作，他以简练的笔法和精致的诗画意境成功表现了山间景色，笔法劲爽，意境深邃。作品构图精巧，位置经营独到而臻极致。树木、远山集中绘于画幅左侧，以淡墨皴染的山径渐次虚淡。近处的高士持杖远眺，人物衣纹或是兰叶描、或是钉头鼠尾描，线条劲直，或如刀砍竹，或行笔略有颤掣，人物本身怡然惬意的神情已经跃然纸上。画幅右侧大量留白，虚渺空灵。另有一只白鹤转头回望，与高士相响应，款款深情，意蕴无穷，给观者以无穷遐想",[51,24,25,29,71,31,26,27,28,72,73,7],"亭","孤石","老树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4306c43ca294d4cdac872ca054890ff8.jpg","纸本","82x67","宋画精选",[77,41,79],"水墨画精选",65,1777535767121]