[{"data":1,"prerenderedAt":123},["ShallowReactive",2],{"subject-bing-mian":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},1507,"bing-mian","冰面","冰面画高清赏析","精选中国历代冰面题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9740cb41820573ad81c75416824d253.jpg",0,6,[14,40,57,75,96,109],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":32,"material":33,"size":34,"collection":35,"collections":36,"showCount":37,"zanCount":38,"manualWeight":11,"mainColor":39},214366,"bing-xi-tu-jin-kun-214366","冰嬉图","清","金昆","北京故宫博物院","金昆（1734-1798）是清代著名的画家，他的作品《冰嬉图》是其代表作之一。\n\n《冰嬉图》描绘了一群人在冰上嬉戏的画面。金昆在画中运用了精细的笔墨和细腻的造型，勾勒出人物的动态感和气氛的欢乐。作品中的人物衣着艳丽，手持冰鞋、冰鞭，在冰上滑行、打闹，形成了一幅生动的冬日画面。\n\n《冰嬉图》被认为是金昆写意人物画风成熟时期的杰作，其作品在当时也受到了广泛的赏识。如今，《冰嬉图》也是收藏家们青睐的经典之作。\n\n金昆的《冰嬉图》是一幅描绘冬日活动的画作，它体现了中国传统文化中“冰上嬉戏”的理念。在中国传统文化中，冰上嬉戏是冬日的休闲活动之一，人们可以在冰上滑行、打闹，享受冬日的清新气息。金昆的《冰嬉图》不仅是一幅精美的画作，更是一首关于冬日活动的诗篇。",[23,24,25,26,27,28,29,30,7,31],"高清","工笔","设色","人物","楼阁","树木","旗帜","队列","宫殿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff197d6b8677f087f4ec01dfab7441fea.jpg","绢本,设色","35.2x581","人物画精选",[35],337,3,"795548",{"id":41,"slug":42,"title":17,"dynasty":18,"author":43,"museum":20,"description":44,"tags":45,"thumbUrl":50,"material":51,"size":52,"collection":35,"collections":53,"showCount":54,"zanCount":55,"manualWeight":11,"mainColor":56},216933,"bing-xi-tu-zhang-wei-bang-216933","张为邦","这幅图像描绘了 龙射天球。在画的右侧，在人群的包围下，是皇帝的华丽冰床。在冰面上，旗手和弓箭手间隔排列，在冰面上绕圈滑行，游行队伍蜿蜒成龙的形状。冰面上有一道门，上面挂着一个球，叫做天球。当队伍走到这一步时，他们转过身来，向球射箭，射中者会得到奖励。游行过程中还包括杂技表演，如倒立、舞剑、腾空、中国旗帜和鹰心。",[23,24,25,46,26,7,27,28,29,47,48,49],"长卷","建筑","城墙","小桥","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1b093624e4bb931e68fd779aaf95d99.jpg","纸本,设色","36.5x563",[35],72,2,"BDBDBD",{"id":58,"slug":59,"title":60,"dynasty":18,"author":61,"museum":20,"description":62,"tags":63,"thumbUrl":71,"material":51,"size":72,"collection":35,"collections":73,"showCount":74,"zanCount":55,"manualWeight":11,"mainColor":56},219211,"bing-xi-tu-jin-ting-biao-219211","冰戏图","金廷标","冬季严寒萧瑟，景物单调，但是对于调皮贪玩的小孩来说依然不乏游戏项目。宫廷画家金廷标就为我们展现了这种一幅场景。十个小伙伴来到结冰的池塘边，胆大的几个先下到了冰面上，可是太滑了，一不小心就摔了个仰面朝天，想再站出来也不容易，只能尽力支撑着。而岸上的同伴则嬉笑着，跃跃欲试。\n金廷标是清乾隆时期最著名的宫廷画家之一，以人物画见长。