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:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。\n以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n玉器经历7000多年的发展，从简单的装饰品发展到古代宗教祭拜、礼仪用品，再到象征高尚道德品质的装饰品，最后上升为丰富的艺术鉴赏作品，深入反映了不同历史时期的社会发展演变过程。",[72,73,7,74,26,75],"玻璃器","花插","花卉","琺瑯器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb71231345a9a0d9c3102a8c36ec3f1e5.jpg",[],1,{"id":80,"slug":81,"title":82,"dynasty":83,"author":19,"museum":20,"description":56,"tags":84,"thumbUrl":87,"material":30,"size":31,"collection":32,"collections":88,"showCount":78,"zanCount":11,"manualWeight":11,"mainColor":89},254600,"tao-hua-cai-wu-dao-nv-li-yong-yi-ming-254600","陶画彩舞蹈女立俑","唐",[83,59,85,61,86,60,7],"设色","舞蹈","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc128483c2d4f6205c33c061e30611a6f.jpg",[],"F48FB1",{"id":91,"slug":92,"title":69,"dynasty":18,"author":19,"museum":20,"description":70,"tags":93,"thumbUrl":95,"material":30,"size":31,"collection":32,"collections":96,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},281522,"bai-yu-bo-li-cai-hua-hua-cha-yi-ming-281522",[73,28,72,7,74,94,26],"描金","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff83e96b67e5b479dc246ea1eddece34d.jpg",[],{"id":98,"slug":99,"title":100,"dynasty":18,"author":19,"museum":20,"description":101,"tags":102,"thumbUrl":107,"material":30,"size":31,"collection":32,"collections":108,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},275701,"mu-cai-hua-zhong-he-shao-le-chu-yi-ming-275701","木彩画中和韶乐柷","它作为雅乐重器，器身以工笔晕染出苑囿山水，青绿着色雅致悠然，亭台楼榭错落于烟岚翠嶂之间，层次分明古韵盎然。鎏金木框勾勒出规整形制，与工丽彩画相映，尽显庄重典雅。器身开孔契合礼乐实用之需，底座浮雕纹饰古拙繁复，凝萃着传统木作工艺的精巧。整体将绘画意趣与礼器规制相融，工细彩笔晕染出宫廷苑囿的雅致图景，鎏金构件烘托出肃穆礼制氛围，是工艺审美与礼乐功能的精妙结合，尽显传统造物之美。",[103,43,7,104,105,106,28],"乐器","界画","楼阁","山水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5a95ccd8a2d971bdad5f0c5a2abf002.jpg",[],"BDBDBD",{"id":111,"slug":112,"title":113,"dynasty":18,"author":19,"museum":20,"description":114,"tags":115,"thumbUrl":119,"material":30,"size":31,"collection":32,"collections":120,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},275454,"hong-qi-cai-hua-yun-long-wen-zhong-he-shao-le-xun-yi-ming-275454","红漆彩画云龙纹中和韶乐埙","此器取水滴之形，朱红漆地鲜亮华贵，描金纹饰灵动传神。游龙矫健盘绕，穿曳于舒卷祥云之间，线条纤细流畅，填金饱满匀净，龙身鳞爪分毫毕现，尽显遒劲威仪。