[{"data":1,"prerenderedAt":53},["ShallowReactive",2],{"subject-bing-8650":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},8650,"bing-8650","柄","柄画高清赏析","精选中国历代柄题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3401939d755f3d48b98dd9d2f7525bfb.jpg",0,2,[14,40],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":33,"material":34,"size":35,"collection":36,"collections":37,"showCount":38,"zanCount":11,"manualWeight":11,"mainColor":39},245904,"yin-bing-jiu-bei-yi-ming-245904","银柄酒杯","清","佚名","藏地不详","唐孙位《高逸图》中，酒樽旁托盘内放置杯，侍者手中亦持有杯。可见，唐代杯亦为常见的饮酒器具。因其用于饮酒较之碗更加含蓄、优雅，故文人雅士较为推崇。杜甫诗云“潦倒新停浊酒杯”，杜甫饮用“浊酒”亦用酒杯。\n除普通筒形杯外，唐代较为流行的一种杯式为高足杯，其执拿姿势为用拇指与食指捏住高足杯的杯把。瓷质高足杯唐代以前较少使用，唐代应用明显广泛。唐代的许多中小型墓葬中亦出土瓷质高足杯。说明此杯类已逐渐演变为一种较为常见的日用器具。此种杯式的使用，可能与此时葡萄酒的饮用有关。\n宋代酒质较低时饮酒器具较大，酒质提高，其形制自然缩小。宋代饮酒器具以杯为主。主要的酒杯类型有：圆口杯、花口杯、带把杯、高足杯。\n高足杯为元代典型饮酒器具。其与游牧民族马上饮酒生活习俗相适应。元代高足杯形制多样，有喇叭形、竹节形等。很多资料记载高足杯为蒙古人饮用马奶酒的器具。\n高足杯为直口、深腹。其杯形制与唐宋时候盏类的承载量基本一致，故其用于饮马奶酒是合理的。但元代尚酒，饮酒需求量大，除用于饮用马奶酒之外，高足杯亦可用于蒸馏酒的饮用。\n明朝由于喝茶方式的改变，出现了小茶壶，导致喝茶的盏变得精致小巧，如今天我们所使用的杯子。饮茶的杯子与饮酒的杯子就变得傻傻分不清楚。\n虽然出现了饮茶的杯子，但杯子还是饮酒器的主流。明代杯类形制多样，造型装饰精巧，功能明确。如制作专门用于皇室贵族使用的鸡缸杯、压手杯。\n亦有符合士人情趣的高士杯、菊花杯等。此外，明代高足杯形制多样，此时高足杯形制较小，适合蒸馏酒的饮用。较于元代高足杯，明代高足杯足部外撇，足成长喇叭形，器具稳定性加强。\n明朝以前杯壁较浅，到了清朝，杯壁开始加深，容量增加，有的被已经茶酒共用。18世纪受国外文化影响，杯子已经发展成为今天我们所见到的样子。\n虽然我国饮酒时有温酒的习惯，但酒温不高，而且宋以后开始饮用蒸馏酒，常温就可饮用。杯作为主要的饮酒器，自然不用考虑温度的问题，均是手握酒杯饮用，所以大多没有把。",[23,24,25,26,27,28,29,30,7,31,32],"清代","银器","金属器","饮酒器","日用器","壶","杯","碟","链","雕刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F58441fddc652cbdeb438066278ecd51a.jpg","未知","Xcm*Xcm","",[],1,"795548",{"id":41,"slug":42,"title":43,"dynasty":18,"author":19,"museum":20,"description":44,"tags":45,"thumbUrl":10,"material":34,"size":35,"collection":36,"collections":52,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},245415,"yin-liu-jin-dai-gai-hu-lu-shi-zhi-hu-yi-ming-245415","银鎏金带盖葫芦式执壶","此器取葫芦形，暗合福禄祥瑞之吉意，体态丰腴饱满，线条流转柔和。盖顶以宝莲承托圆钮，雅致端庄。通体鎏金莹润厚重，满饰錾刻缠枝莲纹，游转于卷云之间，细密繁丽却疏密得宜，不见拥塞之感。长流弧柄错落排布，流首錾刻兽纹，添几分灵动威严，执握称手合宜。\n它融实用与礼制意蕴为一体，既藏祈福纳祥的美好寄寓，又尽显雍容华贵的气度，每一处錾刻都凝结着匠人巧思，将金工细作的精妙诠释尽致，是金属工艺中的上乘佳器。",[23,46,32,47,48,49,50,7,51],"银鎏金","器","葫芦式","盖","流","纹饰",[],1777535801196]