[{"data":1,"prerenderedAt":82},["ShallowReactive",2],{"subject-bo-li-tai":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},6207,"bo-li-tai","玻璃胎","玻璃胎画高清赏析","精选中国历代玻璃胎题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F428d7abe0acd7967ba8570f2238ab5d2.jpg",0,5,[14,38,53,64,74],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":31,"material":32,"size":33,"collection":34,"collections":35,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},270353,"qian-long-kuan-bai-se-bo-li-tai-hua-fa-lang-xi-xiang-feng-wen-ping-yi-ming-270353","乾隆款白色玻璃胎画珐琅喜相逢纹瓶","清","佚名","藏地不详","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[23,7,24,25,26,27,28,29,30],"琺瑯器","牡丹","蝴蝶","花鸟纹","设色","书法","印章","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F50ed25e8a9e45279380c52499766765e.jpg","未知","Xcm*Xcm","",[],9,"795548",{"id":39,"slug":40,"title":41,"dynasty":18,"author":19,"museum":20,"description":42,"tags":43,"thumbUrl":49,"material":32,"size":33,"collection":34,"collections":50,"showCount":51,"zanCount":11,"manualWeight":11,"mainColor":52},270095,"jin-xing-bo-li-tai-hua-fa-lang-xi-yang-nv-zi-tu-pei-yi-ming-270095","金星玻璃胎画珐琅西洋女子图佩","古人的很多生活器具都是由玉雕成的，能常戴在身上的惟有玉佩。繁钦诗中“美玉”是指玉做的佩，或写作“佩”。古人对玉佩的热爱不是因为玉的贵重，而是源于玉的品格，所以古语有“君子无故，玉不去身”。",[44,45,46,47,48,7],"珐琅器","饰品","人物","猫","画珐琅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5b8b9c9aa40b9a6fedb5042131fa1216.jpg",[],4,"37474F",{"id":54,"slug":55,"title":56,"dynasty":18,"author":19,"museum":20,"description":57,"tags":58,"thumbUrl":61,"material":32,"size":33,"collection":34,"collections":62,"showCount":63,"zanCount":11,"manualWeight":11,"mainColor":52},270100,"qian-long-kuan-huang-se-bo-li-tai-hua-fa-lang-mu-dan-wen-hu-lu-shi-bi-yan-hu-yi-ming-270100","乾隆款黄色玻璃胎画珐琅牡丹纹葫芦式鼻烟壶","鼻烟壶指的是盛鼻烟的容器，小可手握，便于携带。明末清初，鼻烟传入中国，鼻烟盒渐渐东方化，产生了鼻烟壶。\n人们嗜用鼻烟的习惯几近绝迹，但鼻烟壶却作为一种精美艺术品流传下来，而且长盛不衰，被誉为“集中各国多种工艺之大成的袖珍艺术品”。\n中国鼻烟壶，作为精美的工艺品，采用瓷、铜、象牙、玉石、玛瑙、琥珀等材质，运用青花、五彩、雕瓷、套料、巧作、内画等技法，汲取了域内外多种工艺的优点，被雅好者视为珍贵文玩，在海内外皆享有盛誉。\n在世界上，中国素有「烟壶之乡」的称誉，其中鼻烟壶以其精巧卓绝的制作技术，被称为「集多种工艺之大成于一身的袖珍艺术品」。鼻烟壶为盛装鼻烟之容器，鼻烟系一种烟草制品，原为西洋之物，明末清初自欧洲传入中国后，加工转化后成为粉末状药材，吸闻之后不但具有明目避疫的功效，吸闻鼻烟在各阶层更是蔚为风尚，且迅速地融入了中国的艺术风格，发展出匠心独运的各式鼻烟壶，在清代美学工艺上大放异彩，成为清代艺术的重要标志之一。",[23,59,24,60,48,7],"日用具","葫芦式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3533b95d03cc6851a424a69089d8bf7a.jpg",[],3,{"id":65,"slug":66,"title":67,"dynasty":18,"author":19,"museum":20,"description":57,"tags":68,"thumbUrl":72,"material":32,"size":33,"collection":34,"collections":73,"showCount":63,"zanCount":11,"manualWeight":11,"mainColor":52},270099,"qian-long-kuan-huang-se-bo-li-tai-hua-fa-lang-hua-die-wen-hu-lu-shi-bi-yan-hu-yi-ming-270099","乾隆款黄色玻璃胎画珐琅花蝶纹葫芦式鼻烟壶",[23,7,48,60,69,70,71,25,59],"鼻烟壶","花蝶纹","花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faff88738882df93dc92934cf8a922fd2.jpg",[],{"id":75,"slug":76,"title":77,"dynasty":18,"author":19,"museum":20,"description":78,"tags":79,"thumbUrl":10,"material":32,"size":33,"collection":34,"collections":81,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},229268,"kang-xi-bo-li-tai-hua-fa-lang-mu-dan-lan-di-dan-ping-yi-ming-229268","康熙 玻璃胎画珐瑯牡丹蓝地胆瓶","珐琅又称“佛郎”、“法蓝”，是由中国隋唐时古西域地名拂菻音译而来。珐琅器是以珐琅为材料装饰而制成的器物，其基本成分为石英、长石、硼砂和氟化物，与陶瓷釉、琉璃、玻璃同属硅酸盐类物质。依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。\n珐琅就是将经过粉碎研磨的珐琅釉料，涂施于经过金属加工工艺制作后的金属制品的表面，经干燥、烧成等制作步骤后，所得到的复合性工艺品。珐琅工艺的制作分类很多，一般根据制作方法和胎地种类将其分类。 [2] 珐琅依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。其中掐丝珐琅器就是俗称的“景泰蓝”，15世纪中期明代景泰年间的制品尤为著称，故有景泰蓝之称。\n清代，西洋珐琅从广州传入中国，广州生产的珐琅俗称“广珐琅”，是朝廷的贡品，其中最著名的是画珐琅 ，錾胎珐琅的制作中心也在广州，透明珐琅器也以广州出产的最为著名。",[80,7,48,44,30,24],"清代",[],1777535753909]