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Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[92,93,28,94,95,96,97,98,99,100,101,7,102],"油画","写实","农民","室内","餐桌","食物","土豆","灯光","帽子","桌布","陶罐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ac89d1b40110f8532a8673a728e26b9.jpg","未知","Xcm*Xcm","油画精选",[106],8,"37474F",{"id":111,"slug":112,"title":113,"dynasty":52,"author":114,"museum":89,"description":115,"tags":116,"thumbUrl":123,"material":104,"size":105,"collection":78,"collections":124,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":47},273105,"yin-xiao-wan-yi-ming-273105","银小碗","佚名","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。",[117,118,119,69,7,120,121,122],"银器","陶瓷","日用具","金属器","瓷器","饮具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F37ca0b71f72b9dcfe90ab5b26b81cea1.jpg",[],{"id":126,"slug":127,"title":128,"dynasty":52,"author":114,"museum":89,"description":129,"tags":130,"thumbUrl":135,"material":104,"size":105,"collection":78,"collections":136,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":82},281489,"bai-tong-ke-hua-hua-xue-bing-can-ju-du-yin-dao-yi-ming-281489","白铜刻花化学柄餐具-镀银刀","刀为单面长刃的短兵器。同时泛指可用于切、削、割、剁、刺的工具，与匕首合称亦为膳食器。刀的最初形态，与钺非常接近。其形状为短柄，翘首，刀脊无饰，刃部较长。到春秋战国时期，刀的形状发生巨大变化，两汉时，刀逐渐发展为步兵的主战兵器之一如环首刀，同时出现了许多不同形式的长柄刀。铜刀存世数量不多，体形均轻薄，最厚处仅0.35厘米，其形制粗分有短柄翘首刀、长柲卷首刀、平刃刀、曲刃刀等数类。\n在原始社会，古人类就用石头、蚌壳、兽骨打制成各种形状的刀。他们选用的石头多半是石英石、砂岩，也有燧石和水晶石。用这些石料打制成的石刀质坚棱利，是很好的砍劈工具。其次是用蚌壳和兽骨磨制的蚌刀、骨刀，这类刀轻便锋利，适于砍削器物。同样古人不仅用刀作为劳动工具，还随身携带作为防身自卫的武器。\n以雄浑、豪迈、挥如猛虎的风格而驰名的兵器，在十八般武器中排名第一。清朝诗人郑世元这样描写道：“秋水飞双腕，冰花散满身。柔看绕肢体，纤不动埃尘。闪闪摇银海，团团滚玉轮。声驰惊白帝，光乱失青春。杀气腾幽朔，寒芒泣鬼神。舞余回紫袖，萧飒满苍旻。”",[131,119,7,132,117,133,134],"器","铜制","雕刻","刀具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd33a07b2b9d9386b28ec73f4525152bf.jpg",[],{"id":138,"slug":139,"title":140,"dynasty":52,"author":114,"museum":89,"description":141,"tags":142,"thumbUrl":145,"material":104,"size":105,"collection":78,"collections":146,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":82},281487,"bai-tong-ke-hua-hua-xue-bing-can-ju-du-yin-cha-yi-ming-281487","白铜刻花化学柄餐具-镀银叉","这枚餐叉藏着中西交融的旧时光影，镀银叉头凝着氧化旧痕，修长双齿依旧利落挺括，锻打衔接处可见往昔细致做工。米黄色仿牙握柄温润趁手，与白铜装具晕开柔和的色彩层次，金属箍边凝着深褐包浆，带着经年使用留下的烟火温度。它褪去初时亮泽，将西洋饮食风尚与本土制器工艺悄然相融，旧迹里藏着往昔日常的细碎暖意，静静留存着年代特有的器物风情。",[131,119,143,7,132,117,133,144],"饪食器","镀银","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F63258f96e57e6b4f95c9e42f4bcab03a.jpg",[],{"id":148,"slug":149,"title":150,"dynasty":52,"author":114,"museum":89,"description":151,"tags":152,"thumbUrl":155,"material":104,"size":105,"collection":78,"collections":156,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":82},281486,"bai-tong-ke-hua-hua-xue-bing-can-ju-liu-leng-cuo-yi-ming-281486","白铜刻花化学柄餐具-六棱锉","骨质握柄莹润素净，端头回纹雕饰带着古雅规整之态，金属柄托缠枝纹晕开柔婉复古意趣。六棱锉身浮锈晕染，带着旧时光的厚重痕迹，刃身暗錾纹路藏着手作匠心。\n\n温润骨材与沉哑金属撞出柔和层次，没有繁复堆砌，将素雅与精致融于一体。它从旧时光里走来，带着日常餐具的烟火温度，藏着旧时餐席间的雅致审美，静静诉说着慢调的生活风雅，是实用器物里揉进的旧日意韵。",[132,133,7,119,131,153,154],"铁器","刻花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe7fd7fd7a78dc214d6024dee53a17100.jpg",[],{"id":158,"slug":159,"title":160,"dynasty":52,"author":114,"museum":89,"description":129,"tags":161,"thumbUrl":164,"material":104,"size":105,"collection":78,"collections":165,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},274070,"niu-jiao-bing-qiao-dao-yi-ming-274070","牛角柄鞘刀",[131,153,117,162,163,119,134,7],"象牙","布料","