[{"data":1,"prerenderedAt":97},["ShallowReactive",2],{"subject-bu-bing":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},7607,"bu-bing","步兵","步兵画高清赏析","精选中国历代步兵题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe64df6dfd321f04704fdaee3f6d80a08.jpg",0,3,[14,50,75],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":41,"material":42,"size":43,"collection":44,"collections":45,"showCount":47,"zanCount":48,"manualWeight":11,"mainColor":49},238124,"kang-xi-nan-xun-tu-juan-wang-hui-238124","康熙南巡图卷","清","王翚","北京故宫博物院","康熙皇帝是清朝入关以后的第二代皇帝，在位期间，为了解民情，视察河防，尤其是为平息江南地区民众的反清情绪，从康熙二十三年（1684年）到康熙四十六年（1707年）间，曾经有过6次南巡的盛举。每次南巡，皇帝一行从京师出发，时而车骑，时而舟船，一直抵达浙江的绍兴。出巡活动浩浩荡荡，兴师动众，地方官员迎来送往，花费惊人。《红楼梦》作者曹雪芹的祖父曹寅当时任江宁织造，曾数次接驾。曹雪芹在小说中借凤姐之口说：“说起当年太祖皇帝仿舜巡的故事，比一部书还热闹……只预备接驾一次，把银子花的像淌海水似的！”可见其豪华排场。\n在康熙二十八年（1689年）第二次南巡结束后，根据皇帝的命令，由曹寅之弟曹筌任“《南巡图》监画”，征召画家开始绘制《康熙南巡图》。该图共十二巨卷，详细描绘了整个南巡过程。十二卷图现已不复完整，尚存九卷，第一、第九、第十、第十一、第十二卷藏于北京故宫博物院；第二、第四卷现藏法国巴黎的吉美博物馆；第三、第七卷现藏美国纽约的大都会艺术博物馆。\n《康熙南巡图》十二卷是由著名画家王翚领衔主绘的，参与绘制的画家还有冷枚、王云、杨晋等，全图历时六年方告完成。",[23,24,25,26,27,28,29,30,31,32,33,34,35,36,37,38,7,39,40],"设色","工笔","界画","人物","楼阁","宫殿","马","队列","旗帜","树木","城墙","街道","庭院","建筑群","仪仗","骑兵","城池","门楼","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4edf3f1428ff622207f310b8322c2e7d.jpg","绢本，设色","纵67.8厘米，横1400至2600厘米","人物画精选",[44,46],"设色画精选",77,1,"BDBDBD",{"id":51,"slug":52,"title":53,"dynasty":18,"author":54,"museum":20,"description":55,"tags":56,"thumbUrl":10,"material":71,"size":72,"collection":73,"collections":74,"showCount":12,"zanCount":11,"manualWeight":11,"mainColor":49},233056,"ping-ding-hui-jiang-jiao-qin-ni-yi-zhan-tu-ce-yi-ming-233056","平定回疆剿擒逆裔战图册","佚名","本幅设色共十页，引首道光书“纉武绥边”，每开题记，又书平定回疆记事。尾纸曹振镰，文字王鼎等跋。",[57,58,59,24,23,60,26,29,61,62,32,63,64,65,66,67,68,69,38,7,31,70],"国画","书画","册","清代","骆驼","山峦","烟雾","兵器","岩石","战斗场景","硝烟","山石","植被","尘土","纸本","纵55.3cm，横90.3cm","",[],{"id":76,"slug":77,"title":78,"dynasty":18,"author":54,"museum":79,"description":80,"tags":81,"thumbUrl":93,"material":94,"size":95,"collection":73,"collections":96,"showCount":48,"zanCount":11,"manualWeight":11,"mainColor":49},238616,"ping-ding-liang-jin-chuan-de-sheng-tu-ce-yi-ming-238616","平定两金川得胜图册","藏地不详","以全景式构图铺展山地鏖战全貌，远景层叠峰峦翻涌着云雾，将战场烘托得开阔辽远。近中景两军短兵相接，骑兵策马挥刃、步兵攒射拼杀，人马错杂间，奔逃、格斗、倒地的细节纤毫毕现，将冷兵器对决的惨烈与紧张尽数铺陈。\n\n刻线刚劲利落，以明暗晕染出山石肌理、衣甲褶皱与战马肌肉起伏，精准还原战地肃杀之气，既复刻了战事的真实瞬间，也尽显清代纪实版画的写实功力，带着冷峻的纪实质感，让观者仿佛亲临烽火狼烟的古战场。",[82,83,84,38,7,85,86,87,88,66,89,90,91,92],"版画","纪实版画","山地战场","战马","峰峦","云雾","短兵相接","冷兵器","写实风格","刻线技法","肃杀氛围","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F478376db2609a5d4206824c4b09d7305.jpg","未知","Xcm*Xcm",[],1777535767595]