祥云环簇其间，柔婉的云纹中和了龙的刚猛，让整器既有宫廷雅器的庄重规整，又带着髹漆工艺的精巧雅致。\n它将髹漆装饰与礼乐之器相融，漆面莹润亮泽，纹饰疏密相宜，静立间晕染出古雅华贵的宫廷气韵，是工艺与礼乐文化交织的精巧之作。",[103,116,117,7,118],"埙","漆器","龙纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac42100bc6021e31d544b3ec0090b005.jpg",[],{"id":122,"slug":123,"title":113,"dynasty":18,"author":19,"museum":20,"description":124,"tags":125,"thumbUrl":128,"material":30,"size":31,"collection":32,"collections":129,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},275453,"hong-qi-cai-hua-yun-long-wen-zhong-he-shao-le-xun-yi-ming-275453","朱红漆底沉稳雍容，描金游龙蜿蜒穿梭于舒卷祥云之间，龙鳞刻画细密灵动，身姿遒劲却不张扬，祥云卷转如意，金彩在暖红底色晕染下愈显华贵。\n蛋形器型温润雅致，漆色历经年月依旧饱满匀净，描金虽带着古旧的时光痕迹，却更添沉静古韵。它既是礼制雅乐之器，亦是匠心漆艺之作，将瑞龙纹融于乐器之上，暗合中正祥和的礼乐本心，静静伫立间，仿佛能窥见旧时庙堂之上的雍容乐声，藏着东方传统工艺与宫廷美学的绵长余韵。",[117,103,126,127,7],"龙","云龙纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88cd54575f9c148b82fd4dfaaab1f935.jpg",[],{"id":131,"slug":132,"title":113,"dynasty":18,"author":19,"museum":20,"description":133,"tags":134,"thumbUrl":135,"material":30,"size":31,"collection":32,"collections":136,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},275452,"hong-qi-cai-hua-yun-long-wen-zhong-he-shao-le-xun-yi-ming-275452","以朱红漆为底，描金勾勒云龙纹饰。游龙身姿矫健灵动，于卷云之间辗转腾挪，龙鳞须爪分毫毕现，云纹舒卷飘逸，烘托出磅礴威仪。\n古雅卵形器型承继远古陶埙形制，髹漆工艺令器表莹润亮泽，历久弥新。作为雅乐之用，器身开孔暗藏礼乐规制，金红配色浓烈庄重，尽显宫廷器物的华贵格调。\n它将礼器的肃穆气韵与工艺美学相融，既是可奏古雅乐声的乐器，亦是精妙考究的工艺藏品，静静承载着旧时宫廷雅乐的庄重意涵。",[103,117,126,7,127,116,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5f37b5f413ee4a04530ec463e064e2ff.jpg",[],{"id":138,"slug":139,"title":100,"dynasty":18,"author":19,"museum":20,"description":140,"tags":141,"thumbUrl":144,"material":30,"size":31,"collection":32,"collections":145,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},275451,"mu-cai-hua-zhong-he-shao-le-chu-yi-ming-275451","主体画面瑞狮蓝身翠鬃，怒目张颔，雄姿勃发，踞于石台之上。卷云纹环伺四周，衬以艳红繁花与幽绿草叶，尽显威灵祥瑞之意。侧面辅以仙山楼阁图景，烟霭缥缈，意境清逸古雅。\n\n器物以木为胎，髹金饰边，底座雕刻层叠纹饰，线条辗转流畅，尽显华贵庄重。整器融彩绘工艺与木雕技法，敷色沉厚朴拙，将礼乐重器的规整制式与传统瑞兽祈福的意趣结合，尽显手工艺的精湛水准，藏着古雅庄重的礼乐文化意涵。",[43,103,7,85,142,143],"兽","瑞兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e000b362d33c10e663ef4610652e686.jpg",[],{"id":147,"slug":148,"title":149,"dynasty":18,"author":19,"museum":20,"description":150,"tags":151,"thumbUrl":155,"material":30,"size":31,"collection":32,"collections":156,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},275450,"mu-zhi-cai-hua-zhong-he-shao-le-chu-yi-ming-275450","木质彩画中和韶乐柷","方正端庄的木胎造型，以描金边框勾勒轮廓，提亮器物形制。