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F00fac507e1d11e2823925c7cbe08385a.jpg",[],{"id":167,"slug":168,"title":169,"dynasty":52,"author":114,"museum":89,"description":129,"tags":170,"thumbUrl":173,"material":104,"size":105,"collection":78,"collections":174,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},274063,"dai-mao-xiang-tong-qiao-dao-yi-ming-274063","玳瑁镶铜鞘刀",[131,119,171,172,132,162,153,7],"兵器","玳瑁","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F916b725a85bc0cab63f8c01c298e378a.jpg",[],{"id":176,"slug":177,"title":178,"dynasty":52,"author":114,"museum":89,"description":179,"tags":180,"thumbUrl":186,"material":104,"size":105,"collection":78,"collections":187,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":82},273390,"zi-tan-xiang-jin-tou-ma-nao-qian-jin-yin-zhu-yi-ming-273390","紫檀镶金头玛瑙嵌金银箸","这套器具将诸般工艺精妙糅合，紫檀箸身内敛沉静，鎏金筷头华贵夺目，玛瑙顶珠莹润温婉，嵌金银缠枝纹在墨色底色上灵动舒展，雅致又不失华贵。餐刀刀柄沿用紫檀材质，与箸身呼应协调，锋刃利落爽利。珐琅刀鞘以宝蓝为底，填饰鎏金卷草纹，色泽鲜亮富丽，纹饰婉转流畅。整组器物将硬木、贵金属、宝玉石与珐琅工艺相融，尽显选材考究、工致精巧的特质，承载着旧时饮馔之间的雅奢意趣。",[119,143,181,182,183,184,7,185],"金器","玛瑙","紫檀","珐琅器","镶嵌工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd8338ec2bf95c58043791ad9096d6e6.jpg",[],{"id":189,"slug":19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[2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[207,208,232,209,210,211,7,233],"黑漆","方盘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ac257cf5ac14db79b4ed78c283a472b.jpg",[],{"id":237,"slug":238,"title":229,"dynasty":52,"author":114,"museum":89,"description":230,"tags":239,"thumbUrl":242,"material":104,"size":105,"collection":78,"collections":243,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},248698,"hei-qi-miao-jin-chan-zhi-lian-tuan-jin-wen-cheng-fen-can-ju-jiang-se-fang-pan-yi-ming-248698",[207,208,222,210,211,212,233,7,209,240,241],"纹饰","日用器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff675eebabefeb23603f3e8bde1b44632.jpg",[],{"id":245,"slug":246,"title":247,"dynasty":52,"author":114,"museum":89,"description":248,"tags":249,"thumbUrl":251,"material":104,"size":105,"collection":78,"collections":252,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":82},248697,"hei-qi-miao-jin-chan-zhi-lian-tuan-jin-wen-cheng-fen-can-ju-jiang-se-gai-hu-yi-ming-248697","黑漆描金缠枝莲团锦纹成份餐具-酱色盖壶","此壶造型简约隽秀，筒状器身饱满挺括，短流圆把线条舒展协调，与器身浑然一体。酱色漆层匀净莹润，色泽沉静醇厚，盖沿以玄色镶边，明暗撞色更衬出漆色的温润质感。无过多纹饰缀饰，以素净之态凸显漆艺本身的雅致韵味，将日常饮茶的实用需求与古典审美精妙相融，尽显内敛克制的东方美学意趣，静静流露着传统工艺的沉静之美。",[207,222,210,211,7,208,250,212],"盖壶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbee5ceceb0bb78ac2049a15301aaa67d.jpg",[],{"id":254,"slug":255,"title":205,"dynasty":52,"author":114,"museum":89,"description":115,"tags":256,"thumbUrl":259,"material":104,"size":105,"collection":78,"collections":260,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":82},248696,"hei-qi-miao-jin-chan-zhi-lian-tuan-jin-wen-cheng-fen-can-ju-jiang-se-wan-yi-ming-248696",[207,208,209,210,211,119,213,212,7,257,258],"缠枝莲","团锦","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1affa543c5204efe946d218ee69953de.jpg",[],{"id":262,"slug":263,"title":264,"dynasty":52,"author":114,"museum":89,"description":265,"tags":266,"thumbUrl":269,"material":104,"size":105,"collection":78,"collections":270,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":82},248692,"hei-qi-miao-jin-chan-zhi-lian-tuan-jin-wen-cheng-fen-can-ju-jiang-se-die-yi-ming-248692","黑漆描金缠枝莲团锦纹成份餐具-酱色碟","这只碟盏釉色匀净莹润，如凝炼的赤枫秋色，沉稳又带着温润暖意。