他笔下的风俗人物质朴自然，贴近生活，情态生动，令观者心生亲切之感。",[23,64,25,24,26,65,7,28,66,67,68,69,70],"国画","孩童","台阶","栏杆","石头","花朵","庭院","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feb6864bf5a01739f77580c7a573b3b20.jpg","纵121厘米，横64.8厘米",[35],26,{"id":76,"slug":77,"title":78,"dynasty":79,"author":80,"museum":81,"description":82,"tags":83,"thumbUrl":90,"material":91,"size":92,"collection":93,"collections":94,"showCount":95,"zanCount":11,"manualWeight":11,"mainColor":56},226118,"the-skaters-at-giverny-1899-mo-nai-226118","The Skaters at Giverny, 1899","不详","莫奈","藏地不详","奥斯卡-克劳德·莫奈（法文：Oscar-Claude Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[84,85,25,26,86,7,87,88,89],"印象派","油画","枯树","天空","冬季","滑冰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd75af4a63c39ad27e6bfb80c7040bc77.jpg","未知","Xcm*Xcm","油画精选",[93],12,{"id":97,"slug":98,"title":99,"dynasty":18,"author":19,"museum":20,"description":100,"tags":101,"thumbUrl":103,"material":104,"size":105,"collection":106,"collections":107,"showCount":108,"zanCount":11,"manualWeight":11,"mainColor":56},234112,"bing-xi-tu-juan-jin-kun-234112","冰嬉图卷","冰嬉是一种带有节令特色的体育活动。清代宫内有冬季冰嬉的习俗，并将其视为“国俗”，乾隆皇帝说“冰嬉为国制所重”。每年从八旗官兵中挑选“善走冰”的能手入宫训练，冬至到“三九”时在西苑冰上举行冰嬉。皇帝率王公大臣等前往观看，赛后皇帝分等次，恩赏银两。\n此图中描绘的冰嬉地点应该是金鳌玉蝀桥（即今北海桥）之南的水面，表演的是转龙射球项目。画面上右侧众人簇拥的就是皇帝华丽的冰床。冰场上，旗手和射手们间隔排列，盘旋曲折滑行于冰上，远望之，蜿蜒如龙形。在将近御座处，设一旌门，上悬一球，称天球。转龙队伍滑至此处时，分别射矢，中者有赏。另外在滑行队伍中还有各项杂技表演，如舞刀、叠罗汉及花样滑等。表演者的各种姿态让凛冽的寒冬充满生机。\n乾隆皇帝多次命画家将冰嬉场面绘成画卷收藏起来。这种画卷应该是一种写实作品，再现当时的场景。\n图中尽收西苑内的远近亭台楼阁，雾霭掩隐的房屋和挂霜的树枝表明北方正当严冬。\n画面上有嵇璜书写的乾隆皇帝《御制冰嬉赋有序》。",[18,64,102,46,24,25,26,27,28,86,29,7],"书画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fecd27be23d302daec6c9572471dd8685.jpg","绢本，设色","纵35厘米，横578.8厘米","",[],10,{"id":110,"slug":111,"title":112,"dynasty":18,"author":113,"museum":81,"description":114,"tags":115,"thumbUrl":121,"material":91,"size":92,"collection":106,"collections":122,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":56},272676,"yu-zhi-yue-ling-qi-shi-er-hou-shi-se-mo-shui-shi-bing-lan-mo-yi-ming-272676","御制月令七十二候诗色墨-水始冰蓝墨","佚名","墨，中国传统文房用具之一，文房四宝之一，是书写、绘画的黑色颜料，后亦包括朱墨和各种彩色墨。\n墨的主要原料是煤烟、松烟、胶等，是碳元素以非晶质型态的存在。通过砚用水研磨可以产生用于毛笔书写的墨汁，在水中以胶体的溶液存在。古墨主要派别分徽墨、川墨。\n墨的水分及胶的成分不同，会影响到墨的黏度。在不同场合使用的墨，其黏度有所不同。另外，初制成的墨的水分亦较多。另有存放时间较长的墨，其致密度较高，并经过长年累月的干燥，使墨色的立体感更高。这种墨在日本被称为“古墨”。",[116,117,118,28,7,119,120],"墨","文房用具","山水","雕刻","色墨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F68c31a0afc06a5f720a4ba7ef0a639bf.jpg",[],1777535746064]