四壁彩绘晕染柔和雅致，海面浪涛层叠翻涌，祥云舒展缭绕，仙鹤振翅穿云，姿态灵动悠然。仙鹤伴云涛，既有海晏河清的太平祥瑞之意，也暗含长寿升平的美好祈愿。正面开孔为发声之用，将礼乐器具的肃穆礼制属性，融于传统吉祥审美意趣之中。木作髹绘工艺细致入微，色彩搭配协调和谐，把实用功能与装饰美学精妙结合，是兼具礼制内涵与艺术价值的精致器具。",[43,7,103,152,153,154],"仙鹤","云纹","水波","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdb0ff54a74819b8316a89e3cece883ab.jpg",[],{"id":158,"slug":159,"title":160,"dynasty":18,"author":19,"museum":20,"description":161,"tags":162,"thumbUrl":163,"material":30,"size":31,"collection":32,"collections":164,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},275449,"mu-cai-hua-zhong-he-shao-le-xiao-chu-yi-ming-275449","木彩画中和韶乐小柷","青绿晕染叠嶂青山，沥粉贴金勾勒殿宇飞檐，朱红宫室错落隐于苍松流云之间，宛若缥缈仙家胜境。彩画工整妍丽，设色明雅沉静，金线在木色底色映衬下愈显华贵庄重。画师将仙山楼阁的空灵意境与器物礼制感相融，笔触细致妥帖，晕染自然柔和，既带着皇家工艺的规整富丽，又借山水楼宇铺展出悠然出尘的世外意趣，尽显清代装饰绘画的工致秀雅之风。",[43,103,7,104,85,105,106],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc8b31e6025722f38f6a791425dc51c32.jpg",[],{"id":166,"slug":167,"title":168,"dynasty":18,"author":19,"museum":20,"description":169,"tags":170,"thumbUrl":173,"material":30,"size":31,"collection":32,"collections":174,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},275448,"jin-qi-cai-hua-yun-long-wen-bo-fu-gu-yi-ming-275448","金漆彩画云龙纹搏拊鼓","此器髹漆明丽莹润，鼓身饱满圆融。鼓面彩绘云龙，矫龙盘虬腾跃，云气迤逦缠绕，线条舒展灵动，设色古雅沉静，将威肃磅礴的气韵尽藏于方寸之间。鼓沿缀饰乳钉与缠枝花卉，刚柔相济，兽首衔环肌理写实，古拙雄浑，兼具实用与装饰意趣。\n\n层叠基座浮雕莲瓣、回纹，雕工圆润饱满，步步铺陈出庄重典雅的气度。整器繁简相宜，将髹漆、彩画与木雕工艺精妙融合，既有规整大气的制式美感，又不失手工营造的灵动细节，尽显传统工艺的华美厚重。",[103,43,63,171,7,118,172],"金漆","鼓","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe6d14eba31b8cb3557150fafc8bd940d.jpg",[],{"id":176,"slug":177,"title":168,"dynasty":18,"author":19,"museum":20,"description":178,"tags":179,"thumbUrl":180,"material":30,"size":31,"collection":32,"collections":181,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":89},275447,"jin-qi-cai-hua-yun-long-wen-bo-fu-gu-yi-ming-275447","鼓身饱满丰润，金漆裹身明丽莹润，尽显华贵气韵。鼓面彩绘云龙，龙躯矫健腾跃，云纹迤逦环绕，设色调和古雅，走线细腻灵动，将瑞兽神威描摹得淋漓尽致。鼓身以朱红铜珠为饰，兽首系钮浮雕凸起，为莹润金漆增添威严厚重之感。\n\n下配须弥雕花底座，层叠繁复，自上而下雕饰莲瓣、卷草纹样，层次分明繁而不杂，将整器的庄重典雅烘托到极致。