口沿以乌金镶边，于敦朴器型间晕开一笔利落隽秀，浅坦的器身线条舒缓收束至底足，弧韵柔和雅致。\n\n它以素净釉色替代繁复雕绘，将东方极简美学藏于克制之中，釉面如凝脂般细腻沉静，触手温凉，尽显内敛端方的古典意蕴，静静安放间，便晕开一室雅致清宁。",[52,208,118,209,210,211,267,7,268],"碟","酱色釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0cf00b6cf2d5b5bc1a25a691a24cdb55.jpg",[],{"id":272,"slug":273,"title":264,"dynasty":52,"author":114,"museum":89,"description":274,"tags":275,"thumbUrl":276,"material":104,"size":105,"collection":78,"collections":277,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":82},248690,"hei-qi-miao-jin-chan-zhi-lian-tuan-jin-wen-cheng-fen-can-ju-jiang-se-die-yi-ming-248690","此碟器形舒展雅致，敞口浅腹搭配利落高足，线条婉转柔和，勾勒出极简风骨。通体酱红釉色匀净莹润，仿若凝炼的琥珀，在光影中晕开温润光泽，不见多余修饰，将素净之美推到极致。\n\n舍去繁缛纹饰，仅以纯粹釉色与极简器形传递东方意韵，留白间尽显内敛沉静的中式美学，暗合素雅平朴的古典审美，于素净里藏着匠心格调，是古典造物里极简雅致的典范。",[207,208,209,210,211,267,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd6bcf4eb0829e53d06f7a457c67af2e.jpg",[],{"id":279,"slug":280,"title":281,"dynasty":52,"author":114,"museum":89,"description":282,"tags":283,"thumbUrl":284,"material":104,"size":105,"collection":78,"collections":285,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":82},248688,"hei-qi-miao-jin-chan-zhi-lian-tuan-jin-wen-cheng-fen-can-ju-jiang-se-die-yi-ming-248688","黑漆描金缠枝莲团锦纹成份餐具--酱色碟","敞口浅腹搭配利落挺拔的高圈足，器型舒展简约，线条温婉流畅，尽显内敛雅致的清代造物意趣。通体施酱红漆，漆面匀净莹润，色泽沉穆内敛如琥珀凝脂，低调间尽显雅致质感。\n它褪去繁饰，以素净之态诠释器物本真之美，将实用与审美融于一体，尽显传统漆作工艺的含蓄匠心，静静诉说旧时食案间的雅致意趣，是清代日常漆作中素雅隽永的典型。",[52,208,209,210,211,267,7,212],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F58990efddc0c8a9ba4b546d6f60f8377.jpg",[],{"id":287,"slug":288,"title":205,"dynasty":52,"author":114,"museum":89,"description":115,"tags":289,"thumbUrl":290,"material":104,"size":105,"collection":78,"collections":291,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},248684,"hei-qi-miao-jin-chan-zhi-lian-tuan-jin-wen-cheng-fen-can-ju-jiang-se-wan-yi-ming-248684",[208,222,210,211,7,213,212,207],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F74b063ef96f6b9040f1b37dfa5d8b445.jpg",[],{"id":293,"slug":294,"title":264,"dynasty":52,"author":114,"museum":89,"description":295,"tags":296,"thumbUrl":297,"material":104,"size":105,"collection":78,"collections":298,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},248680,"hei-qi-miao-jin-chan-zhi-lian-tuan-jin-wen-cheng-fen-can-ju-jiang-se-die-yi-ming-248680","这只漆碟通体覆着匀净的酱色漆衣，莹润如凝脂，内敛沉静。仅在口沿以乌金窄边勾勒轮廓，于素朴中添了一分利落的分寸感。\n\n弧腹自口沿缓缓收至圈足，线条舒展柔和，似一弯浅月落于案上，器型周正婉约。舍弃繁复纹饰，全凭漆色与造型传递雅致意蕴，将极简美学融入日常食器。虽为餐碟，却自带安然古雅的气质，触摸间仿佛能窥见旧时案头的烟火闲情，尽显内敛克制的东方意趣，把日常器物打磨成了含蓄的审美载体。",[208,222,210,211,7,267],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F092b966b4534272078db71d9fb40f887.jpg",[],{"id":300,"slug":301,"title":264,"dynasty":52,"author":114,"museum":89,"description":302,"tags":303,"thumbUrl":304,"material":104,"size":105,"collection":78,"collections":305,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":306},248677,"hei-qi-miao-jin-chan-zhi-lian-tuan-jin-wen-cheng-fen-can-ju-jiang-se-die-yi-ming-248677","敞口弧腹，下承矮圈足，器型线条圆融舒展，自带端庄雅致的气韵。通身髹饰酱红漆，漆面匀净莹润，如琥珀凝光，在光线下漾出柔和内敛的柔光。口沿以细黑料勾边，在温润的底色间勾勒出利落轮廓，极简之中拿捏住精致分寸。\n\n它摒弃繁复纹饰，以素色凸显漆质本身的肌理美感，将日常实用器具打磨成兼具审美意趣的雅物，尽显中式美学里含蓄克制的雅致底蕴，是清代髹漆工艺极简美学的精巧体现。",[207,208,222,210,211,267,7,212,209,257],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9c1fd2aa2d1af72d31663e93fe51a282.jpg",[],"F48FB1",1777535717802]