集髹漆、彩画、雕刻工艺于一身，尽显造器极致匠心，是礼制器物与美学工艺融合的典范。",[103,172,43,171,7,118,63,117],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff877262fc8400b27837a103b7f75241e.jpg",[],{"id":183,"slug":184,"title":185,"dynasty":18,"author":19,"museum":20,"description":186,"tags":187,"thumbUrl":189,"material":30,"size":31,"collection":32,"collections":190,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},273001,"mu-hong-qi-cai-hua-yun-fu-wen-gan-xiang-bi-dao-yi-ming-273001","木红漆彩画云蝠纹杆象鼻刀","刀为单面长刃的短兵器。同时泛指可用于切、削、割、剁、刺的工具，与匕首合称亦为膳食器。刀的最初形态，与钺非常接近。其形状为短柄，翘首，刀脊无饰，刃部较长。到春秋战国时期，刀的形状发生巨大变化，两汉时，刀逐渐发展为步兵的主战兵器之一如环首刀，同时出现了许多不同形式的长柄刀。铜刀存世数量不多，体形均轻薄，最厚处仅0.35厘米，其形制粗分有短柄翘首刀、长柲卷首刀、平刃刀、曲刃刀等数类。\n在原始社会，古人类就用石头、蚌壳、兽骨打制成各种形状的刀。他们选用的石头多半是石英石、砂岩，也有燧石和水晶石。用这些石料打制成的石刀质坚棱利，是很好的砍劈工具。其次是用蚌壳和兽骨磨制的蚌刀、骨刀，这类刀轻便锋利，适于砍削器物。同样古人不仅用刀作为劳动工具，还随身携带作为防身自卫的武器。\n以雄浑、豪迈、挥如猛虎的风格而驰名的兵器，在十八般武器中排名第一。清朝诗人郑世元这样描写道：“秋水飞双腕，冰花散满身。柔看绕肢体，纤不动埃尘。闪闪摇银海，团团滚玉轮。声驰惊白帝，光乱失青春。杀气腾幽朔，寒芒泣鬼神。舞余回紫袖，萧飒满苍旻。”",[41,188,117,43,7,45],"刀","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8580634bd665e421415d31ae017608bf.jpg",[],{"id":192,"slug":193,"title":194,"dynasty":18,"author":19,"museum":20,"description":195,"tags":196,"thumbUrl":199,"material":30,"size":31,"collection":32,"collections":200,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},272920,"mu-lv-qi-cai-hua-long-xi-zhu-wen-ling-jian-yi-ming-272920","木绿漆彩画龙戏珠纹令箭","绿漆为底，朱红堆塑游龙戏珠，龙身矫健蜿蜒，爪探珠光，鬃须灵动欲飞，间以星点纹样点缀，红绿撞色鲜明醒目，古雅中尽显威严。\n彩绘填色饱满厚重，线条婉转流畅，匠者细致勾勒龙纹每一处细节，将神龙的威仪气势凝练在尺幅令箭之上。素净木匣衬得令箭愈发华丽庄重，沉淀着岁月厚重质感，既见手工技艺的细腻功底，也承载着传统仪典器物自带的肃穆气质。",[43,117,7,126,197,198],"龙戏珠","令箭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F57ace0b95c7335b0a92fd8e99705feae.jpg",[],{"id":202,"slug":203,"title":204,"dynasty":18,"author":19,"museum":20,"description":205,"tags":206,"thumbUrl":209,"material":30,"size":31,"collection":32,"collections":210,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":109},272914,"mu-hei-qi-cai-hua-yun-fu-wen-bing-tu-jin-fen-jian-yi-ming-272914","木黑漆彩画云蝠纹柄涂金粉锏","锏身修长沉凝，涂金粉虽随年月失却鲜亮光泽，却依旧能窥见曾经的煊赫气场，带着钝器独有的厚重威严。柄身以黑漆为底，彩绘云蝠纹饰，流云缱绻舒卷，灵蝠翩跹其间，借谐音暗藏纳福祈祥的美好寓意，漆黑底色衬得纹样愈发生动雅致，是传统吉祥纹饰的精妙演绎。锏格兽首浮雕线条遒劲凌厉，怒目贲张，凭瑞兽威仪为器物更添几分凶煞气势，兼顾装饰与实用。整器将武备实用性、工艺美学与吉祥意趣相融，尽显旧时匠人巧思。",[41,207,43,45,208,117,7],"锏","涂金粉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F77da487f405d0ae86e01e3fe23c37f31.jpg",[],{"id":212,"slug":213,"title":214,"dynasty":18,"author":19,"museum":20,"descript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